How about
\markup{
\override #'(baseline-skip . 0) \number {
\center-align { \concat { 4 \fontsize #2 \normal-text / 3 } "2" }
}
}
/Mats
Trevor Bača wrote:
Hi,
Anyone know how to set a time signature of 4/3 over 2?
(That's a measure that last 1 complete half note and also anot
Hi Mats,
Using \hspace{-3mm} right before the included lilypond example works
beautifully. Great idea.
Trevor.
On 8/28/07, Mats Bengtsson <[EMAIL PROTECTED]> wrote:
> If you can stand having the note without a ledger line, then it's easier
> to use
> ...
> sixteenth note
> \begin[staffsize=12]{
Perfect!
Thanks again.
On 8/28/07, Mats Bengtsson <[EMAIL PROTECTED]> wrote:
> How about
>
> \markup{
> \override #'(baseline-skip . 0) \number {
> \center-align { \concat { 4 \fontsize #2 \normal-text / 3 } "2" }
> }
> }
>
>/Mats
>
> Trevor Bača wrote:
> > Hi,
> >
> > Anyone
As far as I can understand, the option is called --left-padding and has
never been called anything else. Probably, Han-Wen hesitated between
the two alternatives and happened to add the wrong one in the
documentation,
when implementing this feature in
http://git.sv.gnu.org/gitweb/?p=lilypond.git
I'm trying to find my mistake here, the error message keeps on saying no music
found.
If I don't add lyrics everything can be fine.
I tried to copy the formate of 3.1 in the manual and adjust it to my needs.
So I'm asuming that I have made an error somewhere in there.
\version "2.10.25"
\head
2007/8/28, Jay Hamilton <[EMAIL PROTECTED]>:
> I'm trying to find my mistake here, the error message keeps on saying no
> music found.
> If I don't add lyrics everything can be fine.
> I tried to copy the formate of 3.1 in the manual and adjust it to my needs.
> So I'm asuming that I have made an
Yup: this is it precisely.
So your trick this morning with \hspace{-3mm} definitely did work for
me. However, now knowing that I can set --left-padding=0, the need for
the negative \hspace trick goes away.
Here's the same sample inline example I was rendering before, with
--left-padding=0 passed
hello lilyponders,
I've been using lilypond-book for the first time. love it!
There's one thing that I'd like to have though. I'd love to be able to
define macros in a similar way as in latex. Is this possible?
>From what I've read in the documentation, lilypond-book only knows to look
for \begi
2007/8/27, Tao Cumplido <[EMAIL PROTECTED]>:
> I guess in classical music it's typical not to reduce the piano part to a
> single staff, but in modern music it is.
It depends: do you mean in *well-engraved* modern music? :)
(no, I'm just joking)
> For example in Jazz scores if you have only a c
2007/8/19, emily atkins <[EMAIL PROTECTED]>:
> In hopes of finding an answer to an 'unset question'
Hello Emily,
I'm amazed that nobody has answered you yet; the list can get very
busy some weeks and if you don't get any answer, it might sometimes be
appropriate to ask again another week.
> Howe
2007/8/18, Jonas Nyström <[EMAIL PROTECTED]>:
> Hi!
>
> (Sorry for posting this earlier with wrong subject header..!)
>
> Being a Lilypond newbee, I want to check with you if this is possible:
>
> I want to create an inivisble "sync part" with "sync noteheads" drawn in
> white.
If your notes are d
2007/8/28, emily atkins <[EMAIL PROTECTED]>:
> I knew it had to be easy, I just kept trying the wrong combination of terms
Not so easy, so to say: I had to browse the source files
(ly/property-init.ly) to find the correct answer. You're right, there
is an obvious lack in the Documentation; I'll m
It didn't now I get error logs telling me that
example;
C:/Documents and Settings/Frybyte/Desktop/Hamilton/Tunnel/Tunnel.ly:25:43:
warning: Brace found at end of lyric. Did you forget a space?
fluteLyrics = \lyricmode {bum bum bum bum
bump}
C:/Docu
2007/8/28, Jay Hamilton <[EMAIL PROTECTED]>:
> It didn't now I get error logs telling me that
> example;
> C:/Documents and Settings/Frybyte/Desktop/Hamilton/Tunnel/Tunnel.ly:25:43:
> warning: Brace found at end of lyric. Did you forget a space?
