Hi Stefano,
>> 4. Things would be way easier if the EE (and/or Frescobaldi) had a method to
>> highlight (colour-ing the grobs?) all mods, and a linking method to
>> navigate to the correct spot in the edition file. There was an example of
>> this [colouring part] some time ago, but I don't kn
>
> 4. Things would be way easier if the EE (and/or Frescobaldi) had a method
> to highlight (colour-ing the grobs?) all mods, and a linking method to
> navigate to the correct spot in the edition file. There was an example of
> this [colouring part] some time ago, but I don't know if it was "taken
Hi Jan-Peter,
On Feb 20, 2018, at 4:46 AM, Jan-Peter Voigt wrote:
> At least I used it a lot in a score containing lyrics to balance the
> syllables in order to get the rhythmic picture of the score intact.
A staggeringly large percentage of my \editionMods are Lyric-nudges. =\
I *really* hope
Hi Urs,
>> 1. Use of \editionModList and other convenience "compressors" can,
>> in many cases, make for maintenance difficulties.
> interesting point.
Yes… I didn't really think about it until I was well into using it heavily.
OT: That inspired me to write this "compressed" score of "Mary Had
Am 20. Februar 2018 18:42:03 MEZ schrieb Kieren MacMillan
:
>Hi Stefano,
>
>> I am undecided on what the best interface for it would be though,
>since as Urs already mentioned there are trade-offs with each
>possibility. I too think that a discussion should be had about that, to
>see what use-ca
Hi Stefano,
> I am undecided on what the best interface for it would be though, since as
> Urs already mentioned there are trade-offs with each possibility. I too think
> that a discussion should be had about that, to see what use-cases and needs
> arise. How do you usually do that here? Do you
I completely missed development1.ly, that is great! The way the proc is
managed is particularly useful. It seemed to me that all the ingredients
for a convenience function are already there.
I am undecided on what the best interface for it would be though, since as
Urs already mentioned there are
Thank you all for your responses to my original post, and for the
ensuing discussion which I am following with great interest. I shall
not reply to each response individually, mainly because I have little
to offer that would be constructive: I made my original post because it
was my view as a comp
Hello Stefano,
this is a great idea! Setting global context variables can reduce the
needed code significantly.
In
https://github.com/openlilylib/edition-engraver/blob/master/usage-examples/development-1.ly
I use global variables to create "dynamic" editionModLists.
The files development*.ly i
I've been wanting to expand my earlier tutorial with a section dealing with
\editionModList since I think the convenience of it can be useful to many
users. However, it is not a solution for every situation. Particularly, it
is not useful when you need to insert objects as part of your edition if
t
Hi Jan-Peter,
> to address multiple contexts at once you can use regular expressions and
> wildcards like in
> https://github.com/openlilylib/edition-engraver/blob/master/usage-examples/development-3.ly
YAY! I didn't know this was in there. (I'm sure I would have, if I had gotten
my head above
Hi David,
Urs already answered. I understand your concerns about the input and I
am always open for ideas to ease the input for the edition-engraver.
Like Urs already mentioned your proposal will be difficult to implement
because it doesn't use the standard parser schemes. But it sheds light
Hi David,
19. Februar 2018 12:00, "David Sumbler" schrieb:
> As a newcomer to using Edition Engraver, and looking at the example
> files etc., I wondered why they were written with so much repetition.
> "Perhaps it is just to keep things easy for newcomers like me to
> understand," I thought.
>
As a newcomer to using Edition Engraver, and looking at the example
files etc., I wondered why they were written with so much repetition.
"Perhaps it is just to keep things easy for newcomers like me to
understand," I thought.
So I experimented with reformatting using braces as Lilypond does,
whi
Yes, I am compiling as I go along (not always merrily)
Mike Dean
On Mon, Mar 24, 2014 at 1:46 PM, Mike Dean wrote:
> I guess I haven't figured the two indicators out correctly...
> \score {
>
> \tempo \markup { \bold "Lento Lontano, e molto legato"}
>
> \mark \markup { "Chorale-like" }
I guess I haven't figured the two indicators out correctly...
\score {
\tempo \markup { \bold "Lento Lontano, e molto legato"}
\mark \markup { "Chorale-like" }
places "Chorale-like" above the tempo indicator, and aligns with the edge
of the staff.
What I haven't found is getting the Choral
Am 24.03.2014 15:45, schrieb Mike Dean:
Hi Marc:
Thanks for the feedback!
Hi Mike,
please don't forget to reply to all, so that others can join the
discussion.
I have a further question lining up the two marks in question 5
having implemented your suggestion has resulted in the "Chorale-l
Am 24.03.2014 03:39, schrieb Mike Dean:
(1) how can I get a certain field to break across two (or more) lines?
example:
\version "2.18.0"
\header {
copyright = "Copyright © 2003 by composer-name. For all countries.
