er@gnu.org
Subject: Re: beginner problems
Okay, first of all a huge thank you to Han-Wen and everyone else that
makes lilypond work! This is pretty awesome to be able to do this so easily.
Now, I have a few questions:
1) Is the default papersize A4? How do I change it to US letter (the pdf
Jennifer!
That's it!
Thanks very much,
Robert
At 10:25 PM +0100 5/5/05, Jennifer Clark wrote:
Robert T Wyatt wrote:
(It yields Co7 instead of Co/, if you know what I mean.)
Any ideas?
How about:-
c:m7.5-
Jennifer
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Robert T Wyatt wrote:
(It yields Co7 instead of Co/, if you know what I mean.)
Any ideas?
How about:-
c:m7.5-
Jennifer
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Robert T Wyatt wrote:
> (now, about that half-diminished \chord notation...)
Found it!
http://lilypond.org/doc/v2.4/Documentation/user/out-www/lilypond/Chord-name-chart.html
Well, no, that is not quite what I want I'm afraid. Yes, the 13th
example is a half-diminished chord, and yes I want the de
> (now, about that half-diminished \chord notation...)
Found it!
http://lilypond.org/doc/v2.4/Documentation/user/out-www/lilypond/Chord-name-chart.html#Chord-name-chart
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> (now, about that half-diminished \chord notation...)
Found it!
http://lilypond.org/doc/v2.4/Documentation/user/out-www/lilypond/Chord-name-chart.html#Chord-name-chart
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By jove, I think I've got it now!
You are beautiful people!
You have no idea how happy this composer will be to see his song so
beautifully engraved!
I've included it below and am open to suggestions for improvement on the
lilypond entry part.
Really!
Thank you,
Robert
(now, about that half-diminis
By jove, I think I've got it now!
You are beautiful people!
You have no idea how happy this composer will be to see his song so
beautifully engraved!
I've included it below and am open to suggestions for improvement on the
lilypond entry part.
Really!
Thank you,
Robert
(now, about that half-dim
Check how to specify the duration of a chord at
http://lilypond.org/doc/v2.4/Documentation/user/out-www/lilypond/Combining-notes-into-chords.html#Combining-notes-into-chords
/Mats
Robert T Wyatt wrote:
Thank you Mats! This worked perfectly. --rtw
Now a follow-up question, the answer to which will
Okay, first of all a huge thank you to Han-Wen and everyone else that
makes lilypond work! This is pretty awesome to be able to do this so easily.
Now, I have a few questions:
1) Is the default papersize A4? How do I change it to US letter (the pdf
says the paper size isn't right and do I want to s
Okay, first of all a huge thank you to Han-Wen and everyone else that
makes lilypond work! This is pretty awesome to be able to do this so easily.
Now, I have a few questions:
1) Is the default papersize A4? How do I change it to US letter (the pdf
says the paper size isn't right and do I want t
Graham,
Thanks! I tried this and it works also! (More than one way to do it!)
--Robert
Graham Percival wrote:
On 4-May-05, at 9:57 PM, Robert T Wyatt wrote:
I'm using 2.4.5 on MacOS 10.3.9. Why is there a second staff?
You used << and >> , that means "do these things at the same time". In
particu
Thank you Mats! This worked perfectly. --rtw
Now a follow-up question, the answer to which will probably get me
through the remainder of this straightforward piece:
This works just fine (yes, there are more chords than music so far, but
that will change):
<<
\chords {
d1:m | bes1 | a1:7 | d2:m
Since it's possible to have different key signatures on different
staves in a score (for example if you have transposing instruments),
you have to specify the key signature in every Staff context.
You want one line of chords and one staff with key signature and
music, so just include the key signat
On 4-May-05, at 9:57 PM, Robert T Wyatt wrote:
I'm using 2.4.5 on MacOS 10.3.9. Why is there a second staff?
You used << and >> , that means "do these things at the same time". In
particular, "f major" and "\relative {a bunch of note}".
Note that the staff with your notes is in C major.
I'm a bit
Robert T Wyatt wrote:
Hi all,
A couple of easy beginner questions for you:
I'm using 2.4.5 on MacOS 10.3.9. Why is there a second staff? Why does
my bar check on my chords fail?
<<
\key f \major \time 4/4
\chords { d:m | }
\relative { d'8. a16~ a8 f16 d16~ d16 d16 f16 a16 d16 c16 b16 a16 | }
>
Hi all,
A couple of easy beginner questions for you:
I'm using 2.4.5 on MacOS 10.3.9. Why is there a second staff? Why does
my bar check on my chords fail?
<<
\key f \major \time 4/4
\chords { d:m | }
\relative { d'8. a16~ a8 f16 d16~ d16 d16 f16 a16 d16 c16 b16 a16 | }
>>
Thanks very much,
Rober
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