Dear All,
I recently discovered happily "tupletFullLength = ##t" and
"tupletFullLengthNote = ##t"
Is it normal that the right edge of the tuplet brackets ends always
at a different point (as you can see in the attached jpg)?
best
ole
<>___
lilypo
Please read about \partial in the section on "Advanced rhythmic
commands" in the
Tutorial.
(You would also have found the information if you had searched for
"pickup" or "upbeat" or "anacrusis" in the "LilyPond Index", i.e. the
index of the manual.)
/Mats
Joe Mc Cool wrote:
Please,
\time
2008/1/18, Ewald Brökel <[EMAIL PROTECTED]>:
> many thanks for answering so fast my questions. I proceed and finished
> my first score just now. But with my second score I have a problem. It
> seems that Lilypond can't handle exotic time signatures.
Yes it can, far beyond what you could imagine (
Kieren MacMillan wrote:
Hi Trevor,
what I'm interested in is more the control of typographic distances
than of durational distances.
FWIW, if Lilypond had an \em multiplier (cf. \mm, \in, etc.) then we'd
easily get typographic distance control, yes?
No, it's not that simple. The horizonta
Hi all,
in a book with several scores I get some unwanted space
after the score titles (breaking my page layout), the
origin of which I do not understand, because I have set
"after-title-space" to zero.
Annotate-spacing calls this space "Y-extent".
Please have a look at my \paper block and the att
Please,
\time 6/8 \key g \major g'8 \bar "| "
\repeat volta 2 {
b'8 ^"G" a'8g'8b'8 a'8g'8 %\bar "|"
b'8 ^"Bm" a'8b'8b'8c''8d''8%\bar "|"
b'8 ^"G" a'8g'8b'8a'8g'8
On Fri, 18 Jan 2008 01:54:53 +0100
Reinhold Kainhofer <[EMAIL PROTECTED]> wrote:
> PS: How did you come across that page, anyway? I don't think there is
> a link on lilypond.org?
There isn't, but I've been mentioning it liberally here.
I don't think it's bad for non-doc helpers to read the GDP d
Hallo Joe Cool,
am Freitag, 18. Januar 2008 um 11:34 schriebst Du:
> Please,
> \time 6/8 \key g \major g'8 \bar "|
> "
> \repeat volta 2 {
>b'8 ^"G" a'8g'8b'8 a'8g'8 %\bar
> "|"
>b'8 ^"Bm" a'8b'8b'8c''
On Fri, Jan 11, 2008 at 10:45:45PM +0100, Nicolas Sceaux wrote:
> You may get rid off LaTeX and use LilyPond only, for instance with the
> help of
> this titling stylesheet:
> http://lsr.dsi.unimi.it/LSR/Item?id=368
Yes, but what can I do if I want to continue with Latex ? I am
already a fai
It may not be pertinent to this particular discussion, but there's another kind
of "real" polymetric music : where there is a regular alternation between
different times (e.g., 3/8 - 7/8, or maybe even 5/8 - 3/4 ; in Hindustani
classical music, there's an 11 beat tal that's counted 2 2 2 2 1.5 1
On Jan 18, 2008 3:15 AM, Ole Schmidt <[EMAIL PROTECTED]> wrote:
> Dear All,
>
> I recently discovered happily "tupletFullLength = ##t" and
> "tupletFullLengthNote = ##t"
> Is it normal that the right edge of the tuplet brackets ends always
> at a different point (as you can see in the attached jpg
Am Freitag, 18. Januar 2008 11:16 schrieb Robert Memering:
> I am using 2.11.34 on Linux. The version I used before
> (2.11.34) did not produce this unwanted space.
Typo here, my current version is of course 2.11.37.
Robert
--
Robert Memering
Arbeitsbereich Linguistik, Universität Münster
Hüffe
2008/1/18, Trevor Bača <[EMAIL PROTECTED]>:
> I'll extract a minimal example later today and Valentin can judge if it
> belongs in the tracker.
Great! Thanks a lot :)
Cheers,
Valentin
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http://lists.gn
2008/1/19, Alasdair McAndrew <[EMAIL PROTECTED]>:
> I'm typesetting a piece of music from the 17th century with the double time
> signature of both 6/2 and 3/1. Is it possible to put two time signatures on
> a staff in LilyPond, and if so, how?
Perhaps something like this:
%%
% inspired
I'm typesetting a piece of music from the 17th century with the double time
signature of both 6/2 and 3/1. Is it possible to put two time signatures on
a staff in LilyPond, and if so, how?
Thanks,
Alasdair
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2008/1/18, Trevor Bača <[EMAIL PROTECTED]>:
> Could you please consider the following for the tracker?
Gee, it's really hard to see!
However, I've added it, as "Engraving nitpick" :)
http://code.google.com/p/lilypond/issues/detail?id=560
Cheers,
Valentin
2008/1/18 Valentin Villenave <[EMAIL PROTECTED]>:
> 2008/1/18, Trevor Bača <[EMAIL PROTECTED]>:
>
> > I'll extract a minimal example later today and Valentin can judge if it
> > belongs in the tracker.
>
> Great! Thanks a lot :)
Hi Valentin,
Could you please consider the following for the track
On Jan 18, 2008 12:21 PM, Ole Schmidt <[EMAIL PROTECTED]> wrote:
> Hi Trevor,
>
> Thank you very much for your detailed explanations about what
> tupletFullLenghtNote does.
> Fortunatly, when using tupletFullLength only everything looks fine
> and consistent.
> I don't think I really need tupletFu
Hi Trevor,
Thank you very much for your detailed explanations about what
tupletFullLenghtNote does.
Fortunatly, when using tupletFullLength only everything looks fine
and consistent.
I don't think I really need tupletFullLenghtNote mandatory for my
purposes (now).
best
ole
Hi Ole
I don't know if it is the correct solution but it works...
best
ole
%%
\version "2.10.33"
\header { title = "Brackets don't work with spaces" }
A = {
\time 4/4
\clef treble
s2\startGroup^\markup { \column { "{ 1 }" } }
s2\stopGroup^
How would I get text *under* the staff equivalent to using \mark and
\override Score.RehearsalMark #'break-visibility =
#begin-of-line-invisible
\once \override Score.RehearsalMark #'self-alignment-X = #right
\mark \markup ...
TIA,
Paul Scott
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