"Marcus Macauley" <[EMAIL PROTECTED]> writes:
> I see that there are basically two ways to make notes (music) from
> within a Scheme block. As far as I can tell, one way is powerful but
> cumbersome, and the other way is simple but not very powerful. I'm
> hoping maybe there's a third way that
Nicolas Sceaux wrote:
"Marcus Macauley" <[EMAIL PROTECTED]> writes:
I see that there are basically two ways to make notes (music) from
within a Scheme block. As far as I can tell, one way is powerful but
cumbersome, and the other way is simple but not very powerful. I'm
hoping maybe there's
> "Mats" == Mats Bengtsson <[EMAIL PROTECTED]> writes:
Mats> With lilypond-book, you can easily override the line width
Mats> using
Mats> \begin[line-width=10\cm]{lilypond}
Mats> ...
Mats> \end{lilypond}
Yes, but if I have a file with 21 songs of four parts each, that mean
How can i put the oddHeaderMarkup to the right instead of the left
and how can i make appear the same oddHeaderMarkup in the second page
numeroHimno = "2"
\paper {
oddHeaderMarkup = \markup { \bold \large \numeroHimno }
between-system-space = 0.3\cm
head-separation = 0.1\cm
}
_
Either I've found a bug, or (more likely) I don't understand how variables
are passed between Lilypond and Scheme.
Below is an example, where a #(define-music-function...) block receives a
variable, stringone. That variable seems to be accessible (i.e. bound, if
I have my terminology straig
Hi:I just read that lilypond includes support for rightHandFinger events. Being a guitarist I was thrilled. I ran the example and tried a couple of experiments to see if I could change the capital P and I that appear, in guitar the fingers are spelt in lowercase p, i, m, a.
\rightHandFinger #0 ...
is there any way to put "(" and ")" around a chordname?
I am using the 'a2:m f4:dim' type input
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