Ted Walther wrote:
On Thu, Sep 14, 2006 at 10:08:42AM +0200, Erik Sandberg wrote:
Citerar Ted Walther <[EMAIL PROTECTED]>:
To typeset hymns with the same high quality that lilypond brings to
other areas of music typesetting, I need to be able to use \lyricsto
with \partcombine.
What exactly
On Thu, Sep 14, 2006 at 10:08:42AM +0200, Erik Sandberg wrote:
Citerar Ted Walther <[EMAIL PROTECTED]>:
To typeset hymns with the same high quality that lilypond brings to
other areas of music typesetting, I need to be able to use \lyricsto
with \partcombine.
What exactly do you want to do?
Erik Sandberg wrote:
Citerar Ted Walther <[EMAIL PROTECTED]>:
To typeset hymns with the same high quality that lilypond brings to
other areas of music typesetting, I need to be able to use \lyricsto
with \partcombine.
What exactly do you want to do?
If you want to align one lyric line to one
The problem is the alignment (centered or not) of syllables to note heads.
Compare the 2nd and 4th line of lyrics in the following example:
textI = \lyricmode {a4 bb ccc ddd }
textII = \lyricmode {eee fff gg h }
music = \relative c'{c d e f}
\score{
<<
\new Voice = m \music
\new Lyrics \lyri
Citerar Ted Walther <[EMAIL PROTECTED]>:
> To typeset hymns with the same high quality that lilypond brings to
> other areas of music typesetting, I need to be able to use \lyricsto
> with \partcombine.
What exactly do you want to do?
If you want to align one lyric line to one voice, and another
To typeset hymns with the same high quality that lilypond brings to
other areas of music typesetting, I need to be able to use \lyricsto
with \partcombine.
If you think you can make these two functions play together, please let
me know what you estimate it would cost. I'm not rich, but this is
i
