Carl D. Sorensen schrieb:
If I understand correctly, you have a group of interested users who are
working on defining how Tablature should behave.
You also have a couple of tablature users who are interested in becoming
Frogs and thus joining the development team (Marc is one of them, IIRC).
W
I think you should also add:
\override TabVoice.Tie #'transparent = ##t
Yes, of course. But then another problem occurs: if the tie isn't
visible, it looks as if there are two distinct
notes. Therefore, I think strongly about a scheme function (which at the
end should be hidden in the
Tab
2009/4/1 Christ van Willegen :
> On Tue, Mar 31, 2009 at 11:55 PM, Trevor Daniels
> wrote:
>> They vary, but Firefox has a recognised certificate
>> which identifies the publisher as Mozilla Corporation.
>> The certificate was issued by Thawte Code Signing CA.
>
> ...and those certificates are $5
Marc Hohl wrote:
I think you should also add:
\override TabVoice.Tie #'transparent = ##t
Yes, of course. But then another problem occurs: if the tie isn't
visible, it looks as if there are two distinct
notes. Therefore, I think strongly about a scheme function (which at
the end should be
Hello,
I have a "Theme and Variations" questions. I started notating a piece
what could be handled with (3.1.2 "Multiple scores in a book", see also
http://lsr.dsi.unimi.it/LSR/Item?id=310). But I need a lot of layout
setup in the PianoStaff, that is bound to the \score. Further I would
like
In message <49d32d78.8070...@gmx.net>, Helge Kruse
writes
>Hello,
>
>I have a "Theme and Variations" questions. I started notating a piece
>what could be handled with (3.1.2 "Multiple scores in a book", see also
>http://lsr.dsi.unimi.it/LSR/Item?id=310). But I need a lot of layout setup in
>the Pi
2009/4/1 Francisco Vila :
> At the same time, you all know what's the relation between the article
> and LilyPond: although not mentioned in the text, the first opera by
> Valentin Villenave is licensed as free software, and it has been fully
> typeset using Lily. It has been a remarkable absolute
Marc Hohl wrote:
I think you should also add:
\override TabVoice.Tie #'transparent = ##t
Yes, of course. But then another problem occurs: if the tie isn't
visible, it looks as if there are two distinct
notes. Therefore, I think strongly about a scheme function (which at
the end should b
On 4/1/09 1:09 AM, "Marc Hohl" wrote:
> Carl D. Sorensen schrieb:
>>
>>
> Would it be easier to define two separate staff commands? In my files, I
> define
>
> noten = \relative c { c d e f }
>
> and feed this into a Staff AND a TabStaff. So, why not create a compound
> Staff (called \Mus
David Stocker wrote:
Marc Hohl wrote:
I think you should also add:
\override TabVoice.Tie #'transparent = ##t
Yes, of course. But then another problem occurs: if the tie isn't
visible, it looks as if there are two distinct
notes. Therefore, I think strongly about a scheme function (whic
Le 1 avr. 09 à 13:41, Valentin Villenave a écrit :
No matter the value of this project itself (or possibly lack thereof,
time will tell), what makes me proud is that I've been able to pursue
the path opened by people like Nicolas Sceaux, Kieren, Trevor B., Jose
Padovani and several others, and t
Hello, all!
LilyPond scores are used for real, serious stuff.
This gets me to thinking... the website should have a section listing
recent productions & performances which used Lilypond scores!
What does everyone think?
Regards,
Kieren.
___
lil
2009/4/1 Kieren MacMillan :
> This gets me to thinking... the website should have a section listing recent
> productions & performances which used Lilypond scores!
> What does everyone think?
Sure!
Regards,
Valentin
___
lilypond-user mailing list
lily
Kieren MacMillan wrote:
Hello, all!
LilyPond scores are used for real, serious stuff.
This gets me to thinking... the website should have a section listing
recent productions & performances which used Lilypond scores!
What does everyone think?
Genius idea. Nicolas, are they using your e
2009/4/1 Nicolas Sceaux :
> The première of Haendel's Giulio Cesare in Romania was perfomed using
> a LilyPond score, as will be the première of Lully's Armide in Houston,
> or instrumental pieces from Rameau's Hippolyte et Aricie next month in
> New York, and the full opera next year in England. L
2009/4/1 Kieren MacMillan :
> Hello, all!
>
>> LilyPond scores are used for real, serious stuff.
>
> This gets me to thinking... the website should have a section listing recent
> productions & performances which used Lilypond scores!
> What does everyone think?
Definitely, it should.
--
Francis
Le 1 avr. 09 à 19:55, Jonathan Kulp a écrit :
Kieren MacMillan wrote:
Hello, all!
LilyPond scores are used for real, serious stuff.
This gets me to thinking... the website should have a section
listing recent productions & performances which used Lilypond scores!
What does everyone think?
Le 1 avr. 09 à 20:17, Francisco Vila a écrit :
2009/4/1 Nicolas Sceaux :
The première of Haendel's Giulio Cesare in Romania was perfomed using
a LilyPond score, as will be the première of Lully's Armide in
Houston,
or instrumental pieces from Rameau's Hippolyte et Aricie next month
in
New Y
I have been entering a seven part piece by Schutz; 2 voice + 5 instrumental.
To help the performers I have been making extensive use of cue notes between
all seven parts.
I have been using Lilypond 2.12.2 with the latest jedit/Lilypond tool.
Currently it is a clean, new install since I uninstall
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On Mittwoch, 1. April 2009 19:25:02 Nicolas Sceaux wrote:
> Le 1 avr. 09 à 13:41, Valentin Villenave a écrit :
> > No matter the value of this project itself (or possibly lack thereof,
> > time will tell), what makes me proud is that I've been able to
On Wed, Apr 01, 2009 at 07:38:30AM +0200, Christ van Willegen wrote:
> On Tue, Mar 31, 2009 at 11:55 PM, Trevor Daniels
> wrote:
> > They vary, but Firefox has a recognised certificate
> > which identifies the publisher as Mozilla Corporation.
> > The certificate was issued by Thawte Code Signing
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