On Wed, Mar 21, 2012 at 8:15 PM, bobr...@centrum.is wrote:
> Well [..] You can do linebreaks, repeats and I believe articulations as well,
> by simply putting them in a separate voice
> and then combining them later with the musical voice
That's true, but this solution has it's drawbacks. Stay
- Original Message -
From: D'Arcy Cain
To: lilypond-user@gnu.org
Sent: Wed, 21 Mar 2012 15:47:14 - (GMT)
Subject: Re: Separating pitch and rhythm AND structure
On 12-03-21 11:05 AM, Siska Ádám wrote:
> is there an effective way to separate the pitches and the rhythms in
On Wed, Mar 21, 2012 at 4:47 PM, D'Arcy Cain wrote:
> On 12-03-21 11:05 AM, Siska Ádám wrote:
>> I'm thinking about something like defining a variable
>> consisting only of rhythms:
>> and then apply this to different sequences of pitches:
>
> Sounds like it would be a cool feature if it existed.
On 12-03-21 11:05 AM, Siska Ádám wrote:
is there an effective way to separate the pitches and the rhythms in a voice?
I'm thinking about something like defining a variable consisting only of
rhythms:
Rhythm = {
\time 4/4
4 4 4. 8
8 8 4 4 8 8
2 4 8 8 ...
}
and t
