#x27;1
}
The problem is that the resulting score does not include the clef
changes. (For the markup, I can easily fix that by adding
text-script-event to quotedCueEventTypes; however, a clef change
apparently does not produce *any* event.)
I could of course, in my example above, split each \cueDur
At 15:19 25/10/2015 -0500, David Wright wrote:
I'm glad we singers don't meet this sort of thing in "normal" music.
My own take is for having extra accidentals (ie clef
changes=>forget) but also the extra cancellations (1471). (Perhaps
written above.)
[from a p
ve properties used for making
> reminders.
>
> Arguably, in your example it might even be a useful _default_ if the
> last of the three accidentals were not printed (but the second would).
> In that case, the accidental style internals would likely have to track
> more inform
Noah Fields writes:
> Hi all,
>
> I am working on a score for solo viola. There are measures in which I
> change from alto clef to treble clef, and then back to alto clef. Each time
> there is a clef change, Lilypond rewrites accidentals. I understand the
> usefulness of this default, but is ther
Hi Noah,
I'm not really familiar with accidental styles (as the default is
perfectly fine for me).
But there's a 'manual' solution which works. I just can't say if it's
too much extra-input for your taste:
\version "2.18.2"
\relative c' {
\time 4/4
\clef "alto"
cis4
Hi all,
I am working on a score for solo viola. There are measures in which I
change from alto clef to treble clef, and then back to alto clef. Each time
there is a clef change, Lilypond rewrites accidentals. I understand the
usefulness of this default, but is there a way to turn this feature off?
On Wed, Sep 10, 2014 at 1:40 AM, Noeck wrote:
>
>
> Am 09.09.2014 um 04:45 schrieb James Worlton:
> >
>
> Another thing that might be interesting for you (but you probably know):
>\override Staff.Clef #'full-size-change = ##t
> prints the clef in full size even for a change. I use this for th
#x27;m trying to create a quiz for a Theory class, and I'm having
>> difficulty with clef changes. Normally, new clefs appear before
>> the barline of the bar where they take effect. I'm trying to move
>> the clef changes into the relevant bars.
&
On 9/8/2014 9:06 PM, David Nalesnik wrote:
Hi James,
On Mon, Sep 8, 2014 at 8:36 PM, James Worlton <mailto:jworl...@gmail.com>> wrote:
Hello,
I'm trying to create a quiz for a Theory class, and I'm having
difficulty with clef changes. Normally, new clefs ap
Hi James,
On Mon, Sep 8, 2014 at 8:36 PM, James Worlton wrote:
> Hello,
>
> I'm trying to create a quiz for a Theory class, and I'm having difficulty
> with clef changes. Normally, new clefs appear before the barline of the bar
> where they take effect. I'm trying
Hello,
I'm trying to create a quiz for a Theory class, and I'm having
difficulty with clef changes. Normally, new clefs appear before the
barline of the bar where they take effect. I'm trying to move the clef
changes into the relevant bars.
This code shows the standard m
David Kastrup gnu.org> writes:
> I think the solution would be to replace the presumably existing list of
> "currently altered accidentals" not by an empty list but rather by a
> list where every such accidental is replaced with a non-existing "dirty"
> accidental.
That sounds right.
I'll add
ase-2 such
> as \clef "alto" c d e fis , but it causes the worse problem of losing
> accidentals of case-1 when these bring us back to the key signature.
>
> I suspect the first step to a solution is simply to have LilyPond
> leave the "still in force" list un-
hese bring us back to the key signature.
I suspect the first step to a solution is simply to have LilyPond leave the
"still in force" list un-touched at a clef changes, so that the required
accidentals of case 1 are printed. What I don't see, however, is a simple way
to get the co
On 31 Mar 2011, at 22:25, "Bernhard Ott" > wrote:
> Dear all,
>
> IMHO there should be a natural sign showing the f' after the clef-change:
> am I wrong?
