very interesting - a real pitty i didn't know about this snippet before!
thanks!
Eluze
Am 23.05.2011, 00:23 Uhr, schrieb Gilles THIBAULT
:
my question is how to proceed to have a minimal effort
You can use this snippet
http://lsr.dsi.unimi.it/LSR/Item?id=654
%%
\include "change
< You may write lower voice first, i.e.
d4 fis b a g e fis g
then copy it, change initial 4 to 8:
d8 fis b a g e fis g
and insert remaining notes form the higher voice. However it will screw any
relative mode used, and even despite that i doubt if it would save you a
lot
of time :/
thanks,
Can't answer the first question, but the piece is Sor's Op 6 No 1. It is
number 4 in the selection in the selection of 20 of his etudes made by
Segovia.
thanks - i have consulted the edition of Segovia and Azpiazu, but both do
not mention the opus number! now i've been able to locate it i
my question is how to proceed to have a minimal effort
You can use this snippet
http://lsr.dsi.unimi.it/LSR/Item?id=654
%%
\include "changePitch.ly"
patI = \context Voice {\voiceOne \repeat unfold 4 { s8 c }}
patII = \samePitch << {\voiceOne c8 s8 } \new Voice {\voiceTwo c4} >>
\new
2011/5/22 -Eluze
>
> obviously every odd 8th of the upper voice is identical to the 2nd voice -
> except for the duration (this is true for about 80-90 percent of the
> piece).
>
> my question is how to proceed to have a minimal effort and not to write the
> same notes twice.
>
You may write low
On 23/05/11 07:16, -Eluze wrote:
hi
i want to typeset a little étude for guitar written by Fernando Sor.
here are the first measures:
Allegro con moto
http://old.nabble.com/file/p31676255/Sor%2BAllegro%2Bcon%2Bmoto.png
obviously every odd 8th of the upper voice is identical to the 2nd voice -
ell me the opus number of this piece!
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