In order to markup composers names in small caps font shape I tried different
methods as recommended by the lilypond documentation and other user hints
found in the internet - but nothing really worked.
All other font shape tags like \italic, \bold are effective and working
properly. But when I a
Gilles wrote:
>
>> How can I have french letters, such as é, à or ç, in the Lyrics, as well
>> as in
>> the header, the staff name... ?
> You have to use the UTF-8 encoding for saving the .ly files.
>
Well, I edit and save the .ly files using Xemacs, I thought it used the
UTF-8 encoding. Am I w
Mats Bengtsson-4 wrote:
>
> I think the problem is that you have surrounded all the staves by a
> GrandStaff. If you look at the program reference for GrandStaff, you
> will learn that it can only contain Staff contexts, by default.
>
Perfect, thanks ! I just needed to erase the \new GrandSta
Mats Bengtsson wrote:
>
> If you don't want any time signature printed, you can do
> \override Staff.TimeSignature #'print-function = ##f
>
What if I don't want a time signature in a part of a piece, and I want it
back in another part ? Setting it invisible is not a solution, since I
change it
Please include a copy of the code you have tried (in the
mail body if you don't manage to attach it any other way).
Otherwise it's very hard to guess what you did.
/Mats
Edward Ardzinski wrote:
I am using 2.6.5 on a WIndows XP-home box. Pretty new computer, no issues in
the 6 months I've b
I will use my EPS files to the following.
I am making a guitar book, and shall make 2 pages with fret diagrams:
how to make open chords,
how to make barré chords
So i want it to say the chord name, and then the diagram under it, and
nothing else.
Could anyone help me getting started on this?
Eddy-14 wrote:
Mats Bengtsson wrote:
If you don't want any time signature printed, you can do
\override Staff.TimeSignature #'print-function = ##f
What if I don't want a time signature in a part of a piece, and I want it
back in another part ? Setting it invisible is not a solution, s
Eddy-14 wrote:
Gilles wrote:
How can I have french letters, such as é, à or ç, in the Lyrics, as well
as in
the header, the staff name... ?
You have to use the UTF-8 encoding for saving the .ly files.
Well, I edit and save the .ly files using Xemacs, I thought it used the
UTF-
Jannik Jeppesen wrote:
I will use my EPS files to the following.
I am making a guitar book, and shall make 2 pages with fret diagrams:
how to make open chords,
how to make barré chords
So i want it to say the chord name, and then the diagram under it, and
nothing else.
Could anyone help me
Looks like a bug! I forward it to bug-lilypond.
/Mats
Laurenz Goellmann wrote:
In order to markup composers names in small caps font shape I tried different
methods as recommended by the lilypond documentation and other user hints
found in the internet - but nothing really worked.
All other
Hi again.
That is probably what I was looking for.
Can you tell me what exactly this meens?
---
\with{\override VerticalAxisGroup #'minimum-Y-extent = #'(-1.2 . 8.0)}
\lyricmode {
---
And then please look at my following file. (Sorry it is so long, just to let
you get an idea of my prob)
1.
> To quote Section "Layout tunings within contexts":
>
> "the |\revert| command for a context undoes an |\override| command"
>
> so, simply do
> \revert Staff.TimeSignature #'print-function
> where you want to make the time signature visible again.
That still leaves the blank spaces within the bar
On Wednesday 15 March 2006 10.53, Eddy-14 wrote:
> Mats Bengtsson wrote:
> > If you don't want any time signature printed, you can do
> > \override Staff.TimeSignature #'print-function = ##f
>
> What if I don't want a time signature in a part of a piece, and I want it
> back in another part ? Setti
Work has been done on a windows version, but not much
success so far.
In the near future we are planning a real push for
getting Denemo up and running cross platform.
Part of our limitation with windows is that the
developers don't use windows so Mac and Linux are
first up to bat.
If you want to
Hi folks!
Paul Scott schrieb:
3. 9/4 time will cause a half note to cross a bar line which I don't
believe Lily will do. You original suggests 14/4.
That's exactly what I experienced if you're talking about line breaks at
that bar line. Perhaps a short hint should be added to the manual, tha
Thies Albrecht wrote:
Hi folks!
Paul Scott schrieb:
3. 9/4 time will cause a half note to cross a bar line which I
don't believe Lily will do. You original suggests 14/4.
That's exactly what I experienced if you're talking about line breaks
at that bar line. Perhaps a short hint should
On 15-Mar-06, at 9:10 AM, Paul Scott wrote:
Thies Albrecht wrote:
That's exactly what I experienced if you're talking about line breaks
at that bar line. Perhaps a short hint should be added to the manual,
that line breaking only works at bar lines where there is no note
lasting longer than
On 15-Mar-06, at 3:07 AM, Geoff Horton wrote:
That still leaves the blank spaces within the bars. You have to remove
the engraver to stop that from happening (AFAIK), and I don't know how
to remove it and put it back as needed.
\layout {
\context {
\Staff
\remove "Time_signature_engr
Graham Percival wrote:
On 15-Mar-06, at 9:10 AM, Paul Scott wrote:
Would it not be helpful if Lily gave an error when the wrong number
of beats are in a bar
This is exactly what the bar line check does! See 6.2.4 Bar check!
c'4 c c c | c c c c |
Certainly but I for one don't put | at
On 3/15/06, Graham Percival <[EMAIL PROTECTED]> wrote:
>
> On 15-Mar-06, at 3:07 AM, Geoff Horton wrote:
>
> > That still leaves the blank spaces within the bars. You have to remove
> > the engraver to stop that from happening (AFAIK), and I don't know how
> > to remove it and put it back as needed
On 15-Mar-06, at 9:54 AM, Geoff Horton wrote:
On 3/15/06, Graham Percival <[EMAIL PROTECTED]> wrote:
On 15-Mar-06, at 3:07 AM, Geoff Horton wrote:
That still leaves the blank spaces within the bars. You have to
remove
the engraver to stop that from happening (AFAIK), and I don't know
how
On 15-Mar-06, at 9:53 AM, Paul Scott wrote:
Graham Percival wrote:
This is exactly what the bar line check does! See 6.2.4 Bar check!
c'4 c c c | c c c c |
Certainly but I for one don't put | at the end of every bar. I
normally only use | when I have a problem.
