On 01.07.24 21:32, Paul Scott wrote:
Sometimes the scope of functions? is not always clear.
I’m not sure what you mean by that. \afterGrace takes two arguments,
both of which are a single music expression each. {} or <<>> are used to
combine multiple things into a single music expression (seq
Thank you, both,
Sometimes the scope of functions? is not always clear.
Paul
On 7/1/24 12:19 PM, Valentin Petzel wrote:
Hello Paul,
\afterGrace ees2~\startTrillSpan ees1 { d16( ees) }
correct would be
ees2~\startTrillSpan \afterGrace ees1 { d16( ees) }
or
\afterGrace { ees2~\startTri
Hello Paul,
>\afterGrace ees2~\startTrillSpan ees1 { d16( ees) }
correct would be
ees2~\startTrillSpan \afterGrace ees1 { d16( ees) }
or
\afterGrace { ees2~\startTrillSpan ees1 } { d16( ees) }
(note that the latter one may have weird implications depending on
afterGraceFraction, e.g.:
\
Le lundi 01 juillet 2024 à 12:05 -0700, Paul Scott a écrit :
> Hi,
>
> This MWE works as I expect for the 1st \afterGrace but not for the 2nd
> one. In both cases I want the 16th notes in curly brackets to be the
> grace notes. I have tried several places to put the tied note.
>
> \version "2.2
Hi,
This MWE works as I expect for the 1st \afterGrace but not for the 2nd
one. In both cases I want the 16th notes in curly brackets to be the
grace notes. I have tried several places to put the tied note.
\version "2.25.17"
\fixed c''' {
r2 \afterGrace f\startTrillSpan { g16( f } ees4)\s
