On 15/02/2012, at 12:35 am, Marcel Korpel wrote:
> when the note
> values exceed the measure length, I need a dashed bar line instead of
> a normal one, but *only* in the part it appears in, not in every part.
I assume you have considered and rejected the idea of _Mensurstriche_ layout.
Best wis
On Sun, Feb 12, 2012 at 1:10 AM, Matthew Collett wrote:
> Unless you really want barlines at different times in different parts
> (and I am fairly sure you don't), leave the the timing translator and
> the bar line engraver in the score rather than moving them to the
> staff.
Thanks for the advic
On Sun, Feb 12, 2012 at 1:31 AM, David Kastrup wrote:
> 16th century mass with full bar lines?
At those places where note lengths exceed measures, the bar line will
be drawn dashed (using
\dl note \nl where
dl = \set Timing.defaultBarType = "dashed"
nl = \set Timing.defaultBarType = "|"
If
Marcel Korpel writes:
> Hi all,
>
> Example at http://pastebin.com/1USBkWCH
>
> I am transcribing a 16th-century mass for 4 voices I got the next
> problem: its Kyrie is divided in three parts that are separated by a
> || bar. The last note of each part is a longa (sometimes with a
> fermata) tha
On 12/02/2012, at 9:25 am, Marcel Korpel wrote:
> I am transcribing a 16th-century mass for 4 voices I got the next
> problem: its Kyrie is divided in three parts that are separated by a
> || bar. The last note of each part is a longa (sometimes with a
> fermata) that just fills up the rest of the
Hi all,
Example at http://pastebin.com/1USBkWCH
I am transcribing a 16th-century mass for 4 voices I got the next
problem: its Kyrie is divided in three parts that are separated by a
|| bar. The last note of each part is a longa (sometimes with a
fermata) that just fills up the rest of the space
