Re: lilypond, guile, qt integration

2008-01-28 Thread Mats Bengtsson
I forward this to lilypond-devel, which is more appropriate for discussions about this experimental feature. As far as I know, this experimental feature was introduced in 2004, see http://lists.gnu.org/archive/html/lilypond-devel/2004-05/msg00160.html but hasn't been maintained since then and it

Re: Natural forced alteration not played on midi file

2008-01-28 Thread Mats Bengtsson
This seems very strange. Have you verified that the result is correct in the printed output? I really hope you that you have read and understood the warning in http://lilypond.org/doc/v2.10/Documentation/user/lilypond/Accidentals-and-key-signatures#Accidentals-and-key-signatures If you still have

Re: fontsize of dynamik

2008-01-28 Thread Mats Bengtsson
Just override the font-size property on the corresponding layout object. The font size actually used is the sum of the value given by fontSize and font-size (these values are still counted relative to the overall staff size). kleiner = {\set fontSize = #-3 \override DynamicText #'font-size = #+

Re: Natural forced alteration not played on midi file

2008-01-28 Thread Graham Percival
Another possibility is that he's using a language that defines "b" as "bes" (instead of "h" for "b"). A minimal example will clear this up immediately. Cheers, - Graham On Mon, 28 Jan 2008 10:07:05 +0100 Mats Bengtsson <[EMAIL PROTECTED]> wrote: > This seems very strange. Have you verified that

Re: fontsize of dynamik

2008-01-28 Thread Stefan Thomas
Dear Mats, thanks, it worked! Mats Bengtsson schrieb: Just override the font-size property on the corresponding layout object. The font size actually used is the sum of the value given by fontSize and font-size (these values are still counted relative to the overall staff size). kleiner = {\se

again: as fast as possible

2008-01-28 Thread Stefan Thomas
Dear Lilypondusers, I've read the mail concerning the slashed beams under http://lists.gnu.org/archive/html/lilypond-user/2006-12/msg00253.html. But there is one thing, that isn't convincing for me: in my opinion the slash is too short. Is there a possibility to make it longer? For myself I made e

Re: again: as fast as possible

2008-01-28 Thread Mats Bengtsson
Have you seen http://lists.gnu.org/archive/html/lilypond-user/2007-04/msg00422.html See also the first solution of http://lists.gnu.org/archive/html/lilypond-user/2006-12/msg00921.html with Han-Wen's follow-up, if you want to make a parameterized markup command. /Mats Stefan Thomas wrote: De

Lilypond Ancient notation

2008-01-28 Thread Father Gordon Gilbert
Essayez ceci: http://lilypond.org/doc/v2.10/Documentation/user/lilypond/Ancient-notation#Ancient-notation Gordon+ -- Fr. Gordon Gilbert Penetanguishene, ON ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lily

Re: modern glissando

2008-01-28 Thread Mats Bengtsson
As others have already pointed out, you seem to have some strange email program that removes all backslashes from your email. I strongly encourage you to find some alternative email program that handles backslashes better, to avoid confusion on this mailing list. In your example below, I don't un

Re: independent spacing

2008-01-28 Thread Mats Bengtsson
Because of the modular structure of LilyPond, it might be possible to obtain what you describe by moving a number of engravers from the Score level to the Staff level, but my intuition tells me that it's very likely that you break something fundamental if you really move all spacing related stuf

adding to context voice conflicts with instrumentname

2008-01-28 Thread Simon Van Damme
Dear all By means of the (simplified) code below, I wish to hide some part of the original music using "\context Voice = ...". It is important that the original notes and the hide/unhide specifications remain separated (ideally they come at the end of the score-block) Problem: this stops wor

acciaccatura stem direction

2008-01-28 Thread irenicus
Hi, could someone help me with this: I have a polyphonic piece of music(2 voices), so basically voice #1=stems up, voice #2=stems down. Now I want acciaccatura notes in voice #2 to have their stems pointing up. Is there any way to redefine this behavior or do I have to explictitly put \stemup \ste

Re: acciaccatura stem direction

2008-01-28 Thread Mats Bengtsson
One solution is to add the following definition at the top of your file: startAcciaccaturaMusic = { s1*0( \override Stem #'stroke-style = #"grace" \once \override Stem #'direction = #UP } (I have used the default definition from the file .../ly/grace-init.ly as a starting point).

Re: independent spacing

2008-01-28 Thread Stefan Thomas
Dear Mats, thanks for Your long and informative answer. I think I will try it with the scaling of Durations. The real example is indeed a little more complex, because I have the fast as possible sections at the same time with feathered beams, which is, I think, mathematically more complex, but I

Error trapping \chordmode in LP 2.11.37 for Windows

2008-01-28 Thread Jay Ricketts
Hi all, just about tore out my hair trying to figure out what was going on - I had a simple little score for the Danish Amen - wouldn't compile, gave no error messages in the log. I had cloned a much larger more complex piece into a template, then edited to produce this. Finally, 45 minutes late

pedal position

2008-01-28 Thread Stefan Thomas
Dear Lilypond-users, in the below quoted snippet I'm not happy with the vertical priority of the pedal-symbols and theDynamic. I would like to have the "pp" , the crescendo hairpin etc. above the pedal-signs. But I dont know ho to do. "\once \override DynamicLineSpanner #'outside-staff-priority

Re: Tons de psaume

2008-01-28 Thread JV Aubineau
I'm sorry but "\markup" is not yet my best friend I propose this code for Sr Catherine . Amitiés de Paris \version "2.11.37" \header{ title = "Je bénirai le Seigneur" subtitle = "Ps 33, 2-3, 4.6, 9.12, 14-15" } %%% PREMIERE PARTITION : LA LIGNE DU REFRAIN %%% \relative c' { \cle