... well, you can remove the mark engraver from the score context and
place it in voice or staff:
\layout {
\context {
\Score
\remove "Mark_engraver"
}
}
\new Staff <<
\new Voice \with {
\consists "Mark_engraver"
} \relative { \voiceOne c' d e f \mark \default g a b c }
\n
Hi David,
once I created a score with fermata marks and rehearsalmarks at the same
time, but I have to look it up. Now I usually use SimultaneousMusic and
place the TitleMark a very short moment before or behind the barline.
But I will have a look, how I did it and if it still works.
Jan-Pet
Thanks, that's brilliant, and it will be a very useful template for me
for creating functions in the future.
Since my original post, I had experimented some more and thought I had
succeeded in getting the result I wanted, basically doing what your
function does, but as 2 separate calls. My soluti
Hi David,
to combine those two commands, you should wrap them in one music-function:
%
tocMark =
#(define-music-function (mup)(markup?)
#{
\tocItem $mup
\once \override Score.RehearsalMark.self-alignment-X = #LEFT
\mark $m
I want to have a table of contents with the titles of sections of a
piece and the relevant page numbers.
In pieces I have set previously, the title of each movement was placed
centrally over the first line of the score/part for that movement. I
set the variable "piece" in the header for each move
