Thanks to everyone who responded.
"Mark Stephen Mrotek" writes:
>
> When I write polyphony for the piano I use
> <<
> { %here pitches for top voice
> }
> \\
> { %here pitches for bottom voice
> }
> >>
Yes, your solution works and I have used it in the past.
I was trying to figure out h
ivan.k.kuznet...@gmail.com writes:
> Attached is the beginning of an arrangement for
> voice and guitar. The guitar part is two part counterpoint
> in which I would like to control where the steps go up or
> down.
>
> (1) In the guitar part, even though I have \voiceOne marked with \stemUp
> and
{ c2 c4 | g2 c'4 | r4 g'4 d'4 | g'4. fs'4.}
>>
}
>>
} % score
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
ivan.k.kuznet...@gmail.co
;4.}
>>
}
>>
} % score
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
ivan.k.kuznet...@gmail.com
Sent: Friday, March 15, 2013 8:52 PM
To: lilypond-user@gnu.org
S
Attached is the beginning of an arrangement for
voice and guitar. The guitar part is two part counterpoint
in which I would like to control where the steps go up or
down.
(1) In the guitar part, even though I have \voiceOne marked with \stemUp
and \voiceTwo marked with \stemDown, why do the stem
