Hi, Jean Bergeron.
The \chords and music must be inside << >>.
And your music "c' c' ..." is not relative mode.
So, do not write relative.
I could create PDF file for your hope as following:
\header {
title = "Chanson pour l\'Auvergnat"
subtitle = " "
source = " "
composer = "Georges
I start o work with Lily-Pond nd I have a question.
I'm able to write the partition and put the lyrics beside but I'm not able
to put the ChordsNames on top of the staves. The Chords names are always
on the top on many lines than the music with the lyricsappears correctly
or the Chords are at the
On October 9, 2005 01:58 pm, P B wrote:
> Why is middle C (C3) given the absolute pitch designation
This is a topic for ongoing argument in virtually every music related
newsgroup and distribution list to which I subscribe. Basically - pick a
system and go ... because you'll offend someone, som
On 09/10/05, P B <[EMAIL PROTECTED]> wrote:
Why is middle C (C3) given the absolute pitch designationc'?Would it not make more sense to use just plain oldcas middle C?Middle C is usually called C4 if numerical octave indicators are used (the Acoustical Society of America
System) It can be ca
Why is middle C (C3) given the absolute pitch designation
c'
?
Would it not make more sense to use just plain old
c
as middle C?
What would it take to alter this in the code, if I wanted to do so for
my own version?
Paul
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lilypond-user mail
.
}
or does it?
now for the stupid question: is there a difference in the lilypond
implementation of slurs and ties? or does this only come into effect
when ly files are converted to midi?
greetings,
simon.
--
Confucius say, man who live in glass house shower in basement
Hopefully, some of the examples on
http://lilypond.org/wiki/?BlankMusicPaper
will help, otherwise I ask you to send
a new question where you specify more clearly
what you try to achieve.
/Mats
> Hello
>
> I try to write blank staves in a score, but I don't know how to do this ...
> can you
