If you use
\set chordRootNamer = #(lambda (x) "-")
you will not get any syntax errors, you don't get any syntax errors but
you get a somewhat
unexpected output. If you, in addition, set
\set chordNoteNamer = #note-name->markup
the result is somewhat more similar to what you want (by default it
Hello,
I'm orchestrating the accomp. of a song by me in 2004. The horn 1-2 part
sometimes requires a2 note, thus a double stem note. I don't want to write <<
c4 \\ c >>, since there are dynamics spanner such as \<, and I don't want to
add an extra voice to increase the complexity. But could
How about the following?
doublestem = #(define-music-function (parser location m) (ly:music?)
#{ << \voiceOne $m \new Voice { \voiceTwo $m } >> \oneVoice #})
\relative c'{ c2 d \doublestem e f \doublestem { g a b c } }
This function applies to the note (or music expression) following it, so
in
Thank you, I have not thought about this
!
Haipeng
在2008-11-07，"Mats Bengtsson" <[EMAIL PROTECTED]> 写道：
>How about the following?
>
>doublestem = #(define-music-function (parser location m) (ly:music?)
>#{ << \voiceOne $m \new Voice { \voiceTwo $m } >> \oneVoice #})
>
>\relative c'{ c2 d \do
2008/11/6 Eluze <[EMAIL PROTECTED]>:
> Neil Puttock wrote:
>>
>>> 1. is it possible to keep the right-broken text inside the system
>>
>> #'right-broken #'anchor-alignment = #RIGHT
>>
>
> this works perfectly and i wonder why it is not the default!
I don't think it would hurt to have this as a de
Just a quick note to say "Thanks" to whoever's responsible for Lilypond
Book. The combination of Lilypond with LaTeX is one of the most
impressive tools I've ever used. I wish I'd had this when I was working
on my doctoral dissertation in the late 1990s. I love the seamless
integration of mu
