Hello !!!
I have a problem with lilypond, when use compass 2/2 it divides the time
of the compass as if he was 4/4. What I make so that it divides in 2 and
not in 4?
Givaldo de Cidra
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2007/6/14, [EMAIL PROTECTED] <[EMAIL PROTECTED]>:
hello,
Hi Tao,
sorry for not having answered sooner; the list is quiet today, so it
gives more time to look for unanswered posts.
is there a general way to prevent accidentals of tied notes from being printed
after a line break?
I don't re
2007/6/5, Wilbert Berendsen <[EMAIL PROTECTED]>:
Hi Wilbert,
as far as I can see everybody forgot to answer your question.
when two eigth notes are just a \melisma, the lyric syllabe is centered below
the first note. But when the two notes are connected with a slur, the syllabe
is left-aligned
Hello Carl,
it seems nobody answered you a few weeks ago...
2007/6/5, Carl Sorensen <[EMAIL PROTECTED]>:
I'd like to set some single-note beginning piano music for my daughter, and want
to make a piano staff with lyrics between the two staves.
This is really easy; the only thing you needed t
Hello:
Scarlatti "looks" simple but of course is not. I'm using a Longo
edition to create a basic score which I will edit (hopefully) from
the Kirkpatrick facsimile into a performing edition.
I have this specific problem for the moment which wil lead to another
question about schemes.
Saludos Lilyponders:
Estoy escribiendo una partitura para orquesta pequeña(de cámara)"Director
Score", y necesito saber cuál es el mejor tamaño para hacerlo (A4, A3)?.
Necesito saber que tamaño de papel debo comprar para imprimir tal partitura,
me refiero al tamaño que utilizan en las casas edito
Hi David,
On 7/1/07, David Fedoruk <[EMAIL PROTECTED]> wrote:
\version 2.11.27
\include "english.ly "
Sonata_Emajor_K530.ly
\version "2.10.25"
upper = \relative c'' {
\clef treble
\key e \major
\time 3/4
e b fs r4 r8 \bar "||"
On 6/30/07, Graham Percival <[EMAIL PROTECTED]> wrote:
> does not
> include a lot of very basic commands (\score \midi \markup
> \appoggiatura \version ! ) .
> Or am I missing something and those are not "commands" ?
The general idea is that these are for things like \markup and
\appoggiatura (
Is there a way to customize the styles of the header's items? Say,
fonts of title and subtitles, sizes, alignment, etc. One can tweak the
text properties in the \markup, but what if I have a lot of .ly files
and I want all of them to share those settings by placing them in an
external file?
--
hernan gonzalez wrote:
Is there a way to customize the styles of the header's items? Say,
fonts of title and subtitles, sizes, alignment, etc. One can tweak the
text properties in the \markup, but what if I have a lot of .ly files
and I want all of them to share those settings by placing them i
hernan gonzalez wrote:
Ok. i'll see... but I must understand first, document later ;-)
It's really strange for me that the syntax of \score , for example, is
never
stated (as far as i found)...
Start at 3.2 How LilyPond files work. Read that section, then follow
the links from that page to
The basic syntax for a polyphonic section is as follows:
<< { musicA } \\ { musicB } >>
So for your problem section, you'd change it to this:
<< { c,2 a'4 | } \\ % bar 22
{ \grace b16 c2. } >>
You don't need the \stemUp switch, since the first polyphonic voice
automa
Well, in this example from the Regression tests it does.
http://lilypond.org/doc/v2.10/input/regression/lily-dd43efc1a7.ly
And so it did in my score, which I actually have never seen before, so I found
it quite strange not to have an accidental style which solves this.
Actually I solved the prob
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