27;t understand it.
> Hope I made myself clear with my sloppy music-related english.
>
> Thanks.
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>
On 16/03/2008, irenicus <[EMAIL PROTECTED]> wrote:
>
> Hm, the reason why it doesn't work for me is probably some kind of
> interaction with the second voice:
>
> \set beatLength = #(ly:make-moment 3 8)
> <<
>
> {c''4.~c''8. c''16 c''16 c''16}
> \\
> {c'16 [c' c' c' c' c'
On 12 Mar 2008, at 23:55, irenicus wrote:
I have a question regarding beam behavior: With 6/8 rhythm, I have the
following pattern:
1. 2. 3. 4. 5.
x16 x8 x16 x16 x16, usually this pattern starts or finishes one beat
(ie.
there's x4. before or after it).
Now I want all five notes tied i
although this looks like a detail, it makes the piece I'm transcribing right
now hard to read, only because notes are not tied into logical groups as
they should be. And adding tons of individual beaming commands all over the
score makes it complicated to read/modify.
--
View this
> Thanks Neil,
> what you suggest works, but there seem to be 2 problems:
Only two? :)
Unfortunately, the autobeaming algorithm in itself isn't powerful
enough to deal with complex beaming - you'll probably find you have
to use manual overrides such as the one I've suggested as and when
requir
it didn't fix
: x4.~x8. x16 x16 x16(again I want those x16 tied in a triplet)
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_
Hi irenicus,
On Wed, Mar 12, 2008 at 10:55 PM, irenicus wrote:
>
> Now I want all five notes tied in one group, but also 3,4,5 tied in a
> triplet. What Lilypond does on default is that it ties 4. and 5. into a pair
> and lefts 3. alone.
>
> Is there any way to handle such pattern? I saw somet
n the documentation, but I just don't understand it.
Hope I made myself clear with my sloppy music-related english.
Thanks.
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