In message <874oyl28nj.wl%pe...@chubb.wattle.id.au>, Peter Chubb
writes
>> "Trevor" == Trevor Daniels writes:
>
>Trevor> Hmm. Not sure it's a bug. The \transpose command transposes
>
>I think it is (and I reported it as one some time ago).
>
>The point of \transposition is to notate a Staff
Anthony W. Youngman wrote
In message <874oyl28nj.wl%pe...@chubb.wattle.id.au>, Peter Chubb
writes
"Trevor" == Trevor Daniels writes:
Trevor> Hmm. Not sure it's a bug. The \transpose command
transposes
I think it is (and I reported it as one some time ago).
The point of \transposition
Op dinsdag 24 februari 2009, schreef Grammostola Rosea:
> \new Staff \with {
> midiInstrument = "acoustic bass"
> } { *\clef "bass_8"* \bass }
> \new TabStaff \with {
> stringTunings = #bass-tuning
> } \bass
If this is the most used way, ( \clef "bass_8" for Acoustic o
Wilbert Berendsen wrote:
Op dinsdag 24 februari 2009, schreef Grammostola Rosea:
\new Staff \with {
midiInstrument = "acoustic bass"
} { *\clef "bass_8"* \bass }
\new TabStaff \with {
stringTunings = #bass-tuning
} \bass
If this is the most used way, ( \cle
Carl, you wrote Tuesday, February 24, 2009 1:43 AM
On 2/23/09 12:52 PM, "Maarten Deen" wrote:
I have a piece of music in 3/4 which has bars like { d4. c8 b8.
a16 }
Lilypond groups the last three notes together, making it look
like a 6/8
measure, but I want the c8 to be separate and only the
Strangely enough, the solution is to use the following strategy:
#(set-global-staff-size 13)
\book{
% Complete score
...
}
#(set-global-staff-size 20)
\book{
% Part 1
...
}
...
/Mats
Martin Tarenskeen wrote:
Hi Lilyponders,
I'm trying to set up a score with a piece for 4 piano's.
I have
> "Trevor" == Trevor Daniels writes:
Trevor> Producing the correct pitch in MIDI for transposing
Trevor> instruments being notated at pitch is certainly the principal
Trevor> use of \transposition. It's other use is to transpose cues
Trevor> into the correct pitch when they appear in other
Peter Chubb wrote Tuesday, February 24, 2009 10:28 AM
"Trevor" == Trevor Daniels writes:
Trevor> Producing the correct pitch in MIDI for transposing
Trevor> instruments being notated at pitch is certainly the
principal
Trevor> use of \transposition. It's other use is to transpose
cues
Tre
By convention, double-bass and electric bass are notated using a
standard bass clef with the understanding that the notes sound one
octave lower than they appear on the staff. Guitar is the same way, but
it is becoming more common to to use a modern tenor clef (i.e.
"treble_8") now than in the
I'm working on the first group of "missing" LilyPond Tab features and it
pertains to finger bends. I expect this to be a slow process. We have
two (or maybe three) individuals who have expressed interest in joining
the discussion, so when I have something, I'll send it out to those
individuals
David Stocker wrote:
By convention, double-bass and electric bass are notated using a
standard bass clef with the understanding that the notes sound one
octave lower than they appear on the staff. Guitar is the same way, but
it is becoming more common to to use a modern tenor clef (i.e.
"trebl
Editorially, I prefer the treble_8 clef as well, but I think it's safe
to say that most readers (to the extent they notice at all) are more
accustomed to seeing the regular "treble" and "bass" clefs, as opposed
to "treble_8" or "bass_8."
Dave
Jonathan Kulp wrote:
David Stocker wrote:
By conv
David Stocker wrote:
Editorially, I prefer the treble_8 clef as well, but I think it's safe
to say that most readers (to the extent they notice at all) are more
accustomed to seeing the regular "treble" and "bass" clefs, as opposed
to "treble_8" or "bass_8."
Dave
Jonathan Kulp wrote:
David
grisu_76 wrote:
>
> but when I'm using it in the code as f.i. ^\roundTr, the trill-symbol and
> the leading parenthese are printed one upon the other; the trailing
> parenthese is printed correct;
>
you can force the spacing by adding \translate... after the first
parenthesis:
roundTr = \mark
On 2/24/09 2:46 AM, "Trevor Daniels" wrote:
>
>
> Carl, you wrote Tuesday, February 24, 2009 1:43 AM
>
>> On 2/23/09 12:52 PM, "Maarten Deen" wrote:
>>
>>> I have a piece of music in 3/4 which has bars like { d4. c8 b8.
>>> a16 }
>>> Lilypond groups the last three notes together, making i
Dear lilypond-users,
I tried to install Frescobaldi from source.
But I get the following error message:
The C++ compiler "CMAKE_CXX_COMPILER-NOTFOUND" is not able to compile a
simple test program.
I don't undertand the meaning of it-
I use Kubuntu, with KDE 4.2
_
Since pickups conventionally are subtracted from the last measure of a
section, a future edition might change "\partial" to "partial {}" where
the beat/measure count could be correctly adjusted across the section.
M Watts wrote:
>
> jpeters wrote:
>> One way to do this is with measureLength:
Le 23 févr. 09 à 10:36, Michael Käppler a écrit :
Hi,
I don't know if it will work, but perhaps you can try to type
\displayMusic {<< \clef #testclef a4 h c >>} to get the scheme
version of your music,
and to copy/paste the output you got after the #:score markup ...
good idea! But it stil
Hello Everybody,
I sent this question to the freebsd port maintainer, but I also wanted to
ask this list. I'm trying to build lilypond from the free port
(print/lilypond) and I'm getting a seg fault from Ghostscript. I was
wondering if anybody has seen this problem. Here is the error I get from th
On Tue, Feb 24, 2009 at 11:16:33AM +0100, Mats Bengtsson wrote:
> Strangely enough, the solution is to use the following strategy:
Thank you. There are (many) times that I don't yet completely understand
the logic behind Lilypond. This was one of them. Good to have this
mailinglist :-)
>
> #(s
I am interested in contributing financially.
