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On 03/22/2011 11:25 PM, Carl Sorensen wrote:
> On 3/22/11 6:59 PM, "Christopher R. Maden" wrote:
> Yes, but that's precisely why I don't have a vision of it. The semantics of
> repeat means that the repeat *is* exactly the same all four times. I kno
On 3/22/11 6:59 PM, "Christopher R. Maden" wrote:
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> Thanks to Peter, Carl, and Johan for the help. (Hmm... yet another
> mailing list I share with Johan < why am I not surprised?) I¹ve
> reposted the files at http://crism.maden.org/ambletown
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Thanks to Peter, Carl, and Johan for the help. (Hmm... yet another
mailing list I share with Johan — why am I not surprised?) I’ve
reposted the files at http://crism.maden.org/ambletown.ly > and
http://crism.maden.org/ambletown.pdf > if anyone cares.
"Christopher R. Maden" writes:
> http://crism.maden.org/ambletown.pdf >
Looks nice!
> 1) Verse pick-ups.
There have been several suggestions that cover this.
> 2) Alternate rhythms. There are a lot of small differences in the
> rhythms of the verses. You can see this implicit in the current
On 3/21/11 6:58 PM, "Christopher R. Maden" wrote:
> Finally had an excuse to learn this excellent tool. I set a simple
> four-verse English folk song, with a concertina arrangement. It looks
> pretty darn good... but it could look better, and I couldn¹t figure out
> how to bring in those last b
> "Christopher" == Christopher R Maden writes:
Christopher> Finally had an excuse to learn this excellent tool. I
Christopher> set a simple four-verse English folk song, with a
Christopher> concertina arrangement. It looks pretty darn good... but
Christopher> it could look better, and I cou
Finally had an excuse to learn this excellent tool. I set a simple
four-verse English folk song, with a concertina arrangement. It looks
pretty darn good... but it could look better, and I couldn’t figure out
how to bring in those last bits.
This seems to be related to many FAQs, but I couldn’t
