Thanks for the answer, that works for me.
Also, I understand the explanation why it is difficult to automatically
resolve the collisions with multi-measure-rests.
But I hope that it is at least a long time goal of the lilypond developers to
handle that case automatically.
~Michael
On Thursday
Hi, Mats:
I would rather recommend to set the staff-position property:
Perfect! I was looking (quickly, I must admit!) for such a property
-- I tried #'position, and it didn't work, so I moved on.
Thanks for providing the better solution.
Kieren.
___
Mats Bengtsson <[EMAIL PROTECTED]> wrote:
>
>
> Henrik Frisk wrote:
> >> \relative c' { << {c c c c} \\ {R1} >> }
> >>
> >> In the output there is a collision between the rest of the second
> >> voice and the notes of the first voice.
> >>
> >> The right solution would be to put the rest on a le
Henrik Frisk wrote:
\relative c' { << {c c c c} \\ {R1} >> }
In the output there is a collision between the rest of the second voice and
the notes of the first voice.
The right solution would be to put the rest on a ledger line and to lower it
until no collision occures.
Is there a reaso
> \relative c' { << {c c c c} \\ {R1} >> }
>
> In the output there is a collision between the rest of the second voice and
> the notes of the first voice.
>
> The right solution would be to put the rest on a ledger line and to lower it
> until no collision occures.
>
> Is there a reason why li
I would rather recommend to set the staff-position property:
moveRestUp = \once \override MultiMeasureRest #'staff-position = #6
moveRestDown = \once \override MultiMeasureRest #'staff-position = #-6
The default in \voiceTwo (i.e. in the second voice of a <<{...} \\
{...}>> construct)
is that s
Hi, Michael:
HTH,
Kieren.
\version "2.8.6"
moveRestUp = \once \override MultiMeasureRest #'Y-offset = #4
moveRestDown = \once \override MultiMeasureRest #'Y-offset = #-5
theMusic = \relative
{
<< {c4 c c c} \\ { \moveRestUp R1 } >> \break
<< {c4 c c c} \\ { \moveRestDown R1 } >
Hello,
it's me again.
I ran into this problem:
\relative c' { << {c c c c} \\ {R1} >> }
In the output there is a collision between the rest of the second voice and
the notes of the first voice.
The right solution would be to put the rest on a ledger line and to lower it
until no collision oc
