Hi Claudio,
it is exactly as it is written. But dont hope too much of it, it depends on
differents factors in the *.mid(i) file if it works good or not. Without
option it writes a new file .ly (not on STDOUT)
Hope this helps
Francois
Am Donnerstag, 9. August 2007 08:12 schrieb claudio43:
> To
On 9 Aug 2007, at 08:12, claudio43 wrote:
To convert a midi file in lilypond source the command on manual is:
midi2ly [option]... midi-file, but for me this is not clear can
anyone give
me an example more explicit
thanks at all claudio
Here is an example of MIDI input, fractal music made by
Greetings -
I'm running LilyPond 2.11.23 under Windows XP2002 SP2.
I'm trying to get a tie to a phantom note at the beginning of a cue.
There's a multi-measure rest before the cue, and I don't want the tie to
be generated within the multi-measure rest. I think I'm coming close,
but I can't figure
Aha, thank you, that makes sense (and it works to boot).
On 8/8/07, Valentin Villenave <[EMAIL PROTECTED]> wrote:
>
> 2007/8/8, Neil Thornock <[EMAIL PROTECTED]>:
>
> > For the life of me I can't figure out why the lyrics in the bass line
> > collide in the following snippet (below).
>
> That's be
Dear readers.
The quarter note a from measure 19 and 20 lowervoice does not get merged
with the 8th from midlevoice. Anybody knows why?
~~Start .ly snippet
timeAndKey = { \time 3/4 \tempo 4 = 112 \key g \major \clef "G_8" }
Sup = { \once \override Stem #'neutral-direction = #up }
staffClassical
Hi Peter,
On 8/9/07, Peter Terpstra <[EMAIL PROTECTED]> wrote:
>
> Dear readers.
> The quarter note a from measure 19 and 20 lowervoice does not get merged
> with the 8th from midlevoice. Anybody knows why?
>
LilyPond won't merge voices when the stems are facing the same direction.
If you change
Hello everybody,
In the following LSR snippet (which I added a few months ago), time
signatures are printed above the staffgroup, which is really useful
for large orchestral scores:
http://lsr.dsi.unimi.it/LSR/Item?id=272
However, as you can see in this snippet, I had to add the following line:
Hi Valentin,
If the top Staff of the StaffGroup is always present (i.e., never
gets French-ed out), then you can simply use something like the
enclosed snippet.
If your top Staff is variable, you'll need to work a little harder! =)
Hope this helps,
Kieren.
_
\versi
2007/8/9, Kieren MacMillan <[EMAIL PROTECTED]>:
> Hi Valentin,
Hi Kieren, thank you for answering!
> If the top Staff of the StaffGroup is always present (i.e., never
> gets French-ed out), then you can simply use something like the
> enclosed snippet.
This is unfortunately not what I need, beca
Hi Valentin,
This is unfortunately not what I need, because the staves are never
the same in the score...
Yeah, I've never been that lucky either... =)
Besides, in your snippet the time signatures are not center-aligned
with the barlines, so one have to manually correct the extra-offset
O
2007/8/9, Kieren MacMillan <[EMAIL PROTECTED]>:
> To solve *that* problem, simply change the line to
> \override TimeSignature #'extra-offset = #'(-2 . 7)
> and all the TS's will be over the bar line.
Yes, this is what I figured :)
But this is by no way an automatic alignment. So
Hi Valentin,
On 8/9/07, Valentin Villenave <[EMAIL PROTECTED]> wrote:
>
>
> A solution would be to print the time signatures as Rehearsal Marks,
> but I don't know how to do it nor if it's even possible.
I've been messing around with RehearsalMark, and this seems to produce the
kind of output yo
Neil Puttock in
<[EMAIL PROTECTED]> :
> LilyPond won't merge voices when the stems are facing the same direction.
>
> If you change the direction of the middlevoice 8th, it works:
>
> s4 4.*2/3 \stemUp a,8\laissezVibrer \stemDown
> c'8 ~ | % 20
> c c 4.*2/3 \stemUp
> a,8\laissezVibrer \stemDown
Hi Peter,
You mean something with "Stem length-fraction" ?
>
I was thinking more of Beam #'positions, because that's what I'm used to
using, but #'length-fraction works just as well.
Thanks for drawing it to my attention. I hadn't noticed it in the reference
(or possibly understood its functio
2007/8/10, Neil Puttock <[EMAIL PROTECTED]>:
> Hi Valentin,
Hi Neil, I'd never expect that so much people would read my mail :)
> I've been messing around with RehearsalMark, and this seems to produce the
> kind of output you're after:
> Unfortunately it's pretty much useless, since it will only
My biggest problem in typing input is getting notes in the correct
octave. Relative mode doesn't help me that much because I have to
stop and think which direction is within a fourth of the previous
note.
The thing that's unambiguous is direction. If I'm on the b in the
middle of the staff,
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