Dear lilypond-users,
how can I change the automatic beams for the triplets in this example?
I would like to beam the triplets in groups of three and I would like to do
it automatically.
Here the example:
\version "2.11.7"
{ \time 2/2 f'' 4 \times 2/3 { a'' 8 g'' f'' } \times 2/3 { e'' d'' c'' }
\t
Stefan Thomas wrote:
Dear lilypond-users,
how can I change the automatic beams for the triplets in this example?
I would like to beam the triplets in groups of three and I would like to do
it automatically.
Here the example:
\version "2.11.7"
{ \time 2/2 f'' 4 \times 2/3 { a'' 8 g'' f'' } \times
> BUT, it will NOT work, if you put your \header block inside the score
> definition like that :
>
> %
> \book
> {
> \score { %% score 1
> \new Staff \music
> \header { title = "The title" instrument = "clarinette" }
> }
> \score { %% score 2
> \new Staff \transpose c
> Greetings,
>
> if you speak French (like Gilles and myself), you may be interested in
> subscribing to the French-speaking LilyPond mailing list:
> http://lists.gnu.org/mailman/listinfo/lilypond-user-fr
>
> Gilles: Indeed, there would be a nice feature to implement there. For
> instance, it wou
Hi Haipeng,
2008/6/14 hhpmusic <[EMAIL PROTECTED]>:
> Hi,
> I used Vallentin's MarkLines to construct rehearsal marks above the whole
> score and first violin. But the log file always says improbable rehearsal
> marks 13xx...., although I reduced the global staff size and the
> outside s
2008/6/15 George_ <[EMAIL PROTECTED]>:
> [...]
> The MIDI file doesn't get created [...]
Greetings,
We can't help you unless you show us some piece of code. Though your
approach seems OK, you may have forgotten something else.
Cheers,
Valentin
___
li
Valentin Villenave gmail.com> writes:
>
> 2008/6/14 Graham Percival gmail.com>:
> > You mean precisely like NR 3.3.4 Displaying LilyPond notation ?
>
> Oh, so you meant \display_Lily_Music instead of \displayMusic
>
> Cheers,
> Valentin
>
L.S.
\displayLilyMusic did the trick.
Is there als
I'm sure there is, and I just can't think my way around it, but I'm
having a problem with a trillspan that starts in a one-voice context
and ends in a two-voice context.
Like this:
\relative c'{
\pitchedTrill 1\startTrillSpan a |
<<\relative g'{g1\stopTrillSpan}\\\relative c'{
Dear list,
> > my tests show that the syntax
> >
> >
> > c'1
> >
> >
> > allows for line breaks into the music code, whereas the > {music...} /> does not. Also, the latter does not really put the
> > image inline, in fact it puts the image inside a paragraph on its own.
> > I've noted that c
Hi James,
I'm wondering if there's a way to do without the spacer notes.
See attached modifications.
Be sure to read the docs, especially the section on "relative mode"
and "explicitly instantiating voices" (or whatever they're called now).
Hope this helps!
Kieren.
%
\
Am 15.06.2008 um 18:57 schrieb Kieren MacMillan:
Hi James,
I'm wondering if there's a way to do without the spacer notes.
See attached modifications.
Be sure to read the docs, especially the section on "relative mode"
and "explicitly instantiating voices" (or whatever they're called
now
On Sun, 15 Jun 2008 12:18:18 + (UTC)
Arno Rog <[EMAIL PROTECTED]> wrote:
> Is there also a command to convert the implicit notelengths into full
> notation. e.g. r8 d d e f d16 e f8 g -> r8 d8 d8 e8 f8 d16 e16 f8 g8
There's nothing non-full about r8 d d e. Still, you could do this
with schem
\set Staff.melismaBusyProperties = #'(melismaBusy)
a4 bes2 a4 bes1 \melisma ~ bes ~ bes ~ \melismaEnd bes
Lilypond complains about the ~ after the \melisma, but I want the tie there.
Help!!!
Patrick
___
lilypond-user mailing list
lilyp
Dear All,
Regarding vertical stretching of staves, have you looked at Trevor Bača's
"Controlling vertical spacing exactly - mini HOWTO"
in which he says:
1. First, it seems that there are two *different* models for
controlling vertical spacing, which we might term "permissive" and
"strict", respect
\version "2.11.49"
\score {
one =
^\markup
\combine
\musicglyph #"accordion.accDiscant"
\combine
\raise #1.5 \musicglyph #"accordion.accDot"
\raise #2.5 \musicglyph #"accordion.accDot"
two =
^\markup
\combine
\musicglyph #"accordion.accDiscant"
On Sun, 15 Jun 2008 20:56:19 -0700 (PDT)
George_ <[EMAIL PROTECTED]> wrote:
> \score {
>
> one =
> ^\markup
>From what I understand, this shouldn't compile at all. Variables
should be defined outside of the \score.
Cheers,
- Graham
___
lilypond
16 matches
Mail list logo
