Apparantly attachments are pruned; here's the code in-line:
\version "2.11.32"
\paper {
indent = #0
ragged-right = ##t
}
global = { \time 3/4 { s2. * 3 } \bar "" \break { s2. * 3 }}
\layout {
\context { \Score
\remove "Timing_translator"
Hi Ole,
I think this is what you wanted; I attached the lilypond code (ole.ly)
and a .png of the output (ole.png). Let me know if this is what you
were going for. If it is this case that you wanted 7/8 to actually
appear in the time of 3/4, as it does in the handwritten sample, you
can do this
Hi Ole,
Yes, this should be possible. I looked at the handwritten chunk you
attached - I can see why you want to align it more correctly. Let me
see if I can transcribe a bit of it into lilypond , and then I'll
reply again when the code snippet.
Best regards,
Adam
On 9/21/07, Ole Schmidt <[EMA
2007/9/21, Mats Bengtsson <[EMAIL PROTECTED]>:
> I hope you have remembered to send it also as a bug report, since
> the current behaviour is clearly a bug.
Might be related to #453, don't you think?
Valentin
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I hope you have remembered to send it also as a bug report, since
the current behaviour is clearly a bug.
/Mats
Quoting Adam James Wilson <[EMAIL PROTECTED]>:
Hi Valentin,
I added snippet to LSR under the title:
"How to compress full-measure rests (e.g. "R4") in a compressMusic
block in
Hi Adam, hi all,
I'am relativly new to lilypond and already made some attempts to
typeset a piece by morton feldman "bassclarinet and percussion"-
without success.
Now your snippet give me new hope:
The piece is written in two systems, the first system changing the
meter almost every bar,
2007/9/21, Adam James Wilson <[EMAIL PROTECTED]>:
> I added snippet to LSR under the title:
> "How to compress full-measure rests (e.g. "R4") in a compressMusic
> block in a poly-tempo situation."
>
> Let me know it passes muster.
Perfect; I just made the title a bit shorter, to make it match a
Hi Valentin,
I added snippet to LSR under the title:
"How to compress full-measure rests (e.g. "R4") in a compressMusic
block in a poly-tempo situation."
Let me know it passes muster.
Best,
Adam
On 9/20/07, Valentin Villenave <[EMAIL PROTECTED]> wrote:
> 2007/9/20, Adam James Wilson <[EMAIL P
2007/9/20, Adam James Wilson <[EMAIL PROTECTED]>:
> Will the chunk of code I sent to the list suffice for an LSR snippet?
Yes, definitely. Maybe you can add some notes on one of the staves to
make it look more "realistic" (but thats up to you)...
Regards,
Valentin
_
Hi Valentin,
Most of my music has two or more tempos going simultaneously, so I have
become intimately acquainted with the use of compressMusic. :)
Will the chunk of code I sent to the list suffice for an LSR snippet?
Best regards,
Adam
On 9/19/07, Valentin Villenave <[EMAIL PROTECTED]> wrote:
2007/9/20, Adam James Wilson <[EMAIL PROTECTED]>:
> I answered my own question: it turns out if I set the \time of the
> offending staff to ["global" voice \time * crosspulse ratio] - in this
> case 3/8 * 4/9, or 1/6, the full measure rests appear correctly in the
> lower staff. This gives a time
I answered my own question: it turns out if I set the \time of the
offending staff to ["global" voice \time * crosspulse ratio] - in this
case 3/8 * 4/9, or 1/6, the full measure rests appear correctly in the
lower staff. This gives a time signature of 1/6, but this can easily
be replaced with a
Sorry about my previous "garbage" post - I was in a hurry and replied
to a digest email rather than to my previous send.
I had intended to correct the post to which the title of this email
correctly refers: the snippet included with the post actually shows
*9* bars in the space of four, not 3 as I
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