Hi David,
> I had intended to use the automatic voicing, but somehow got the syntax
> wrong.
> Nor did I realize that for voices 3 and 4, you use \voiceOne and \voiceTwo.
That’s not exactly the way I would put it…
What you call “voices 3 and 4” are actually voices 1 and 2 **in the lower
sta
>
> Hi David,
>
> > I was wondering if anyone had a clue as to how to get the eighth rest in
> voice three to be shown above the half note in voice four?
>
> Yes: use Lilypond’s automatic voicing:
>
> \new PianoStaff <<
> \new Staff = "upper" <<
> \new Voice = "f
Hi all,
Just for the benefit of anyone reading this thread after the fact…
> you can specify a placement for the rest by indicating a note\rest. in this
> case i used g8\rest
While that is technically true, we should be encouraging the proper use of the
\voiceX commands, which (as I’ve shown)
you can specify a placement for the rest by indicating a note\rest. in this
case i used g8\rest
hope that helps
stephen
\include "english.ly"
pianoVoiceOne = \relative c' { 2 }
pianoVoiceTwo = \relative c' { s1 }
pianoVoiceThree = \relative c' { \stemDown g8\rest a fs [ d ] \stemUp b gs
Hi David,
> I was wondering if anyone had a clue as to how to get the eighth rest in
> voice three to be shown above the half note in voice four?
Yes: use Lilypond’s automatic voicing:
\new PianoStaff <<
\new Staff = "upper" <<
\new Voice = "first" { \voiceOn
I was wondering if anyone had a clue as to how to get the eighth rest
in voice three to be shown above the half note in voice four?
\version "2.19.15"
\include "english.ly"
pianoVoiceOne = \relative c' { 2 }
pianoVoiceTwo = \relative c' { s1 }
pianoVoiceThree = \relative c' { \stemDown r8 a fs
nt rests are engraved as if two voices still exist, as if (I
>> pray I'm using the correct terminology) the "temporary context" has
>not
>> been removed, i.e., it was not temporary and continues to influence
>the
>> engraving of the staff.
>>
>>
On 02/04/14 16:22, Guy Stalnaker wrote:
\version "2.16.0"
\language "english"
\header {
title = "Rest placement error?"
subtitle = "After Temporary Polyphonic Context"
subsubtitle = "Rests appear as if for upper voice"
}
global = {
\key
elease" command one might
use to fix this? In the past I've used manual rest placement to move
them where they should be, but I should not need to do that. The rest
placement remains incorrect whether I use \voiceTwo or \voiceFour for
the \new Voice in the TPC.
Here's some test
should you use \oneVoice instead!?
Eluze
Am 01.07.2013 23:44, schrieb Guy Stalnaker:
All,
I noticed something odd in a recent arrangement I helped a friend
with. In two places the voices split into divisi (once in the upper
two parts, m.3 in the example, and once in the lower two parts a f
Doh!!
I have looked at that more times than I can count and not once, even
going back to the docs, did I catch \oneVoice and not \voiceOne!
Helps to have different eyes look at it. Thanks.
And that does indeed 'fix' it. At the least my thinking about LP setting
the rests as if two voices wer
Hi Guy,
> In all four instances \voiceOne *is* indicated following the TPC
Don't you want to use \oneVoice instead?
Hope this helps!
Kieren.
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\version "2.16.2"
\language "english"
\header {
title = &qu
\set followVoice = ##t
g,8 \rest
\change Staff = "lower"
d^\( a' d,
\change Staff = "upper"
d' a a'4\)
}
Eluze
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"lower"
d,^\( a' d,
\change Staff = "upper"
d' a a'4\)
}
>>
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Sent from the Gnu - Lilypond - User mailing list ar
implicit voices' assignments and what attributes
they get - if you explicitely define the attributes of that voice you can
get it:
\context Voice = "new voice" { \voiceFour r8 }% instead of just
r8 line 93
hope this helps
Eluze
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View this message in contex
This bug was reported on bug-lilypond some weeks ago and according to
the ChangeLog file, it was fixed 2006-03-16, i.e. before version 2.8.
However, it seems that the fix didn't solve the problem.
/Mats
Quoting Geoff Horton <[EMAIL PROTECTED]>:
Try these simple examples on your system. If
Well, I think this is a bug, because \rest should have higher priority
than \voiceX, so I would make a report to bug-lilypond
Bert
Geoff Horton wrote:
A solution (or at least a workaround): Use \oneVoice before the rest
and then \voice[whatever] after it. I don't like it because it makes
the
A solution (or at least a workaround): Use \oneVoice before the rest
and then \voice[whatever] after it. I don't like it because it makes
the input file busier, but I suspect that a real fix would involve
fairly extensive recoding.
http://www.geoffhorton.com/lilypond.html#placerests
Geoff
_
> Combining the voices with \partcombine also produces a misplaced rest.
Sigh. No, it doesn't. Sorry about that. The other example really is
broken, though.
Geoff
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Combining the voices with \partcombine also produces a misplaced rest.
Geoff
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> Try these simple examples on your system. If they work, then try to
> figure out exactly what the difference is between these examples and
> your situation.
It's the \voiceOne etc. that does it.
This does not work:
melody = \relative c'' {
b2\rest
}
alto = \relative c' {
s2
}
\score {
On 2-Apr-06, at 4:40 PM, Geoff Horton wrote:
I've been trying to use the manual placement mechanism and it doesn't
seem to work. Before I file it as a bug, though, I want to be sure I'm
doing it right. Code follows, output attached. Basically, I want the
rests of the center line of each staff.
I've been trying to use the manual placement mechanism and it doesn't
seem to work. Before I file it as a bug, though, I want to be sure I'm
doing it right. Code follows, output attached. Basically, I want the
rests of the center line of each staff.
world = {
\key d \major
\time 3/2
}
melody
I'm doing this in lilypond-book, version 2.6.4. The top line rests (the "up"
ones) appear in ledger lines above the stage. How do I stop it moving them
so far up?
ta,
Tim.
\begin[staffsize=20]{lilypond}
\version "2.6.0"
up = \drummode { sn4 sn4 r2 sn4 sn4 r2 sn4 sn4 r2 sn4 r4 r2 \bar "|."}
d
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