On Sat, Dec 31, 2016 at 4:57 AM, Malte Meyn wrote:
>
> \aikenHeads is a shorthand for \set shapeNoteStyles = ##(do re miMirror fa
> sol la ti) which affects only the current Voice context. \partcombine uses
> sometimes one and sometimes two voices so it’s not always the same Voice
> context. This
Am 31.12.2016 um 11:55 schrieb Phil Holmes:
I think it's documented in
http://lilypond.org/doc/v2.19/Documentation/notation/multiple-voices#automatic-part-combining
You’re right. (I didn’t notice that my browser chose the german
translation which hasn’t included this change yet.) However it wo
I think it's documented in
http://lilypond.org/doc/v2.19/Documentation/notation/multiple-voices#automatic-part-combining
--
Phil Holmes
- Original Message -
From: "Malte Meyn"
To:
Sent: Saturday, December 31, 2016 10:04 AM
Subject: Re: Problem with partcombine
Am 31.12.2016 um 10:57 schrieb Malte Meyn:
By the way: what’s this optional \partcombine argument introduced in
2.19? I haven’t found any documentation.
Found it. It’s an two year old addition that has been documented only in
appendix A.18 of the NR (which seems to be generated directly from
Am 30.12.2016 um 07:27 schrieb Bumby Hymnal:
I've run into a problem with using \partcombine while using
\aikenHeads. The problem is that under certain circumstances the aiken
shape note heads are not used in the output of \partcombine. The
strange thing is that it sometimes works.
\aikenHe
I've run into a problem with using \partcombine while using \aikenHeads. The
problem is that under certain circumstances the aiken shape note heads are
not used in the output of \partcombine. The strange thing is that it
sometimes works. The following snippet shows 4 different voices. The
first
Hi Alex,
> I think I wrongly presumed the intention was to achieve a single hairpin in
> the score while retaining both hairpins in the separate parts for part
> production.
That is *my* intention.
In my opinion, the partcombiner should give the user the option… but it’s not
currently that sop
ing? ly:music?)
>> #{ << $mus \context Voice = $ctx-name \grace s2\! >> #})
>>
>>
>> endI = \terminateHairpin "one" \etc
>> endII = \terminateHairpin "two" \etc
>>
>>
>> musicA = {
>> g'1\> \endI R1\!
>
> b'1\> \endII R1\!
> }
>
> \new Staff \partcombineII \musicA \musicB
>
>
> I have tried your solution to Kieran’s recent problem with \partcombine, but
> didn’t manage to find the \partcombineII that you use - I hope it isn’t a
> stupid question, but where is this to f
Hi Urs,
Thanks for the link/help. Tried to implement this, but there were a couple of
problems (that I have no time to hunt down), so I backed it out. (This is
definitely the right direction, though, as opposed to the baling-wire fix [due
to Harm] that I’m using now…)
Hopefully one day, we can
Harm (et al.),
Right after hitting “Send”, I realized the fix: ye olde empty chord!
The version below seems to work fine in both MWE and — at least, on first
glance — in my RWS (real-world score).
Thanks!
Kieren.
%%% SNIPPET BEGINS
\version "2.19.48"
terminateHairpin =
#(define-music-function
Hi Harm,
> below a very bad workaround, found deep, deep in the quick n' dirty junk room.
Thanks for the attempt!
Works great on this MWE…
But in my real-world score, Lily’s long-standing \grace-timing “feature” (read:
bug) comes crashing down. =(
The hint/idea is possibly a good one, suffici
2016-09-25 19:16 GMT+02:00 Kieren MacMillan :
> Hi all,
>
> Apologies for the rapid repost/crosspost, but this feature/bug is keeping me
> from being able to put together a full score for a commission which is due
> ASAP. Does anyone have a viable** workaround for the issue demonstrated by
> the
Hi Kieren,
no time to really look into it. But in
https://git.openlilylib.org/bfsc/das-trunkne-lied/tree/master/library/ly/to-lilylib
are two "remove-" files that deal with this issue IIRC. Maybe they're if help.
Urs
Am 25. September 2016 19:16:42 MESZ, schrieb Kieren MacMillan
:
>Hi all,
>
Hi all,
Apologies for the rapid repost/crosspost, but this feature/bug is keeping me
from being able to put together a full score for a commission which is due
ASAP. Does anyone have a viable** workaround for the issue demonstrated by the
snippet, below?
Thanks,
Kieren.
** n.b. For me, “viabl
Hi Karlin,
> But I've seen some of the work on www.kierenmacmillan.info. :)
Thanks for the compliment. I take great pride in the visual appearance of my
music — it’s nice to know that my efforts are appreciated by others.
> I won't be a but surprised if you've already tried this method
> or hav
On 9/23/2016 11:06 AM, Kieren MacMillan wrote:
> Hello all,
>
> Here’s the next big partcombine problem I’m currently running into:
>
> [...]
>
> Why doesn’t this \partcombine attempt properly deal with simple dynamics and
> hairpins?
>
> Thanks,
> Kieren.
>
>
> Ki
Hello all,
Here’s the next big partcombine problem I’m currently running into:
SNIPPET BEGINS
\version "2.19.46"
musicA = {
g'1\> R1\!
}
musicB = {
b'1\> R1\!
}
\new Staff \partcombine \musicA \musicB
SNIPPET ENDS
Why doesn’t this \partcombine attempt properly deal with sim
Op dinsdag 24 november 2009 schreef Stefan:
> Dear community,
> I've got another problem with partcombine.
> Is there a possibilitie to force lilypond to print the following (whithin
> the partcombine-command) in tow different voices?
> \version "2.12.2"
>
>
Stefan Thomas writes:
> Dear community,
> I've got another problem with partcombine.
> Is there a possibilitie to force lilypond to print the following (whithin the
> partcombine-command) in tow different voices?
> \version "2.12.2"
>
> upper = \relati
Dear community,
I've got another problem with partcombine.
Is there a possibilitie to force lilypond to print the following (whithin
the partcombine-command) in tow different voices?
\version "2.12.2"
upper = \relative c' {
r8 c e g e c
}
lower = \relative c' {
c4
Dear community,
I was now able to reproduce the error. It has do do with \context Voice.
When I compile the following snippet, the text "solo" is not printed, and
the upper voice is shown as voiceOne.
Here is the snippet:
\version "2.12.2"
upper = \relative c'' {
\context Voice << {\repeat "unfo
Dear community,
I have two questions concerning the partcombine-feature.
First: How can I change the texts like "Solo I" etc. for the whole score?
The second question:
When I combine a part with another, it happens sometimes- especially when
the lower part has a longer multi-measure-rest -
that th
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