On Fri, Nov 14, 2008 at 03:08:47PM -0800, Eluze wrote:
>
>
> strk-2 wrote:
> >
> > I've been told about the point & click
> > feature so I had a try.
> > Evince wasn't so helpful in telling me what
> > was going wrong so I tried xpdf, as suggested
> > by the manual.
> >
> >
> you can use it f
On 14.11.2008 (16:20), Carl D. Sorensen wrote:
> On 11/14/08 2:27 PM, "Graham Percival" <[EMAIL PROTECTED]> wrote:
> > I agree -- are you sure the top line isn't from Finale or
> > something? It looks incredibly bad. WTF is up with the gap
> > between the sixteenth and eighth in the second bar fr
On Sat, Nov 15, 2008 at 09:32:59AM +0100, Eyolf Østrem wrote:
>
> That said, I sometimes think the lilypond defaults are a bit to the heavy
> side. Especially the final barlines come to mind. As a future feature, it
> wouldn't be a bad idea with an alternative set of lighter settings which
> coul
Patrick McCarty wrote Friday, November 14, 2008 10:11 PM
On Fri, Nov 14, 2008 at 8:39 AM, Trevor Daniels <[EMAIL PROTECTED]>
wrote:
Patrick McCarty wrote Thursday, November 13, 2008 8:34 PM
Is the large cache file being rebuilt mistakenly (on some Windows
systems)?
Yes; that is the probl
Jonathan Kulp wrote Friday, November 14, 2008 7:49 PM
Francisco Vila wrote:
2008/11/14 Jonathan Kulp <[EMAIL PROTECTED]>:
I have only upgraded a couple of times, and it was in response to this
thread, just to test it out. It's possible that I upgraded one more
time
before that. I always u
My Vista machine was built and Lilypond installed while daylight saving was
active (still is active here in the Australian summer). Apart from an update to
the font cache that seems to have happened a few days ago as a result of
including an em dash in a score, my font cache doesn't update every
Graham Percival <[EMAIL PROTECTED]> writes:
> > This is not the default output of LilyPond.
>
> I agree -- are you sure the top line isn't from Finale or
> something? It looks incredibly bad. WTF is up with the gap
> between the sixteenth and eighth in the second bar from the end?!
> LilyPond w
"Carl D. Sorensen" <[EMAIL PROTECTED]> writes:
> I set that exact line in LilyPond 2.11.64. I needed to do some manual
> beaming to get the same beaming as in the top line.
Interesting. When I try:
\relative c' {
\time 6/8
r4 a8 d e f | e d4 ~ d4. |
r4 r16 g,16 e'8 g e16 d | c8. (
Trevor Daniels wrote:
Yes. Could you check the creation date of the large cache file,
and if that date is within your daylight saving period try
deleting the entire lilypond font cache, ie delete the
.lilypond-fonts.cache-2 directory so the font cache is rebuilt
from scratch. Maybe a long sho
Trevor Daniels wrote:
This suggests that the cache is believed to be invalid because the cache
timestamp doesn't match the directory create-time. Thought to be due to
incorrect correction for daylight-saving time. My cache was created on
21 March 2008, just over a week before the UK moved into
2008/11/15 Johan Vromans <[EMAIL PROTECTED]>:
> I think I found an explanation. My score sample was typeset with
>
> #(set-global-staff-size 14)
>
> I'd expected the line thickness to scale accordingly, but apparently
> this is not the case (4.2.1, Setting the staff size):
>
> Each font is tuned
Hi Jon,
2008/11/15 Jonathan Kulp <[EMAIL PROTECTED]>:
> Trevor Daniels wrote:
>>
>>
>> Yes. Could you check the creation date of the large cache file,
>> and if that date is within your daylight saving period try
>> deleting the entire lilypond font cache, ie delete the
>> .lilypond-fonts.cache-2
Hi!
I am writing a single staff with two voices, using \voiceOne and \voiceTwo. Is
it possible to have rests common to both voices to be combined into "single
voice rests"?
Of course I could do like
<<
\newVoice = "one" { \voiceOne a4 b c d }
\newVoice = "two" { \voiceTwo a4 b c d }
>>
r2
2008/11/15 Erik Ronström <[EMAIL PROTECTED]>:
> Hi!
>
> I am writing a single staff with two voices, using \voiceOne and \voiceTwo.
> Is it possible to have rests common to both voices to be combined into
> "single voice rests"?
One thing you can do is to use spacing rests in one voice and
\oneV
You could use:
b2 /rest b4 /rest
in both voices. It would work but you'd get a collision error warning in
the console output.
Another approach would be to use:
b2 /rest b4 /rest
in one voice and then use:
s2 s4
in the other.
regards,
Dave
Erik Ronström wrote:
Hi!
I am writing a singl
greetings,
I searched the archives and someone posted the same question
without reply.
fake book type lead sheet with chords. the melody can be modified
to use any instrument but the chords seem to only use a piano
sound. I would like to change the midi instrument if possible
I have tried set S
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Samstag, 15. November 2008 schrieb Erik Ronström:
> Hi!
>
> I am writing a single staff with two voices, using \voiceOne and \voiceTwo.
> Is it possible to have rests common to both voices to be combined into
> "single voice rests"?
http://lsr.dsi.
"coralline algae" <[EMAIL PROTECTED]> writes:
> I have tried set Staff.midiInstrument
Chords are usually set in a ChordNames staff.
If so, did you try set ChordNames.midiInstrument ?
-- Johan
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htt
(SOLVED for me, at least. See below...)
