Hi Ken,
I'd argue that being a professional composer does not imply being versed in
musical typesetting (similar to how most professional writers do know little
about typesetting).
In fact I'd say many professional composers want to spend their time composing
and getting their compositions per
Hi Valentin;
Thank you for your insights. I think I'll just drop this attempt to
reproduce exactly what the last transcriber/arranger tried to
accomplish (even though the person in question is an established
modern day composer, David Bruce).
I appreciate both you and Aaron sharing your expe
Thank you, Aaron.
Interesting thoughts...
Ken
On Fri, May 13, 2022 at 9:21 PM Aaron Hill wrote:
>
> On 2022-05-13 8:28 pm, Kenneth Wolcott wrote:
> > The ottava spanner terminates at the end of the note, not at the end
> > of the bar.
> >
> > How to change this?
> >
> > Screenshots attach
Hello Ken,
As far as I know Lilypond's behaviour here is pretty much the standard
behaviour, as done by most Software, Editions and recommended by Gould. Thus
doing ottava markings like this should be considered uncommon notation.
Considering Tchaikovsky is not exactly modern music I think it i
On 2022-05-13 8:28 pm, Kenneth Wolcott wrote:
The ottava spanner terminates at the end of the note, not at the end
of the bar.
How to change this?
Screenshots attached.
Consider the following:
\version "2.22.0"
\relative c'' {
% Be careful not to stop the ottava too soon.
\ot
