On 7/3/08, James E. Bailey <[EMAIL PROTECTED]> wrote:
>
> Am 03.07.2008 um 15:47 schrieb Kieren MacMillan:
>
>> Hi James,
>>
>>> So is this a bug?
>>
>> Looks like it...
This was a bug, but it is now fixed in git.
Joe
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Hi,
Thanks David for your reaction. I know the notation-tablature of that
book is a bit old, Eric Clapton is getting old too ;)
I think the programmers could have some help of someone like you with
such an experience in this area!
I don't know if there are Lilypond programmers on this list
2008/7/4 Reinhold Kainhofer:
> Actually, all choir scores that I have do it exactly this way. I have never
> seen any choir score, where the volta does not span whole measures.
I have. I'm writing a song book right now and during the process I've
seen a couple. I'm trying to avoid such things, th
Hi,
I'm trying to play a bit with the metronome mark and the \mark \markup
commands in order to have a unified way to set the tempo in my scores,
but I'm a bit lost:
the three rules I know for that are:
1) if there's a time signature, the tempo should be left aligned with it,
2) if there's a long k
rosea gmail.com> writes:
>
> Hi,
>
> Thanks David for your reaction. I know the notation-tablature of that
> book is a bit old, Eric Clapton is getting old too ;)
>
> I think the programmers could have some help of someone like you with
> such an experience in this area!
>
> I don't know if
2008/7/4 Libero Mureddu:
> Hi,
> I'm trying to play a bit with the metronome mark and the \mark \markup
> commands in order to have a unified way to set the tempo in my scores,
> but I'm a bit lost:
> the three rules I know for that are:
> 1) if there's a time signature, the tempo should be left al
> 1) if there's a time signature, the tempo should be left aligned with it,
> However, in 1) the "A" of "Allegro" is aligned with the center of the
> time signature, not left-aligned.
Durand edition, seems the only one that I know that center-align with
the time signature. However, they do center
Hi,
I have a problem with extenders for a split Voice context:
"Lyrics Soprano 1" contains lyrics for the upper soprano voice when the
soprano is split. I want the extenders in the lyrics to terminate when
the voice split ends. This is not possible after the first "Ooo", while
the extender ter
Le 3 juil. 08 à 21:15, Kieren MacMillan a écrit :
[Lilypond 2.11.49]
Hello all,
I need boxed markups with a set padding, i.e. I'm currently using
^\markup { \override #'(box-padding . 1) \box { ... } }
How can I set this value once, rather than needing to do it each
time? I've tried
Hi Libero,
2008/7/4 Libero Mureddu <[EMAIL PROTECTED]>:
> I have two questions:
>
> Is there a way to have the \tempo or a custom \mark \markup that
> behaves correctly according to those three different situations?
I don't think so; unless you use both as required by each individual
situation,
Hi Nicolas,
Thanks for the tip!
I don't know if it is a good advice
Why not?
[For the record, I'm going to stick with my per-occurrence override,
since you've advised against using this tip...]
Also, why *isn't* there a better way to set such properties?
I would have thought *all* user-se
Le 4 juil. 08 à 21:31, Kieren MacMillan a écrit :
Hi Nicolas,
Thanks for the tip!
I don't know if it is a good advice
Why not?
I just don't know if this text-font-defaults variable is a public
interface.
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Hi Victor,
2008/7/2 V!ctor Adán <[EMAIL PROTECTED]>:
> Hello All,
>
> I'm using Staff contexts with the "line-positions" property modified to fit
> my capricious needs.
> In doing so I'm running into 2 problems (please see attached png):
>
> 1. When I set lines to odd numbers, the duration dots of
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Freitag, 4. Juli 2008 schrieb Neil Puttock:
> Hi Libero,
>
> 2008/7/4 Libero Mureddu <[EMAIL PROTECTED]>:
> > I have two questions:
> >
> > Is there a way to have the \tempo or a custom \mark \markup that
> > behaves correctly according to those thr
2008/7/4 Reinhold Kainhofer <[EMAIL PROTECTED]>:
> Since these metronome marks look very strange at the beginning of a piece, I
> looked at the code and tried copying over staff from RehearsalMark (which
> actually uses the break-align-symbols, defined in scm/define-grobs.scm), but
> all I got was
Dear all,
When I compile my lytex file with a piano music example, it seems that
LaTex shrinks the space between systems, so the output is not ok. The
systems looks too tight. When I compile only the music example, the
distance between the system are ok.
Note that I am talking about the dis
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