Thank you, that prints a "NC" in the proper place but also prints the C
chord name immediately prior to the NC.
Oops !
just a mistake; write : \hspace #-2 and not #2
NCString = { -\markup { \whiteout { \hspace #-2 " N.C." }}}
--
Martial
___
Neil Puttock schrieb:
2009/5/2 Marc Hohl :
I have made some observations concerning \glissando:
1) accidentals are not recognised properly; I know this is in the bug list
and there are workarounds,
see http://lists.gnu.org/archive/html/bug-lilypond/2005-08/msg00235.html
This isn't at
hi,
we really need to get 2.12 into debian asap
it seems that the maintainer is too busy with other stuff at the moment as it
seems that all threads re this on debian maintainer page have gone dead.
perhaps someone else can do a non-maintainer upload? i'm not sure about the
ettiquette or debian p
Thank you for you pointing me to that LSR snippet,
unfortunately it did not solve my problem.
It seems Lilypond generally does by itself what I need,
but is getting confused where it should not be...
My particular situation was that I had something like " a8[a[a a]" in the
beginning of the score
2009/5/9 Marc Hohl :
> I tried to receive the informations needed by overriding the Glissando
> #'stencil with
> a function which simply displays the values obtained by the ly:spanner-bound
> call
> before calling ly:line-spanner::print, but I get only # on
> the terminal.
>
> What am I doing wro
2009/5/8 -Eluze :
>
> in this snippet the right hand finger indication is not placed above the note
> and below the slur as excpected, even if there is plenty of space - any
> hints?
> \version "2.12.2"
> {
> \override Slur #'outside-staff-priority = #5000
>
> \set strokeFingerOrientations =#'(U
Mark Austin wrote:
Thanks,
This works a treat. Exactly what I wanted. However (inevitably) it has
lead to another problem. The
Mark, your message stops mid-sentence. Don't leave us hanging, man!
Jon
--
Jonathan Kulp
http://www.jonathankulp.com
I have a series of dotted rhythms (16. 32, etc.) and the slur above them
doesn't avoid the dots on the 16th notes. What is the best way to fix this?
An excerpt from my project is like this:
\include "english.ly"
<< \clef tenor \key a \major \relative c'
{\stemUp b'8-3( \stemDown cs,16.[ ds32])
I'm writing a percussion part and would like to set volume levels for
accent markings (<). I'm able to do this using dynamics markings (ff,
pp, etc.) but have not found a way to do this with accent markings.
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lilypond-user@
2009/5/9 bosmutus :
>
> I have a series of dotted rhythms (16. 32, etc.) and the slur above them
> doesn't avoid the dots on the 16th notes. What is the best way to fix this?
Try tweaking the slur's height-limit:
\once \override Slur #'height-limit = #2.5
Regards,
Neil
2009/5/7 Mario Moles :
> Perdonatemi ma non so l'inglese. Provo comunque a spiegarmi.
> Vorrei sapere se c'è un modo per "fissare" una distanza tra \markup e nota
> in modo da non "aggiustare" nota per nota la distanza. Io uso i \markup
> perchè mi servono le lettere con ^ incolonnate!
> Allego un
2009/5/9 Mario Moles :
> Grazie mille! Ora non mi resta che mettere tutto a posto!
> Grazie ancora!
You're welcome. :)
I can't bear to see somebody having to use 'extra-offset when there's
(usually) a much better solution. ;)
Regards,
Neil
___
lilypo
That changed the slur, but not enough to avoid the collision. Any other
suggestions?
--
View this message in context:
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Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com.
_
Neil Puttock wrote:
>
>
>> \set strokeFingerOrientations =#'(UP)
>
> Change this to \set strokeFingerOrientations = #'(up)
>
> `UP' isn't the same as `up' here; it gets converted to 1, which the
> engraver can't deal with when working out the positioning.
>
thanks a lot - this really helps
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Am Samstag, 9. Mai 2009 16:56:39 schrieb Rob Canning:
> hi,
> we really need to get 2.12 into debian asap
> it seems that the maintainer is too busy with other stuff at the moment as
> it seems that all threads re this on debian maintainer page have go
Isn't working "quite right" and I can't see how to fix it (12.2).
I've got a piece that I would like to fit on 3 pages (it insists on
going to 4 :-( but it also insists on breaking at rests after page 1 and
3. There's a rest on the last line of page 2 that it should break after,
which would th
On Sun, 2009-05-10 at 00:18 +0100, Anthony W. Youngman wrote:
> Isn't working "quite right" and I can't see how to fix it (12.2).
>From the content of your email, I suppose you mean page-turn-breaking
rather than optimal-breaking?
>
> I've got a piece that I would like to fit on 3 pages (it insi
I have a series of dotted rhythms (16. 32, etc.) and the slur above them
doesn't avoid the dots on the 16th notes. What is the best way to fix this?
(Is there a way to add padding above the notes with the dots?)
An excerpt from my project is like this:
\include "english.ly"
<< \clef tenor \key a
Oops,
I've been having some problems with my internet provider. What I meant
to say was:
This works a treat. Exactly what I wanted. However (inevitably) it has
lead to another problem. The right bracket sometimes collides with the
following bar line. Is there a way of increasing the distance betw
Hello,
I am working on typesetting some music examples from a 17th century
book on how to improvise. I am having trouble figuring out how to
set one example in particular. The example is showing concords and
discords. It has an 11 line staff where the lines are spread out to
allow room for not
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