On 07/01/13 15:42, Shane Brandes wrote:
All right.
\override TrillSpanner #'extra-offset = #'(-1.3 . 0.0) causes the
whole apparatus to move, but it also leaves the tail end shorter.
Why not something like this:
\version "2.17.9"
beginPrallSpan =
\tweak bound-details.left.text
\markup
All right.
\override TrillSpanner #'extra-offset = #'(-1.3 . 0.0) causes the whole
apparatus to move, but it also leaves the tail end shorter.
Shane
On Sun, Jan 6, 2013 at 11:13 PM, Shane Brandes wrote:
> Agreed, a trifle to the left yet. I still need to fiddle with that but, I
> still have
Agreed, a trifle to the left yet. I still need to fiddle with that but, I
still have a small number of other tiddly things to do before that gets
hammered out.
Shane
On Sun, Jan 6, 2013 at 9:42 PM, David Kastrup wrote:
> Shane Brandes writes:
>
> > Inline image 1
> >
> > So, being very pleased
Shane Brandes writes:
> Inline image 1
>
> So, being very pleased with the result can someone turn this into a
> snippet for the LSR.
Doesn't it start too far to the right?
--
David Kastrup
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[image: Inline image 1]
So, being very pleased with the result can someone turn this into a snippet
for the LSR.
thank you all,
Shane
On Sun, Jan 6, 2013 at 6:03 AM, Ed Gordijn wrote:
> I see! Smart.
>
>
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I see! Smart.
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Ed Gordijn writes:
> Hij David, Olivier,
>
>> That's what is called "syntax".
>
> And that was my mistake. I assumed I needed some grouping delimiter if
> a statement is spanning multiple lines. I am still confused that it
> isn't needed. What does terminate it, a blank line?
It is finished whe
Hij David, Olivier,
> That's what is called "syntax".
And that was my mistake. I assumed I needed some grouping delimiter if a
statement is spanning multiple lines. I am still confused that it isn't
needed. What does terminate it, a blank line?
Greetings, Ed
_
Olivier Biot writes:
> On Sun, Jan 6, 2013 at 12:28 AM, David Kastrup wrote:
>
>> Olivier Biot writes:
>>
>> > Is this double meaning of curly braces documented somewhere? I did
>> > not come across it in the online manuals so far.
>>
>> What double life? Within music, curly braces create sequ
On Sun, Jan 6, 2013 at 12:28 AM, David Kastrup wrote:
> Olivier Biot writes:
>
> > Well, putting { ... } around it is wrong, for one thing: it turns
> > the
> > whole into sequential music.
> >
> > Bingo!
> >
> > This is the most counterintuitive syntactic element in LilyPond for
> >
Olivier Biot writes:
> Well, putting { ... } around it is wrong, for one thing: it turns
> the
> whole into sequential music.
>
> Bingo!
>
> This is the most counterintuitive syntactic element in LilyPond for
> newcomers (after Scheme). In most programming languages, curly braces
> ar
On Sat, Jan 5, 2013 at 5:10 PM, David Kastrup wrote:
> Ed Gordijn writes:
>
> > Hi David,
> >> Well, you need _two_ trill starting commands now (though you could
> >> likely squeeze <>\startTrillSpan into \SetUpPrall), and you need to
> >> spend more attention to detail to the overrides.
> >>
>
Ed Gordijn writes:
> Hi David,
>> Well, you need _two_ trill starting commands now (though you could
>> likely squeeze <>\startTrillSpan into \SetUpPrall), and you need to
>> spend more attention to detail to the overrides.
>>
>> So you likely contributed more time on this than I did.
>>
> I am s
Hi David,
Well, you need _two_ trill starting commands now (though you could
likely squeeze <>\startTrillSpan into \SetUpPrall), and you need to
spend more attention to detail to the overrides.
So you likely contributed more time on this than I did.
I am still in 2.16 and did try your tweaks bu
Ed Gordijn writes:
> Still learning more than I can contribute.
>
> Just works fine in older version too:
>
> \version "2.16.0"
>
>
> SetUpPrall = {
>
> \once \override TrillSpanner #'(bound-details left text) = \markup {
> \fontsize #-5 \musicglyph #"accidentals.leftparen" }
>
> \once \overrid
Hi all,
Still learning more than I can contribute.
