Hello list,
hello Bert,
I now found out that in some occasions error list does work:
removing/adding a "{" and saving shows the expected result:
...14:Block is not closed
clicking there jumps to line 14, o.k.!
Now I remove the "\" before my midi-block and run the console:
console shows:
/home
Hello list,
hello Bert,
I now found out that in some occasions error list does work:
removing/adding a "{" and saving shows the expected result:
...14:Block is not closed
clicking there jumps to line 14, o.k.!
Now I remove the "\" before my midi-block and run the console:
console shows:
/home
Thanks, the problem is that lilytool is looking for the string "error"
and "warning " after the line and column number to find the errors and
warnings.
However, you're running lily in German, so lilytool should watch for
Fehler and Warnung. I've make a quick patch for this and uploaded the
new
Hi !
I've a little problem I can't figure out, and I hope someone here knows
the answer !
Imagine somthing like this (where numbers represent notes):
<< {1 2 3} \\
{4 5 6} >>
(Here we have a bar break)
<< {7 8 9} \\
{a b c} >>
Now I want a phrasing slur between notes 1 and 9 , when I try, l
Why don't you simply put the two bars in the same line, like:
<< {1( 2 3 | 7 8 9)} \\ {4 5 6 | a b c} >>
- Sami
Raphael Slinckx wrote:
Hi !
I've a little problem I can't figure out, and I hope someone here knows
the answer !
Imagine somthing like this (where numbers represent notes):
<< {1 2 3}
Or perhaps naming Voices explicitily can do the trick.
\context Voice = vocA {
c d e f g << \context Voice = vocA { 1( 2 3 } \\ { 4 5 6 } >>
e f g a << \context Voice = vocA { 7 8 9) } \\ { a b c } >>
}
Why don't you simply put the two bars in the same line, like:
<< {1( 2 3 | 7 8 9)} \\ {4 5 6
Ah ! I didn't know it was possible !
Thank you very much, it worked indeed !
Raf
Bertalan Fodor wrote:
Or perhaps naming Voices explicitily can do the trick.
\context Voice = vocA {
c d e f g << \context Voice = vocA { 1( 2 3 } \\ { 4 5 6 } >>
e f g a << \context Voice = vocA { 7 8 9) } \\ { a b c
On Wednesday 14 July 2004 01:29 am, Sami Huhtala wrote:
> Much simpler solution when the need to force a number above/below the
> staff is only temporary:
>
>c^3 forces the fingering-number above the note
>c-3 finds the 'most natural' place for the number
> (always[?] above the st
Hi at all.
I'm still using lilypond 2.2.0, and I wonder, wether it is possible to
determine at tied chords explicitely, which direction every tie shall
have.
To demonstrate that this is necessary, here a little piece of code:
\include "deutsch.ly"
\score {
\context Staff \notes\relative
Hello, I'm new to the list. I really like Lilypond. Beautiful printouts
but I'm finding using it a big learning curve.
I have a question about syntax of repeats which go like this
1. 2.- 5. 6.
music notes to first ending :| this ending played *3 :| and
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