Hi Markus:
so I used Kieren's example as a starting point...
I put my result in the LSR (Rhythm marks / play style indication):
http://lsr.dsi.unimi.it/LSR/Item?id=204
Have fun!
Very cool, thank you. :)
After looking at Kieren's example I cobbled together the following
solution. It's quite
Hi all,
so I used Kieren's example as a starting point...
I put my result in the LSR (Rhythm marks / play style indication):
http://lsr.dsi.unimi.it/LSR/Item?id=204
Have fun!
Markus
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Hi, y'all --
How 'bout the attached as a starting point?
Best,
Kieren.
\version "2.9.13"
\layout
{
ragged-right = ##t
}
metMark = \mark \markup
{
\line \vcenter
{
"Swing"
\hspace #0.5
\score
I also had this problem recently. I got round it by having a hidden, smaller staff running the whole length of the piece and only inserting the "notes" that I needed around the barline of the tempo change (in that case \times 2/3 {c16 c c} s16^"=" c16 c c )Very clumsy but it did get the desired res
Dave Phillips wrote:
Greetings:
I've written a part in even eight notes, but I want to indicate in
the metronome marking that the rhythm of the even eighths should be
played with a swing rhythm, i.e. an eighth-note triplet with a quarter
note followed by an eighth. In a score the rhythm woul
Dave Phillips wrote:
Greetings:
I've written a part in even eight notes, but I want to indicate in
the metronome marking that the rhythm of the even eighths should be
played with a swing rhythm, i.e. an eighth-note triplet with a quarter
note followed by an eighth. In a score the rhythm woul
Greetings:
I've written a part in even eight notes, but I want to indicate in the
metronome marking that the rhythm of the even eighths should be played
with a swing rhythm, i.e. an eighth-note triplet with a quarter note
followed by an eighth. In a score the rhythm would be {\times 2/3 {c'4