David Stocker wrote:
I'm working on the first group of "missing" LilyPond Tab features and it
pertains to finger bends. I expect this to be a slow process. We have
two (or maybe three) individuals who have expressed interest in joining
the discu
Stefan Thomas wrote:
> I tried to install Frescobaldi from source.
> But I get the following error message:
> The C++ compiler "CMAKE_CXX_COMPILER-NOTFOUND" is not able to compile a
> simple test program.
> I don't undertand the meaning of it-
> I use Kubuntu, with KDE 4.2
It looks to me like yo
On Tue, Feb 24, 2009 at 01:03:00PM -0700, Glen Hein wrote:
> I sent this question to the freebsd port maintainer, but I also wanted to
> ask this list. I'm trying to build lilypond from the free port
> (print/lilypond) and I'm getting a seg fault from Ghostscript. I was
> wondering if anybody has s
On Tue, Feb 24, 2009 at 2:38 PM, Matthias Kilian wrote:
> On Tue, Feb 24, 2009 at 01:03:00PM -0700, Glen Hein wrote:
> > I sent this question to the freebsd port maintainer, but I also wanted to
> > ask this list. I'm trying to build lilypond from the free port
> > (print/lilypond) and I'm getting
On Tue, Feb 24, 2009 at 03:44:08PM -0700, Glen Hein wrote:
> > - is this reproducable, i.e. does it always crash in ghostscript, and at
> > the same file?
> The problem is reproducible. It fails on the same file every time. I had
> been building using csh, so as a WAG, I tried bash. The bash ulimi
trpta = {
\partial 8*1 e8-. |
e4 d8 c4 d8 |
e4 e8-. r r e |
e4 d8 c4 d8 |
e4 e8 r r fs |
g4 fs8 g4 e8 |
d2 d8 e |
\times 2/3 {f4 fs b} |
\times 2/3 {d c b} |
g2.\fermata \bar "||" |
r1*5
}
There errors are this -
Interpreting music... [8]
F:/Lilypond Files/Score Template.ly:41:21: warning: barc
On Tue, Feb 24, 2009 at 4:03 PM, Matthias Kilian wrote:
> Well, then it's probably worth tracking down the exact input file
> passed to ghostscript and to check wether it's a general bug of
> ghostscript or of the FreeBSD port of ghostscript.
>
The actual ghostscript command that fails is (I shor
> trpta = {
> \partial 8*1 e8-. |
> e4 d8 c4 d8 |
> e4 e8-. r r e |
> e4 d8 c4 d8 |
> e4 e8 r r fs |
> g4 fs8 g4 e8 |
> d2 d8 e |
> \times 2/3 {f4 fs b} |
> \times 2/3 {d c b} |
> g2.\fermata \bar "||" |
> r1*5
> }
>
> There errors are this -
>
>
> Interpreting music... [8]
> F:/Lilypond Files/Scor
Chip wrote:
>
> trpta = {
> \partial 8*1 e8-. |
> e4 d8 c4 d8 |
> e4 e8-. r r e |
> e4 d8 c4 d8 |
> e4 e8 r r fs |
> g4 fs8 g4 e8 |
> d2 d8 e |
> \times 2/3 {f4 fs b} |
> \times 2/3 {d c b} |
> g2.\fermata \bar "||" |
> r1*5
> }
>
> There errors are this -
>
>
> Interpreting music... [8]
> F:/L
Gilles Sadowski wrote:
trpta = {
\partial 8*1 e8-. |
e4 d8 c4 d8 |
e4 e8-. r r e |
e4 d8 c4 d8 |
e4 e8 r r fs |
g4 fs8 g4 e8 |
d2 d8 e |
\times 2/3 {f4 fs b} |
\times 2/3 {d c b} |
g2.\fermata \bar "||" |
r1*5
}
There errors are this -
Interpreting music... [8]
F:/Lilypond Files/Score Template
On 2/24/09 5:09 PM, "Chip" wrote:
> trpta = {
> \partial 8*1 e8-. |
> e4 d8 c4 d8 |
> e4 e8-. r r e |
> e4 d8 c4 d8 |
> e4 e8 r r fs |
> g4 fs8 g4 e8 |
> d2 d8 e |
> \times 2/3 {f4 fs b} |
The measure above here is a 6/8 measure (f4 fs b), but you've multiplied it
by 2/3, so it's only 2/3 of
Chip wrote:
\times 2/3 {f4 fs b}
looks like 3 quarter notes to me.
You've got TWO THIRDS of three quarter notes (timewise).
What is it you're trying to achieve with the triplet?
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lilypond-user mailing list
lilypond-user@gnu.org
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I'm trying to write text in an otherwise empty measure (some special
performance instructions).
not above it or below, but in it.
How can I do that? There is a snippet doing something like that
http://lsr.dsi.unimi.it/LSR/Item?id=258
but when I apply it my text overwrites music after the bar in
I want to put the Stanza number before every line of verse in a longer hymn, but
cannot get the hint here to work:
http://www.geoffhorton.com/lilypond.html#versenumbers
Investigating the Stanza_number_engraver doesn't seem to give any clues, either.
Is this possible to do without manual markup?
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