Carter Brey writes:
> Managed to compile 2.0.1 on RH 9 and its stock guile 1.6.0 with no
> obvious problems, but here is the verbose output when attempting to
> run it on a test file. What is this missing file
> ("libguile-srfi-srfi-13-14-v-1")?
It is a shared library loadable as plugin, that is
Maarten Boasson writes:
> it would seem that Lilypond does not support artifical harmonics on
> string instruments.
See:
http://mail.gnu.org/archive/html/lilypond-user/2003-04/msg00069.html
> Many thanks for your attention - if I missed it, my apologies.
Please mail to lilypond-user, not t
Graham Percival wrote:
On Sat, 04 Oct 2003 11:36:15 -0700
Paul Scott <[EMAIL PROTECTED]> wrote:
How can I either raise \mark or move bar numbers so they don't conflict
as they do when they are left alone and the rehearsal mark falls at the
beginning of the line?
\translator{ \ScoreContex
José Luis Cruz wrote:
This is for displaying a guitar fret, just by modifying a Staff. Look at the attached .png for an idea. The source .ly is also attached.
TODO: To put a notehead left out of the staff, (fret 0) ¿ideas?.
> And also find a way of putting numbers instead of noteheads,
Did you
Mats Bengtsson wrote:
Why are rehearsal marks placed to the left of the clef symbol? I
don't see this in other printed music or in Finale's output. Placing
rehearsal marks to the right of the clef symbol would solve one of my
problems and make it look like other printed music.
Maybe, this i
Niki Pantelias wrote:
Hi Graham (everyone),
Thanks for the reply. I have experimented a bit with \partcombine, but I
believe it is limited to only two voices; I need to put three or four voices
on a single staff. Also, I'd like to have the stems "shared" across
noteheads not set in oppo
If you want to do these more advanced tricks, I'm afraid you have to
learn the basics of the Scheme language and use the Scheme interface to
Lilypond, see
http://lilypond.org/doc/v1.8/Documentation/user/out-www/lilypond-internals/Scheme-functions.html
There are some examples in the "Tips and trick
José,
Just to have it clarified, is this supposed to be the neck of a guitar
(or another string-instrument)? If so, what would numbers signify?
This is cool though, it could be used for fretboard patterns, scales
and other stuff. Nicely done! :-)
I'm using Lilypond for normal tablature, and
It should be possible to redefine the function
default-break-barline in your own input file, but when I
tried to just insert a new definition, the one from
output-lib.scm was still used.
How can these functions be redefined in the user files?
Mats
José Luis Cruz wrote:
If you want to break the
Hello, all --
I know you can set up predefined "variables" containing a bunch of
different directives (including notes, tweaks, markings, etc.), but can
you set up "functions" where the "parameters" can be decided at
"runtime"?
For example, can I set up a "tuplet within a quadruplet, with slur
I recently tried etf2ly on a Finale ETF file I got from our conductor,
and while the results are beautiful (and arguably much more so than
the original), they're also definitely wrong. More precisely, notes
in a minor key appear two positions above the place where they should.
What should have be
A Mon, 06 Oct 2003 11:12:58 +0200
Mats Bengtsson <[EMAIL PROTECTED]> escribió:
>
> Did you take a look at the support for tablature?
>
Yes, but are different things. I want to represent a
fingerboard with his frets, not a tablature. Something similar
as does the gchord package for latex, but u
Hello,
I really don't know how to get rid of the bar at the left, which joins
the staves when you include two or more. I attach an example.
Anyone has succeed on removing that bar? (Without having a separate
.ly for each line, of course. That is the idea ;) )
José Luis
<>_
I give you the response that Matt sent to me, because i think applies
well:
If you want to do these more advanced tricks, I'm afraid you have to
learn the basics of the Scheme language and use the Scheme interface
to Lilypond, see
http://lilypond.org/doc/v1.8/Documentation/user/out-www/lilypond-
Debian Sid packages (binary and sources) of Lilypond 2.0.1 are
available from my website:
http://www.pedrokroeger.net/lilypond/
They're also apt-gettable adding the following line to sources.list:
deb http://www.pedrokroeger.net/lilypond/ ./
deb-src http://www.pedrokroeger.net/lilypond/ ./
And
More related to your question is the example
http://lilypond.org/doc/v1.8/input/test/out-www/collated-files.html#music-box.ly
Mats
José Luis Cruz wrote:
I give you the response that Matt sent to me, because i think applies
well:
If you want to do these more advanced tricks, I'm afraid you have
Try
\score{
...
\paper{
\translator{
\ScoreContext
\remove "System_start_delimiter_engraver"
}
}
}
Mats
José Luis Cruz wrote:
Hello,
I really don't know how to get rid of the bar at the left, which joins
the staves when you include two or more. I attach an example.
A
About the regression test and tips and tricks, if i found that the
result doesn't correspond with expected, should i report it
like a bug? Or the developers have checked them all? I say this
because i found some of them that don't match.
I would report bugs if I found them, I don't expect Han-Wen a
Hi Mats,
Thanks for the suggestions. Using \new or naming the voice contexts seems
to help in some ways (no more collisions between notes and rests) but makes
matters worse in others (e.g., prints three rests instead of one where all
voices rest). Defining dymamics and articulations sepa
Have you seen
http://lilypond.org/doc/v1.8/input/test/out-www/collated-files.html#maximum-rest-count.ly
Mats
Niki Pantelias wrote:
Hi Mats,
Thanks for the suggestions. Using \new or naming the voice contexts seems
to help in some ways (no more collisions between notes and rests) but make
Arvid Grøtting <[EMAIL PROTECTED]> writes:
> This seems to be a etf2ly issue. Is it a known bug? Is there an easy
> fix?