This is weird. I didn't get such a message when c
Hi Michael,
On 8/27/07, Michael Sperone <[EMAIL PROTECTED]> wrote:
>
> I have been successful at entering my entire score into lilypond and it
> looks great! But there are some things I need to change (such as the 4/4
> instead of "C", accidentals, and stem settings etc..)
>
> I haven't,
Quoting Valentin Villenave <[EMAIL PROTECTED]>:
2007/8/28, emily atkins <[EMAIL PROTECTED]>:
I knew it had to be easy, I just kept trying the wrong combination of terms
Not so easy, so to say: I had to browse the source files
(ly/property-init.ly) to find the correct answer. You're right, th
Hello everybody.
I have a problem where when I copy the simple examples in the tutorial my
notes come out spread from one side of the pdf view to the next. It's all
accurate otherwise, but it's s-t-r-e-t-c-h-e-d out.
And not exactly as shown in the tutorial.
I've read much of the "horizontal spac
Dear Readers,
In the Alto voice i only needed a g1 note and further only silent rest.
Why does this give a lot of empty bars after the closing bar and how do i
get rid if them?
TIA
%Snippet
staffClassicalGuitar = \new Staff {
\override Score.MetronomeMark #'padding = #7
%
Am Mittwoch, 29. August 2007 schrieb Peter Terpstra:
> \\ { s1*20 | g= | s1*3 |
the *20 is repeated together with the 1 length indication...
in particular, your snippet above means s1*20 | g=1*20 | s1*3
Your g is 20 measures long...
Cheers,
Reinhold
--
-
I'm sure there is a lot ways to get things stretched out. If you are using
chord mode to get chord symbols to print, and the chord has a long name
something like this can cause problems:
c4:11+^7 c:11+^7 c:11+^7 c:11+^7
four quarter notes of a C add9/add#11...
The engraver apparently tries
On Aug 20 2007, at 16:35, plasmacarwash wrote:
David,
-If we were to take the foremost thrust of my appeal to you and
this kind
forum, yes.:-)
I need to know there are others out there "doing it".
May I talk to you?
Unfortunately, I'm not one of the people who has that skill, nor do I
Mike Salmon googlemail.com> writes:
>
> Hi all,
>
> Can anyone tell me what the source codes are for staff lines and time
> signatures
> or where to find them?
>
Mike,
I can't tell you specifically which files do those jobs. Typically, the advice
we get on the devel list is to grep the sou
Hi Jay,
Without sample code, it's very hard to diagnose your problem...
But my first suggestion is to add the following line to your score
file, right near the top (e.g., after the \version string):
\paper { ragged-right = ##t }
If that doesn't solve your problem, please post again, wit
Hey Kieren,
Below are two phases. One 'before' and one 'after.'
One is what I want.
The other is what I performed by copying and pasting the code (without any
illustrative residue from the colors and graphics).
I hope this helps.:working:
>From 1/5th of the way down at http://lilypond.org/
Hi Jay,
Here is the exact code I entered (in Notepad):
{
\time 2/4
\clef bass
c4 c g g a a g2
}
Here is what I got:
Considering that the picture shows a scale { c d e f g a b c },
something is definitely wrong! ;-)
Try cutting and pasting this into Notepad and compiling:
Ed,
I haven't got to this point with the guitar yet but it looks delicious.
Still this is one for an August "Ed Ardzinski" search in the near future
here at Nabble/Lilypond.
Thank-you very very much...
Jay Peek
Ed Ardzinski wrote:
>
> I'm sure there is a lot ways to get things stretched ou
Kieren,
Without replacing my current version (version "2.10.0"), I got a pretty
happy result.:handshake:
(This image is shrunk again, intentionally).
http://www.nabble.com/file/p12379280/lilypondex3.jpg
I will have to get familiar with "ragged" and it's manifestations.
Thank-you very kindl
I would hope that Mats' suggestion of \revert be instituted as that would make
it follow some other \revert commands in consistency. Our problem (Emily's and
mine) was we were trying to find something that unset the set but there was
nothing in the Docs.
However I did see (today finally) someth
Lilyponders,
While trying to get the music from all staves in a piece to combine
for MIDI output, I found a tip in the archives to create a staff group
to combine the music parts, then a score section for print output,
then a separate score section for the MIDI, more or less as follows:
%%%
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