At least for the German translation I had really problems finding a word
for that -- I think it is still untranslated... Is there any real term
for this that could then also be translated easily?
On the other hand -- so far we have this term, so it really should show
up in the glossary if transl
On 29.09.2007 (13:08), Till Rettig wrote:
Graham Percival wrote:
> Should we add "extender line" to the glossary? Is this a real musical
> term, or a made-up lilypond term? Any vocalists want to comment?
Another word that should perhaps be there, is "elision" (with whatever
second word is corr
I would buy the manual in a nice spiral book, perhaps the sales could be used
to pay developers. The cost of printing and binding the PDF at my local
office store is not cheap, and I'd much rather have the money go to the
devs. and to the doc writers. If you guys could work something out and sel
Le vendredi 28 septembre 2007 à 20:15 -0700, Graham Percival a écrit :
> John Mandereau wrote:
> > There's no need to add README.txt to the compiled docs, as we can
> > directly refer to the sources:
> > http://git.sv.gnu.org/gitweb/?p=lilypond.git;a=blob_plain;f=Documentation/user/README.txt;hb=li
Le mardi 25 septembre 2007 à 09:01 +0200, michał poręba a écrit :
> OK, so first I will learn git and other tools you mentioned. Then I
> start with translating.
This sounds good. README contains the minimal hints for using Git, but
it's also good to know a bit more, especially about the concept
Hello everybody, hello Nicolas,
(by the way: many thanks for handling the \smallCaps bug)
I'm editing (as a small book) the libretto of my opera, and I thought
it would be just great if I could do this using LilyPond, particularly
thanks to the \markuplines etc commands.
I know I'm not the only
On 29.09.2007 (06:07), Rick Hansen (aka RickH) wrote:
>
> I would buy the manual in a nice spiral book, perhaps the sales could be used
> to pay developers. The cost of printing and binding the PDF at my local
> office store is not cheap, and I'd much rather have the money go to the
> devs. and t
As an aside, I'm starting every email with "GDP: " in the subject line
so that people can easily filter them. If you care about GDP, make a
new mailbox for these emails; if you don't care about it, then send all
these emails straight to the trash. :)
I've added some more instructions to the
> Ach, ich füll's...
Hehe. This means `Oh, I'm filling it' :-)
You probably mean `Ach, ich fühl's'...
Werner
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
The symbol to indicate two syllables should be sung on one
note is called a 'lyric tie' in the LP manual. Coda Music
(Finale) call it an 'elision'. I agree it should be
included in the glossary too, as well as 'lyric tie', maybe.
BTW, I found that the small curved line which indicates an
elisi
Hello all,
I'm trying to typeset a song that has two lyrics with different melismata in
the same melody.
I've found that the Devnull context may help, but I don't know why the
lyrics associated to it appears with a slight displacement to the right (see
attached PNG).
% \version "2.11.32"
one =
According to some bug reports (specifically about shifted lyrics with
devnull), devnull is not the proper solution to use. It might say
otherwise in the manual; we'll be checking this in about a month.
Sorry,
- Graham
Francisco Vila wrote:
Hello all,
I'm trying to typeset a song that has tw
John Mandereau wrote:
Le mardi 25 septembre 2007 à 09:01 +0200, michał poręba a écrit :
Then I will start translating the web page as you say. And later we
will see if there is still time to do tutorial translation. I see that
you are hard working on documentation, reorganising everything. How
m
Am 2007-09-27 um 09:02 schrieb Mats Bengtsson:
Quoting Kieran Coulter <[EMAIL PROTECTED]>:
I am planning on starting a method book series for lilypond.
I am curious what the general format is for mixing various fonts and
styles, pictures, and lilypond exercises and pieces to play.
With lilypon
We have now entered the main phase of GDP. I seem to have done a
poor job of explaining what's happening, so I'll try to explain it
better. Please read this message carefully.
If something in this message contradicts anything I said in the
past couple of days, please treat this message as corre
Ok, let's start the other half of real GDP work (two halves:
formatting and rewriting) by examining Pitches. As always, please
examine the latest docs here:
http://opihi.cs.uvic.ca/~gperciva/
DON'T BOTHER COMMENTING
- inspirational headword will be reinstated on 1 Jan 2008.
- tables in "Note nam
Another poorly-explained idea is the split between the Learning Manual
and the Notation Reference. I've expanded parts of the LM now, so it
should hopefully be a bit more clear. As always, the latest docs are there:
http://opihi.cs.uvic.ca/~gperciva/
Please note that I am not looking for hel
2007/9/29, Graham Percival <[EMAIL PROTECTED]>:
>
> According to some bug reports (specifically about shifted lyrics with
> devnull), devnull is not the proper solution to use.
Oh. I've seen it (your last comment is only two days old). I see this is
not a "Medium priority Defect" anymore but a "
"Valentin Villenave" <[EMAIL PROTECTED]> writes:
> Hello everybody, hello Nicolas,
>
> (by the way: many thanks for handling the \smallCaps bug)
>
> I'm editing (as a small book) the libretto of my opera, and I thought
> it would be just great if I could do this using LilyPond, particularly
> than
Dear LilyPond users,
Thank you for your advice.
Some progress.
\version "2.8.7"
\header { title = "Singin' In The Rain"
composer = "Freed and Brown"
meter = "Medium Swing"}
melody = \transpose c d \relative c'' {
\clef treble
\key f \major
\time 4/4
\set Score.skipBars = ##tt
%line 1
R1*3 r2 r4
20 matches
Mail list logo
