On Mon, 2005-12-19 at 17:49 -0800, Kenneth Teh wrote:
> What you typically do is write something like
>
> changes = \chordmode {
> a1:m |
> s2 bes |
> }
I did the following:
harmonies = \chordmode { a1:m | a2:m bes | c1 | a1:m | f | e | f | c2
d:m | a1:m | a2:m g:m | f1 | c | a/cis | d:m
to print chord name only, see :
http://www.lilypond.org/doc/v2.6/Documentation/user/lilypond/A-lead-sheet.html#A-lead-sheet
(the last sample)
and the source at :
http://www.lilypond.org/doc/v2.6/Documentation/user/lilypond/lily-202315302.ly
Stephen Torri wrote:
I was told to consider using c
I was told to consider using chord names instead of using the ^"name"
notation as a part of the music. For example:
% Am (measure 1)
d'4^"Am" a' f' d |
% Am Bflat (measure 2)
a2