All rights reserved. "
}
Perhaps you'd also like to try
\version "2.19.3
Am 24.03.2014 03:39, schrieb Mike Dean:
(1) how can I get a certain field to break across two (or more) lines?
example:
\version "2.18.0"
\header {
copyright = "Copyright © 2003 by composer-name. For all countries.
All rights reserved. "
}
copyright = \markup \right-column { " Copyright b
(1) how can I get a certain field to break across two (or more) lines?
example:
\version "2.18.0"
\header {
copyright = "Copyright © 2003 by composer-name. For all countries. All
rights reserved. "
}
(2) I'd like to force more space (one or more blank lines) between the
header and the start o
You can even find it in _handwritten_ 19th century scores.
For example look at the last measure in this Schubert manuscript:
http://www.schubert-online.at/activpage/manuskripte.php?werke_id=253&werkteile_id=&image=MH_00122_D648_052.jpg&groesse=100&aktion=einzelbild&bild_id=51
BTW: nice websi
Am 27.11.2012 10:11, schrieb Xavier Noria:
2. Whole notes and rests are kind of flushed to the left. It's been
many years since I did music but if I am not mistaken it was customary
to have them centered... is there a way to center them?
I'm embarrassed that I don't exactly know when and where, b
David Kastrup writes:
> Without an authorization by Stevie Wonder, publishing a version of his
> work on GitHub is not allowed in most countries of the world, so you
> should likely make this part of your repository private.
Either that, or move to a country which allows such publishing. As an
a
On Tue, Nov 27, 2012 at 11:07 AM, David Kastrup wrote:
> Xavier Noria writes:
>
>> Hi! This is the first time I use LilyPond, thanks for the software and
>> the documentation, they are really good!
>>
>> I have transcribed a song by Stevie Wonder:
>>
>> https://github.com/fxn/scores/blob/mas
2012/11/27 Xavier Noria :
> On Tue, Nov 27, 2012 at 10:46 AM, Thomas Morley
> wrote:
>
>>> 2. Whole notes and rests are kind of flushed to the left. It's been
>>> many years since I did music but if I am not mistaken it was customary
>>> to have them centered... is there a way to center them?
>>
>
er:
>>>
>>> https://github.com/fxn/scores/blob/master/stevie-wonder/you-and-i.ly
>>>
>>> and have a couple of questions I have not been able to figure out searching:
>>>
>>> 1. As you see, in the source code I have everything organized by
>&
Xavier Noria writes:
> Hi! This is the first time I use LilyPond, thanks for the software and
> the documentation, they are really good!
>
> I have transcribed a song by Stevie Wonder:
>
> https://github.com/fxn/scores/blob/master/stevie-wonder/you-and-i.ly
Here likely the Github usage condi
cores/blob/master/stevie-wonder/you-and-i.ly
>>
>> and have a couple of questions I have not been able to figure out searching:
>>
>> 1. As you see, in the source code I have everything organized by
>> measure. Is there a way to add lyrics by measure instead of in a
2012/11/27 Xavier Noria :
> Hi! This is the first time I use LilyPond, thanks for the software and
> the documentation, they are really good!
>
> I have transcribed a song by Stevie Wonder:
>
> https://github.com/fxn/scores/blob/master/stevie-wonder/you-and-i.ly
>
&
Hi! This is the first time I use LilyPond, thanks for the software and
the documentation, they are really good!
I have transcribed a song by Stevie Wonder:
https://github.com/fxn/scores/blob/master/stevie-wonder/you-and-i.ly
and have a couple of questions I have not been able to figure out
Unfortunately, mail attachments on this mailing list are filtered away
in an attempt to reduce the problems with virus emails. Could you please
resend to the mailing list with the .ly file included at the end of the
text part of your mail. Also, small examples isolating one problem at
a time are ea
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Hey all, I'm fairly new to lilypond, but I've got a couple of small problems.
I've attached my .ly files so it's easier to describe them.
In bar 69, where there's a trill on an E, I would like to have the "arco"
markup below, but then it gets writte
> Hi all,
>
>Since a few weeks, I've gone into serious typesetting
>with an average of a page an hour (two staffs, four voi-
>ces), because I'm "restauring" the works of a lost harp-
>sichordist for a friend, and with every piece, I've dis-
>covered more and more the
Jérémie Lumbroso wrote:
>- There doesn't seem to be a double repeat bar :||: I
Use
\bar ":|:"
Why don't you use LilyPond's repeat-function to autocreate the correct
bars?
>- I perfectly know that sluring grace notes with the
> next one is not available in current st
Hi all,
Since a few weeks, I've gone into serious typesetting
with an average of a page an hour (two staffs, four voi-
ces), because I'm "restauring" the works of a lost harp-
sichordist for a friend, and with every piece, I've dis-
covered more and more the incredible st
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