Neil Puttock wrote:
Hi Jon,
What happens if you untick `Automatically adjust clock for daylight
saving changes'?
I haven't had any problems even though my cache was created in April,
but forcing a rebuild results in the same delay you're experiencing
ev
2008/11/15 Jonathan Kulp <[EMAIL PROTECTED]>:
> This did it, Neil! I unchecked the daylight savings box and reinstalled
> Lilypond after wiping out the old cache (not sure if these steps were
> necessary but I wanted to start out fresh), and after the first run, the
> cache was NOT rebuilt again.
Francisco Vila wrote:
2008/11/15 Jonathan Kulp <[EMAIL PROTECTED]>:
Does Valentin have another one? :-)
Updated in http://lilypondwiki.tuxfamily.org/index.php?title=FAQ but
still waiting to confirm this. This page should not convert itself
into the poor's bugtracker, so if this gets more clear p
On 11/15/08 4:32 AM, "Johan Vromans" <[EMAIL PROTECTED]> wrote:
> "Carl D. Sorensen" <[EMAIL PROTECTED]> writes:
>
>> I set that exact line in LilyPond 2.11.64. I needed to do some manual
>> beaming to get the same beaming as in the top line.
>
> Interesting. When I try:
>
> \relative c'
Hi,
Has anyone out there downloaded the LilypondTool jEdit and have
got it to work? I am just so cautious these days with java on Mac OS
10. I used to program heavily in java, but have not in 7 years. So,
I am not even up to date on the different names for the run time.
Like, Java r
Hello,
I'm very greatful now! Thank you for the very very great invention of
LilyPond! I attended a piano competition last evening, and gained the second
prize. There was a talent show, in which I sung a song I composed in 2004 as a
homework of song writing class. It had no accomp. at first, b
Congratulations! Well done!
Jon
?? Hu Haipeng wrote:
Hello,
I'm very greatful now! Thank you for the very very great invention of
LilyPond! I attended a piano competition last evening, and gained the second
prize. There was a talent show, in which I sung a song I composed in 2004 as a
2008/11/15 Jonathan Kulp <[EMAIL PROTECTED]>:
> What I have not tried is re-checking the automatic daylight-savings
> adjustment box to see if it reverts to the old behavior of always rebuilding
> the fontconfig cache. If you'd like me to do this for the sake of testing,
> I will.
If my experien
thank you Johan that works nicely.
set ChordNames.midiInstrument
by way of explanation - with piano for the chords
it almost drowns out the melody line in midi playback
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I have a piece written for Eb Alto Sax and would like to transpose it to
Bass Clef Trombone. I've read a bunch of posts in the archives and am
now more confused than ever. It should be relatively easy, as the bass
clef bone should be able to read the notes as written, but just change
the key si
For transposing from E-flat to concert pitch, see the docs on
transposition, here:
http://lilypond.org/doc/v2.11/Documentation/user/lilypond-big-page#Transpose
To change it to bass clef, just use a command
\clef "bass"
The easiest way to put put music into a different clef/register is to
sto
Jonathan Kulp wrote:
For transposing from E-flat to concert pitch, see the docs on
transposition, here:
http://lilypond.org/doc/v2.11/Documentation/user/lilypond-big-page#Transpose
To change it to bass clef, just use a command
\clef "bass"
The easiest way to put put music into a different
Correct me if I'm wrong, but I don't think that is all there is to it. I
changed the clef to Bass and in doing so the notes change position on
the staff. I want to have the notes remain in the same positions on the
staff in bass clef as they are in treble clef. Only the key signature
should cha
Just connect one more dot and you're there...
notes = { \key c \major c d e f }
%% sax part
\relative c'' { \notes }
%% trombone part -- add the "\clef" command
%% and change it to \relative c' instead of relative c''
\transpose c es, { \relative c' { \clef "bass" \notes } }
Jon
chip w
Thanks for your patience and help Jonathan, I'm trying your example but
keep getting errors thrown up at me during compile. I've included my
piece for you to look at. I've placed the \transpose line in several
different sections and can't get it to work.
Regards,
Chip
=
chip wrote:
Thanks for your patience and help Jonathan, I'm trying your example
but keep getting errors thrown up at me during compile. I've included
my piece for you to look at. I've placed the \transpose line in
several different sections and can't get it to work.
Regards,
Chip
I should ha
On Sat, Nov 15, 2008 at 10:04:47PM -0700, chip wrote:
> caused by this code -
>
> ... lots of stuff in the copy/pasted section below ...
> \bar "|."
> }
> \score {
>
I have read the bloody manuals, all of them. I finally found the part I
need in the part I skipped over because it didn't apply to my work - 3.4
An Orchestral Part. I found the code I needed to see by clicking on the
picture of the score fragment, then I saw that the \transpose was in
front of
Ah, I see the problem. You were looking at the 2.10 docs, which
are approximately a thousand hours older than the 2.11 docs. As
you might expect from 1,000 hours of work, the 2.11 docs are much
easier to read.
- Graham
On Sat, Nov 15, 2008 at 10:38:07PM -0700, chip wrote:
>I have read the b
So even though I am using 2.10.33 (latest stable I believe) I should be
looking at the 2.11 docs?
--
Chip
Graham Percival wrote:
Ah, I see the problem. You were looking at the 2.10 docs, which
are approximately a thousand hours older than the 2.11 docs. As
you might expect from 1,000 hours of
Although I have used lilypond for awhile for scores, I am just learning
to use the tabulature. The sample score I am inserting is working
for the most part but I would like to suppress the fingering on the
note staff if possible. Also my eyes need some assist hence
the large staff size
thanks
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