On 24-Dec-05, at 9:50 AM, Kenneth Teh wrote:
--- Gilles <[EMAIL PROTECTED]> wrote:
AFAIK, it's the fundamental of the chord that's
taken into
account to determine the following pitch in
\relative mode.
Just to clarify: When I wrote "chord", I meant
something like which is a specific voicin
--- Gilles <[EMAIL PROTECTED]> wrote:
> Hi.
>
> > [...] If it's a single note, there's no
> > problem, but if the precedent is a chord how does
> Lily
> > figure out the pitch of the following note.
>
> AFAIK, it's the fundamental of the chord that's
> taken into
> account to determine the f
Hi.
> [...] If it's a single note, there's no
> problem, but if the precedent is a chord how does Lily
> figure out the pitch of the following note.
AFAIK, it's the fundamental of the chord that's taken into
account to determine the following pitch in \relative mode.
Gilles
I writing a piano arrangement with polyphony and I
find myself correcting the absolute pitches a lot. I
can't figure out how the octave of the next note is
determined. If it's a single note, there's no
problem, but if the precedent is a chord how does Lily
figure out the pitch of the following no
