On 29/01/07, Mats Bengtsson <[EMAIL PROTECTED]> wrote:
In Linux, my best guess is that you should try a newer version of
Ghostscript
(if you can choose between an AFPL and a GNU version, you should pick the
AFPL one, since they normally include more recent features).
One minor detail: as of Jun
Hello all,
Because I am transcribing renaissance music I am looking for a method
to draw dashed bar lines. In this case, it is not appropiate to draw
bar lines between staves, because that would clash with the lyrics
and, moreover, I use different time signatures for different staves.
I am aware
If you want smaller dots, you can set
\override Staff.BarLine #'font-size = #-3
or whatever size looks good to you.
/Mats
Marcel Korpel wrote:
Hello all,
Because I am transcribing renaissance music I am looking for a method
to draw dashed bar lines. In this case, it is not appropiate to draw
Hello!
I got a problem adding lyrics to a piece for four brass instruments.
Although I already searched the net and some forums I didn't get any
furhter, but I hope you can help me.
That's what I've got:
...
\new PianoStaff <<
\new Staff {
\clef treble \key f \major
Hi Everyone,
For a piece that has a time signature of 28/4 is it possible to set
lilypond to have barlines dropped in automatically?
for example the piece is in 24/8 but the grouping would be 6+4+4 + 6+4+4
so, after 6 beats, a barline, then after 4 beats a barline, after
another 4 a barline,
You can use something like the method written in the Line breaking
section of the manual.
\new Staff { <<
\new Voice { \repeat unfold 10 { \time 6/4 s4*6 \time 4/4 s1 s1 } }
\new Voice { \relative { c4 d e f g a c b a g c d e f} }
>>
Bert
___
lilyp
Or (if you don't want the changing time signatures, just the additional
bar lines):
\new Staff { <<
\new Voice { \repeat unfold 10 { s4*6 \bar ":" s1 \bar ":" s1 } }
\new Voice { \relative { \time 28/4 c4 d e f g a c b a g c d e f} }
>>
/Mats
Bertalan Fodor wrote:
You can use something like
On 1/30/07, Marcel Korpel <[EMAIL PROTECTED]> wrote:
Hello all,
Because I am transcribing renaissance music I am looking for a method
to draw dashed bar lines. In this case, it is not appropiate to draw
bar lines between staves, because that would clash with the lyrics
and, moreover, I use diffe
On 30 Jan 2007, at 13:08, Adam Good wrote:
For a piece that has a time signature of 28/4 is it possible to set
lilypond to have barlines dropped in automatically?
for example the piece is in 24/8 but the grouping would be 6+4+4 + 6
+4+4
so, after 6 beats, a barline, then after 4 beats a ba
When the size of a TupletBracket gets too small, it disappears leaving just the
TupletNumber. While I can see that this might be attractive in some
circumstances I would like to switch it off (so the TupletBracket always
prints.) Is there a way to do this? At the moment, I'm putting small increa
Citando 9-bert <[EMAIL PROTECTED]>:
>
> Hello!
>
> I got a problem adding lyrics to a piece for four brass instruments.
> Although I already searched the net and some forums I didn't get any
> furhter, but I hope you can help me.
>
> That's what I've got:
> ...
> \new PianoStaff <<
> \new St
Citando 9-bert <[EMAIL PROTECTED]>:
>
> Hello!
>
> I got a problem adding lyrics to a piece for four brass instruments.
> Although I already searched the net and some forums I didn't get any
> furhter, but I hope you can help me.
>
> That's what I've got:
> ...
> \new PianoStaff <<
> \new St
Hi,
The line-break-system-details property of the NonMusicalPaperColumn
grob is an alist with a bunch of useful values for vertical spacing.
Is there a list somewhere of the complete set of values that may be
overriden in line-break-system-details?
Here are the five line-break-system-details pr
I've never seen this happen and I couldn't construct an
example myself where it happened. I hope you are aware
of the fact that no tuplet bracket is printed by default if
there's a beam of the same length, but from your description
it seems fairly clear that this is not the problem here.
If you c
On 1/17/07, Maximilian Albert <[EMAIL PROTECTED]> wrote:
Hi Trevor, hi everyone,
> The following might be of interest to folks using proportional
> notation. If there's any general interest (of if Graham wants it to be
> so) then I'll retype the following as an addition to 11.3.4
> "Controlling
On 1/18/07, Graham Percival <[EMAIL PROTECTED]> wrote:
Trevor Bača wrote:
> The following might be of interest to folks using proportional
> notation. If there's any general interest (of if Graham wants it to be
> so) then I'll retype the following as an addition to 11.3.4
> "Controlling spacing
Hi Trevor and all,
I've been watching your thread on controlling vertical space as I'm very
interested in this area.
Joe Neeman gave me the following advice early in January of putting the
"strict" control into the layout blook as follows:
\layout {
\context { \Score \override NonMusicalPap
On 1/30/07, Trent Johnston <[EMAIL PROTECTED]> wrote:
Hi Trevor and all,
I've been watching your thread on controlling vertical space as I'm very
interested in this area.
Joe Neeman gave me the following advice early in January of putting the
"strict" control into the layout blook as follows:
\version "2.8.8" on Suse Linux 10
I have been making beautiful copies of classical guitar music for
my 8 string guitar. Everything works fine as long as I can copy
a template such as
\set Score.skipTypesetting = ##t
s4*8
And this works for string number spacing if I enter t
It seems in Lilypond (v2.10.14) the default notation for glissandos is
a straight line. I've never seen that notation used for glissando
before so I have no idea why it's the default, but that's OK because
everything can be changed, right?
So I tried "\override Glissando #'style = #'zigzag", think
Hi, from a fellow guitarist!
2007/1/30, Martin Nopola <[EMAIL PROTECTED]>:
\version "2.8.8" on Suse Linux 10
I have been making beautiful copies of classical guitar music for
my 8 string guitar. Everything works fine as long as I can copy
a template such as
\set Score.skipTypesetting = ##t
I am a beginner at Lilypond, and I like it very much, but I am
struggling to understand how to use it. In this e-mail I am going to
ask for pointers to some documentation. I realize that some of it
might not exist -- I am familiar with how open source projects go,
and I understand and accept that t
In the output from the LP source file appended below,
1. Why does the volta line for the second ending on the first staff
start too far to the left? How should I fix it?
2. Why is the setting of the Glissando's minimum-length property
ignored? How should I fix it?
Many thanks!
--
Without changing any other spacing, how can I make the final staff in
this lead sheet take up some extra space so the chord symbols will
move up (relative to the staff) and won't overlap the markup text?
My best idea so far is to put an invisible note somewhere (using
\transparent) at the top of t
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