Are there musical cases
Am 15. M�rz 2006, 10:53 Uhr (-0700) schrieb Paul Scott:
>
>
> Are there musical cases where you can have more beats in a bar than the
> time signature indicates?
In Renaissance Polphonic Music, syncopations in individual voices are
often written without ties, even across barlines for legibility.
Graham Percival wrote:
On 15-Mar-06, at 9:53 AM, Paul Scott wrote:
Graham Percival wrote:
This is exactly what the bar line check does! See 6.2.4 Bar check!
c'4 c c c | c c c c |
Certainly but I for one don't put | at the end of every bar. I
normally only use | when I have a problem.
I didn't used to put | at the end of every bar, but the more I do the
more I've found that it really does make life a lot easier--and even
more so since I started using jEdit, which obligingly gives me the
beat count as soon as I type the | symbol. It's quick and saves me a
fair number of edit/comp
Geoff Horton wrote:
To quote Section "Layout tunings within contexts":
"the |\revert| command for a context undoes an |\override| command"
so, simply do
\revert Staff.TimeSignature #'print-function
where you want to make the time signature visible again.
That still leaves the blank spac
On 15-Mar-06, at 10:31 AM, Paul Scott wrote:
Graham Percival wrote:
This is exactly what the bar line check does! See 6.2.4 Bar check!
c'4 c c c | c c c c |
Certainly but I for one don't put | at the end of every bar. I
normally only use | when I have a problem.
Benjamin Britten occas
Graham Percival wrote:
On 15-Mar-06, at 10:31 AM, Paul Scott wrote:
Graham Percival wrote:
This is exactly what the bar line check does! See 6.2.4 Bar
check! c'4 c c c | c c c c |
Certainly but I for one don't put | at the end of every bar. I
normally only use | when I have a problem
Orm Finnendahl wrote:
Am 15. M�rz 2006, 11:31 Uhr (-0700) schrieb Paul Scott:
So it could be reasonable to give an error when the number of beats/bar
is exceeded (when not in a cadenza).
Dir you read my post regarding Renaissance Music and the example in
3.5.1?
Yes. See my next p
Hi again thanx alot.
1. How do I set the space between the diagrams ... there is way too much
now.
You mean the horizontal space? That's your own fault since you
inserted \break commands. LilyPond spaces out all music
evenly on each score line.
So you say that it is impollible to have 2
Ok one more question...
Why is there less space between chord name and diagram in the G chords, that
there is in the other chords when it now is specified with the following
code? As I see it it also is in C an B that meens every second line
any idea?
\with{\override VerticalAx
> So you say that it is impollible to have 2 diagrams in one line, with only
> one cm space between
> And in the next line have four diagrams with also one cm space between?
> Thats what I am looking for... Very sad, if it is not possible...
Try putting this somewhere into your layout definition:
On 15-Mar-06, at 11:36 AM, Paul Scott wrote:
So it could be reasonable to give an error when the number of
beats/bar is exceeded (when not in a cadenza). I would guess the
present bar line logic already presents the condition where the error
message could be added. I have generated many pag
Jannik Jeppesen wrote:
Ok one more question...
Why is there less space between chord name and diagram in the G
chords, that there is in the other chords when it now is specified
with the following code? As I see it it also is in C an B that
meens every second line any idea?
Ma
Hi...
I added the code, and it helped. But can I somehow change the space between
the diagrams by using the code ragged-right = ##t?
So you say that it is impollible to have 2 diagrams in one line, with
only
one cm space between
And in the next line have four diagrams with also one cm space
Hi Graham!
> Eh? The docs already state that you can only have a line break at a
> bar line. Should we specify that bar lines only occur at the end of a
> bar?
To be clear what I'm talking about:
The (fragment of an) example below gives two bars of music, which will be
displayed correctly by
I've used lilypond for a while and this is my first post. Before I start
asking a bunch of questions I just want to state my appreciation for this
package. Lilypond combined with Audacity and Timidity++ have helped revive
my interest in music and in particular drumming. I am an electrical engineer
Sorry to dredge up an old thread, but I've been working on converting
files to 2.7.38 for the last few days and I'm in full agreement with
Fr. P on this. The lyric spacing in 2.7.38 is very, very bad (see the
attached image, generated from the attached file--there's no way to
tell from the text alo
i have the problems with \bar "|"
i need a certain bar to run across the stave, like on the picture:
http://img220.imageshack.us/img220/1330/tem13ct.jpg ,
but i have something like that instead:
http://img220.imageshack.us/img220/1330/tem13ct.jpg
thanks!
bassMusic = \relative c' {
%
On 15-Mar-06, at 2:29 PM, Thies Albrecht wrote:
The (fragment of an) example below gives two bars of music, which will
be
displayed correctly by Lilypond. As there is a half on beat #4 in
measure
#1, which lasts 'til beat #1, measure #2, the next 'c' will be
(correctly)
set on beat #2, measu
On 15-Mar-06, at 5:49 PM, Pete Stieber wrote:
I'm used to a symbol in drum set notation for a half open hi-hat that I
can't seem to find in lilypond. It consists of the symbol used to
indicate
an open hi-hat (scripts.open ?) with a hyphen through it.
You could probably create this symbol us
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