OK, I know it's rude of me to follow up to myself, but there's a fix
now. Ugly, but it seems to work for fis minor with at least one
piece; YMMV.
Oh, and I fixed one other
Hi,
I have been using 1.8.2 for a little while now, and have been using the <<>>
syntax for chords.
I have just upgraded to 2.0.1 and the syntax seems to have reverted back to
how it was in 1.6.
Why the apparent change and is it likely to stay that way?
Arghh! What's going on?
Regards,
Ralph
--
It works :) I'm pretty happy.
I think it would be fine if an example of this (not only this
necessarily, but maybe in addition) could be included in tips and
tricks.
José Luis
Mats Bengtsson escribió:
> Try
>
> \score{
>...
>\paper{
> \translator{
>\ScoreContext
>
Arvid Grøtting <[EMAIL PROTECTED]> writes:
> Oh, and I fixed one other thing while I was at it. ;-)
Everything is not great, however.
Whole measure rests disappear (when a stave is silent for a complete
measure). This confuses the timing, giving errors in the pitches when
there's a key change.
Hi list,
I am new to LilyPond, so I am sorry if I come up with something already
answered lots of time (I searched both doc and mailing list archive
without success yet).
I would like to add some arbitrary graphical symbols into my score.
Particularly, I want to use some special accidentals for m
Hi,
OK, OK, I've just read the change log for 2.0.
They've changed back.
Shame. I'd just got used to the new format.
Sorry to take up bandwidth...
Regards,
Ralph
-Original Message-
From: Ralph Little
Sent: 06 October 2003 17:04
To: '[EMAIL PROTECTED]'
Subject: Chords & polyphony in 2.0.
Look at this threads of messages:
http://mail.gnu.org/archive/html/lilypond-devel/2003-09/msg0.html
http://mail.gnu.org/archive/html/lilypond-devel/2003-08/msg00141.html
José Luis
A 06/10/03 17:03:59
Ralph Little <[EMAIL PROTECTED]> escribió:
> Hi,
> I have been using 1.8.2 for a little w
Hi. I'm trying to build lilypond on a FreeBSD machine and was wondering
if someone might be able to help me with the following warning with
./configure. Currently, I'm using,
# ./configure --with-kpathsea-include=/usr/local/include/kpathsea
CC=/usr/local/bin/gcc32 CXX=/usr/local/bin/g++32
which
Graham, I finally figured out how voltas work. Many thanks for your kind
assistance. I find this method of music engraving somewhat daunting, but
the results certainly are good.
Regards,
-Jim
___
Lilypond-user mailing list
[EMAIL PROTECTED]
http://ma
Pedro Kroger wrote:
Debian Sid packages (binary and sources) of Lilypond 2.0.1 are
available from my website:
http://www.pedrokroeger.net/lilypond/
They're also apt-gettable adding the following line to sources.list:
Hi Pedro,
I've been using Feri's 2.0.0 for woody quite successfully. I did a
hi, I noticed a etf2ly post.
I have a lot of songs to convert from finale etf to ly.
While I realize that this is not top priority and that much of the
problem lies on the etf side, a good convertor would only help the
cause.
So much space is spent on the web page showing how much better lilypond
i
As I mentioned a few times there is a branch of denemo that does this
written by Richard Shann.
I uses both text and gui, with each updating the other.
I used to have a link to the CVS but I am not sure if it is still good.
This is what I have but it is very old.
Paul Scott wrote:
Pedro Kroger wrote:
Debian Sid packages (binary and sources) of Lilypond 2.0.1 are
available from my website:
http://www.pedrokroeger.net/lilypond/
They're also apt-gettable adding the following line to sources.list:
Hi Pedro,
I've been using Feri's 2.0.0 for woody quite succ
Jan Nieuwenhuizen wrote:
There has been a lot of discussion about this on the lilypond lists.
Have you considered installing lilypond from planet CCRMA?
Jan.
Jan,
Thanks for the reply; I upgraded finally to guile-1.6.4 and recompiled.
LilyPond 2.0.1 runs perfectly now. Alas, all my source fi
Hello!
I just moved from 1.6.6 to 2.0.0 and all my noteheads are missing.
I read lots of messages from lilypond-user and bug-lilypond
and honestly couldn't see the way out. Here is the part of the
verbose output that relates to this problem:
Invoking `dvips -ta4 -Ppdf -G0 -u +lilypond.map -otes
Hello friends,
I'm going through the usual head-banging trying to get landscape output.
Off-topic: Could we modify ps2pdf invocation or something to die more
gracefully with Adobe Acrobat Reader has the PDF file open?
I set orientation = "landscape" in the paper{} block. I get landscape
output
laura conrad asked a question similar to this a while ago, and never got
an answer i'll try again:
i am attempting to force the current key signature to display after a
\break, but without also printing a cautionary time-sig at the end of the
previous system. if i simply insert another \time c
Why are rehearsal marks placed to the left of the clef symbol? I don't
see this in other printed music or in Finale's output. Placing
rehearsal marks to the right of the clef symbol would solve one of my
problems and make it look like other printed music.
Maybe, this is a bug. I noticed in scm
38 matches
Mail list logo