Just works fine in older version too:
\version "2.16.0"
SetUpPrall = {
\once \override TrillSpanner #'(bound-details left text) = \markup {
\fontsize #-5 \musicglyph #"accidentals.leftparen" }
\once \override TrillSpanner #'(bound-detai
Nick Payne writes:
> On 05/01/13 14:27, Andrew Bernard wrote:
>> On 5/01/13 2:02 PM, Nick Payne wrote:
>>> You could use a left parenthesis and omit the upprall:
>>>
>>> \version "2.17.9"
>>>
>>> { c'-\tweak bound-details.left.text
>>> \markup { \fontsize #-5 { \musicglyph
>>> #"acc
On 05/01/13 14:27, Andrew Bernard wrote:
On 5/01/13 2:02 PM, Nick Payne wrote:
You could use a left parenthesis and omit the upprall:
\version "2.17.9"
{ c'-\tweak bound-details.left.text
\markup { \fontsize #-5 { \musicglyph
#"accidentals.leftparen" } }
\tweak bound-det
On 5/01/13 2:02 PM, Nick Payne wrote:
You could use a left parenthesis and omit the upprall:
\version "2.17.9"
{ c'-\tweak bound-details.left.text
\markup { \fontsize #-5 { \musicglyph
#"accidentals.leftparen" } }
\tweak bound-details.left.stencil-offset #'(0.02 . -0.65)
On 05/01/13 11:32, Andrew Bernard wrote:
Greetings list,
This technique glues an upprall to a trill, but the difference in
width of the glyphs is noticeable. Is there a way to achieve this
without the discrepancy in width? Since lilypond produces the finest
engraved output I know, can we do b
On Sat, Jan 5, 2013 at 1:32 AM, Andrew Bernard wrote:
> Greetings list,
>
> This technique glues an upprall to a trill, but the difference in width of
> the glyphs is noticeable. Is there a way to achieve this without the
> discrepancy in width? Since lilypond produces the finest engraved output I
Greetings list,
This technique glues an upprall to a trill, but the difference in width
of the glyphs is noticeable. Is there a way to achieve this without the
discrepancy in width? Since lilypond produces the finest engraved output
I know, can we do better than this for baroque engraving?
A
Shane Brandes writes:
> Thank you Ed,
>
> That means I can take a number of text less trills back into the
> trillspanner function. However that leaves yet the upprall, an up
> prall or for that matter a down prall trill has an extra long initial
> curved slash that tells you which neighbour, u
Thank you Ed,
That means I can take a number of text less trills back into the
trillspanner function. However that leaves yet the upprall, an up
prall or for that matter a down prall trill has an extra long initial
curved slash that tells you which neighbour, upper or lower to start
from as you
Hi Shane,
I am not sure if this is what you are looking for. To me it looks like a
normal triller. You can suppress the text if you want.
\version "2.16.0"
\relative c'' {
bes4~\startTrillSpan
bes8.
a16\stopTrillSpan
r2
% or without the text
\once \override TrillSpanner #'(bound-detail
Here is my solution to the aforementioned upprall trill spanner
problem. I still think it could be vastly improved for two reasons.
a.) the squiggles don't match in weight from the prall to the trill
spanner line. b.) The values given for the extra-offset might by
necessity be different in any give
The title page says for Clavecin or Pianoforte. So therefore not
the harmonium. In any event it is very idiomatically piano music. If
the marking "pf" is a straightforward expressive mark why is it not
hard coded into Lilypond? it has been necessary to construct it as a
separate markup.
As a s
David Kastrup writes:
> Shane Brandes writes:
>
>> The other question is purely musical. I have been working on a second
>> half 18th or early 19th century piece (prior to 1822) and keep running
>> across the dynamic marking "pf." I was wondering if anyone else has
>> seen the "pf" marking in a
Shane Brandes writes:
> The other question is purely musical. I have been working on a second
> half 18th or early 19th century piece (prior to 1822) and keep running
> across the dynamic marking "pf." I was wondering if anyone else has
> seen the "pf" marking in a piano score. Presumably it mean
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