>
>
This is known bug - see:
http://code.google.com/p/lilypond/issues/detail?id=1471
Marek
--
Marek Klein
http://gregoriana.sk
Begin forwarded message:
From: Shane Brandes mailto:sh...@grayskies.net>>
Date: 31 March 2011 23:18:35 GMT+01:00
To: James Lowe mailto:james.l...@datacore.com>>
Subject: Re: no natural sign when clef changes
The terminal f if natural requires a natural sign regardless of that
clef c
c' {
c8 d e fis
c d e f
c8 d e fis
\clef "alto" c d e f
}
\score {
<<
{ \new Staff #(set-accidental-style 'modern-cautionary 'Staff)
\music
}
{ \new Staff #(set-accidental-style 'default 'Staff)
\music
}
}
\music
>> }
>> { \new Staff #(set-accidental-style 'default 'Staff)
>> \music
>> }
>> >>
>> }
>>
>
> hmmm...my Read says nothing but Stone says
>
> "If a clef changes within a measure and the same note occu
d e fis
>\clef "alto" c d e f
> }
> \score {
> <<
>{ \new Staff #(set-accidental-style 'modern-cautionary 'Staff)
>\music
>}
>{ \new Staff #(set-accidental-style 'default 'Staff)
>\music
>}
> >>
&
Dear all,
IMHO there should be a natural sign showing the f' after the
clef-change: am I wrong?
music = \relative c' {
c8 d e fis
c d e f
c8 d e fis
\clef "alto" c d e f
}
\score {
<<
{ \new Staff #(set-accidental-style 'modern-cautionary 'Staff)
\music
}
Dear lilypond-users,
I found out that in a timeig-context the time-signature too far on the left
side, if there are clef-changes. In the below quoted snippet the second
score-block looks good, but the first doesn't.
How can I avoid it?
Thanks for Your help!
Stefan
\ve
Dear lilypond-users,
I found out that in a timeig-context the time-signature too far on the left
side, if there are clef-changes. In the below quoted snippet the second
score-block looks good, but the first doesn't.
How can I avoid it?
Thanks for Your help!
Stefan
\version "2.11.60
rnals/BreakAlignment.html)
/Mats
Alasdair McAndrew wrote:
Hi,
I'm typesetting some music with lots of clef changes. The default
behaviour, when a clef change happens at a bar line, is to place the
clef before the bar line, which is appropriate modern practice. But I
want the new
Hi,
I'm typesetting some music with lots of clef changes. The default
behaviour, when a clef change happens at a bar line, is to place the clef
before the bar line, which is appropriate modern practice. But I want the
new clef to be just after the bar line. How can I do this? I
kneed
cross-staff beams and some clef changes.
These are the 'defects' in lilypond's typesetting:
- the small clefs take up unnecessary space when there are notes in that
measure before the clef change. E.g. measure 1 and 2. When the clef change is
the first thing to happen insid
Now I realize what you mean, sorry. I forward it to bug-lilypond as a bug
report/feature request. As a musician, I completely agree that this should
be done for clarity, still I have seen many printed scores that do not print
out the additional accidentals.
A possible workaround for you is to do
Mats Bengtsson <[EMAIL PROTECTED]> wrote: If you take a look at the program reference for the Key_engraver, you will find a property to set to get what you want: http://lilypond.org/doc/v2.6/Documentation/user/out-www/lilypond-internals/Key_005fengraver.html#Key_005fengraver /Mats I checked t
I hope you looked in the program reference to the Clef object,
you will only get a list of the properties that are set by default.
To get a full list of all available properties, you also have to
follow the links to the different interfaces. In the list for the
clef-interface, you will find a prope
I'm engraving a simple piece-- it's a demonstration of middle C with
various clefs, and it looks like this:
\clef treblec'1
\clef alto c'
\clef tenor c'
\clef bass c'
After each whole note, there is a small clef, a bar line, and then the
next note. Is there a way to a) make the c
While writing piano parts I got a small problem when a clef change occurs
at the end of a bar:
if there is a clef change i.e. a clef change to bass in the lower staff, an
extra space appears in the upper staff;
this does not happens when the clef change occurs in the middle of a bar.
Sometimes i
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