On 1-Sep-05, at 10:42 PM, Mehmet Okonsar wrote:
Using \skip in unmetered long scores can be quite unconvenient..
Try this:
{
s4*16
s8*3
s1*5
s2
music
}
Using shorthands like s and *, it's not such a big deal.
- Graham
___
lilypond-user mailing l
I don't see the problem. How about
\version "2.7.8"
\score {
\new PianoStaff {
<<
\context Staff = "RH" {
\clef treble
{ f'2 c'4 d' e' f' r4 r8 c' d'4 e' }
}
\context Staff = "LH" {
\clef bass
{a,2 b,4 g, e, f,g,8} % i cut here into the notes of the LH
The problem here isn't the atonic key function itself, but rather that
you use \cadenzaOn, which makes everything up to the next \cadenzaOff to
be treated as a single long measure, no matter if you insert any extra
manual bar lines every here and there.
One solution is to replace \cadenzaOn with
What you have found in the source code files are some left-overs
from version 2.4 and earlier, where LilyPond only knew about Latin1.
If you browse through the mailing list archives, you can also find
out why this was not a satisfactory solution if you want to promote
the program outside western E
Until recently the windows versions of lilypond generated pdf-files. In
one of the last versions point-and-click didn't work anymore. Now only
.ps files are generated but not pdf-files. I downloaded an older version
(2.6.3-1) but this one didn't work either. Has anything changed or is my
window
my latest windows version 2.7.8 work very well on point and click in acrobat
pro the only trouble is that I wasn't able to figure out how to have another
editor open
Best Regards,
Mehmet Okonsar, pianist-composer
www.okonsar.com
- Original Message -
From: "Katrien de Vos" <[EMAIL PROTECTED]
Mats Bengtsson wrote:
> If you find this added flexibility in LilyPond 2.6 so annoying, then
> you could use some program that converts a Latin1 coded file into
> UTF-8 coding and even make a script file that first does the
> conversion and then calls LilyPond. Unfortunately, I don't know
> Window
Or, for someone with a C compiler, the poor-man's algorithm is:
for ( unsigned int i = 0; i < length; i++ )
{
if ( (unsigned char)line1[i] > 127 )
{
*line2++ = (char)(192 + (((unsigned char)line1[ i ]) / 64));
*line2++ = (char)(128 + (((unsigned cha
On Fri, 2 Sep 2005, Mats Bengtsson wrote:
> What you have found in the source code files are some left-overs
> from version 2.4 and earlier, where LilyPond only knew about Latin1.
> If you browse through the mailing list archives, you can also find
> out why this was not a satisfactory solution if
This is installed on Debian unstable using the .package file. When I
use the --psfonts option, no .psfonts file seems to be produced.
When I use lilypond-book without the --psfonts option, I get a lot of
error messages from dvips like:
dvips: Font PFAEmmentaler-11 used in file lily-936457080-1.
On Fri, 2 Sep 2005, Daniel Johnson wrote:
> I offer the following with NO WARRANTY.
Offer accepted. That's always acceptable.
> . . . . . . . . . . . . . . . . .. . . I am enclosing a VBScript file
> that should perform conversion from Latin-1 to UTF-8. I haven't tested
> this. Also, I never
On Fri, 2 Sep 2005, Hans de Rijck wrote:
> Or, for someone with a C compiler, the poor-man's algorithm is:
>
> for ( unsigned int i = 0; i < length; i++ )
> {
> if ( (unsigned char)line1[i] > 127 )
> {
> *line2++ = (char)(192 + (((unsigned char)line1[ i ]) / 64)
> I can't afford a C compiler for Windows
The GNU compiler has been available for Microsoft systems since the
DOS era. Have a look at www.mingw.org, www.cygwin.org
>, and I can't switch to Linux or to a Mac for work reasons.
There are several live-cd distributions, that will allow you to run
L
[EMAIL PROTECTED] wrote:
On Fri, 2 Sep 2005, Mats Bengtsson wrote:
What you have found in the source code files are some left-overs
from version 2.4 and earlier, where LilyPond only knew about Latin1.
If you browse through the mailing list archives, you can also find
out why this was not a sat
On Friday 02 September 2005 07:15, Jan Nieuwenhuizen wrote:
>
> I suspect that there is still a guile 1.6.4 lingering around on your
> system. If so, get rid of it.
I have just upgraded to guile 1.6.7 using an RPM I found on rpm.pbone.net
(previously, I had built guile 1.6.7 from source download
Matt Wallis wrote:
On Friday 02 September 2005 07:15, Jan Nieuwenhuizen wrote:
I suspect that there is still a guile 1.6.4 lingering around on your
system. If so, get rid of it.
I have just upgraded to guile 1.6.7 using an RPM I found on rpm.pbone.net
(previously, I had built guile 1.6.7 f
Hi,
On Friday 02 September 2005 04:50, Mehmet Okonsar wrote:
> try \cadenzaOn and \cadenzaOff
thanks Mehmet, that brought me at least much closer to the desired result.
However, I still can't get rid of the 4/4 signature at the begin of the
piece. Isn't there a way to switch that off? I also have
Try "\set Score.timing = ##f" inside the staff context, instead of outside
(referring to the code in the original email). Also, can you post the
whole file you're working from? It may help the debugging.
--
Kris Shaffer
graduate student in music theory, Yale University
co-editor-in-chief fo
Will Oram <[EMAIL PROTECTED]> writes:
> I tried Mats' template for centred piano dynamics but found it to be
> off-balance. Maybe I will try later with greater tweaking. Also, do
> the dynamics in this template apply themselves to MIDI, or is it
> functional only in layout?
>
> In the meanti
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