Tom van der Hoeven writes:
> Kieren and Noeck,
> Thanks for the answers.
> I worked already with the function \transpose and that works excellent.
> My question concerned the use of the tag \transposition.
> I wondered why it was used for two specific cases and not for the
> general case.
\trans
Kieren and Noeck,
Thanks for the answers.
I worked already with the function \transpose and that works excellent.
My question concerned the use of the tag \transposition.
I wondered why it was used for two specific cases and not for the
general case.
Given both answers it seems that I haven't ov
Hi Tom,
> I have a piece of music written in different transpositions.
> I want to transform it to a piece in one transposition.
Likely, a nice Scheme function or engraver could work that out for you.
Unfortunately, that's beyond my [essentially non-existent] Scheme-fu…
In the absence of that
Hi Tom,
many people confuse \transposition with \transpose. They have different
use cases. Hopefully, \transpose will help you:
http://lilypond.org/doc/v2.19/Documentation/notation/changing-multiple-pitches.html#transpose
Cheers,
Joram
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I think you want \transpose
http://lilypond.org/doc/v2.18/Documentation/notation/changing-multiple-pitches#transpose
Regards,
Mogens
From: Tom van der Hoeven
Sent: Saturday, January 6, 2018 13:16
To: lilypond-user@gnu.org
Subject: Transposition
I have a piece of music written in different transp
So helps forcing the use of the « simplest » pitch, while I thought
it was used to help forcing the use of the enharmonic one. Now I understand.
Thanks Simon for this enlightenment, and a nice day!
JM
> Le 1 sept. 2017 à 12:31, Simon Albrecht a écrit :
>
> On 01.09.2017 12:09, Jacques Menu M
On 01.09.2017 12:09, Jacques Menu Muzhic wrote:
Hello Simon,
The 7 semitones are there anyways, since the markup is mandatory…
Of course it is, else you’d never know if it’s horns in F or in F# (yes,
there is such a thing). But in addition you have the information that
it’s 5 diatonic steps
Hello Simon,
The 7 semitones are there anyways, since the markup is mandatory…
JM
> Le 1 sept. 2017 à 10:23, Simon Albrecht a écrit :
>
> On 01.09.2017 09:35, Jacques Menu Muzhic wrote:
>> But then, why is the markup present in MusicXML?
>
> A few days ago, in the Music Engraving Tips forum
On 01.09.2017 09:35, Jacques Menu Muzhic wrote:
But then, why is the markup present in MusicXML?
A few days ago, in the Music Engraving Tips forum on Facebook, we had a
discussion about why Čaikovskij spells what sounds a B major chord in
the Horns in F as . In short: A# is very uncomfortabl
t; To: Menu Jacques mailto:imj-...@bluewin.ch>>
> Cc: Lilypond-usermailinglist <mailto:lilypond-user@gnu.org>>
> Bcc:
> Date: Thu, 31 Aug 2017 21:52:00 +0100
> Subject: Re: \transposition question
> On Thu, Aug 31, 2017 at 09:50:05PM +0200, Menu Jacques wrote:
>
> Hello
-- Forwarded message --
> From: Gregrs
> To: Menu Jacques
> Cc: Lilypond-usermailinglist
> Bcc:
> Date: Thu, 31 Aug 2017 21:52:00 +0100
> Subject: Re: \transposition question
> On Thu, Aug 31, 2017 at 09:50:05PM +0200, Menu Jacques wrote:
>
> Hello
On Thu, Aug 31, 2017 at 09:50:05PM +0200, Menu Jacques wrote:
Hello folks,
I’m trying to understand how \transposition works with enharmony.
In the following, what key should be chosen (instead of D major) in the
fourth score for a soon-to-be-created Trumpet in A#?
For the Trumpet in Bb, th
On 31.08.2017 21:50, Menu Jacques wrote:
I’m trying to understand how \transposition works with enharmony.
In the following, what key should be chosen (instead of D major) in
the fourth score for a soon-to-be-created Trumpet in A#?
I don’t get it. Technically, you could write Ebb major, that’
On Thu, Jun 01, 2017 at 07:33:33AM -0400, Kieren MacMillan wrote:
> Hi all,
>
> > I don't really like \transposeMidi . \concertPitch might be better
>
> +1
>
> Kieren.
+1
Paul
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On Thu 01 Jun 2017 at 09:06:11 (+0200), David Kastrup wrote:
> Jacques Menu Muzhic writes:
>
> > Hello folks,
> >
> > This subject comes from time to time : maybe \transposeMidi would be a
> > better name?
>
> It doesn't actually _transpose_ a given music sequence but sets the
> relation between
Hi all,
> I don't really like \transposeMidi . \concertPitch might be better
+1
Kieren.
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
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On Thu, Jun 01, 2017 at 07:50:28AM +0200, Jacques Menu Muzhic wrote:
> Hello folks,
>
> This subject comes from time to time : maybe \transposeMidi would be a better
> name?
No. It also set transpositions for quoteDuring and cueDuring irrelevant of
MIDI.
Paul
>
> JM
>
> > Le 31 mai 2017 à 1
Jacques Menu Muzhic writes:
> Hello folks,
>
> This subject comes from time to time : maybe \transposeMidi would be a
> better name?
It doesn't actually _transpose_ a given music sequence but sets the
relation between printed and concert pitch from the moment it is
written. This relation is use
Hello folks,
This subject comes from time to time : maybe \transposeMidi would be a better
name?
JM
> Le 31 mai 2017 à 19:18, caag...@gmail.com a écrit :
>
> \transposition doesn't affect the generated score, it only affects the midi
> output. To transpose the score, do \new Staff { \transpos
\transposition doesn't affect the generated score, it only affects the
midi output. To transpose the score, do \new Staff { \transposition f
\transpose f c {...} }. (In your case, the << >> can replace the inner {}.)
On 05/31/17 19:09, Jérôme Plût wrote:
I am typing a horn part in F. In the at
Apologies -- try this one.
On Mon, 9 Nov 2015 at 12:14 David Kastrup wrote:
> Craig Dabelstein writes:
>
> > Hi David,
> >
> > I just realised that if "\partial 8" is added to the start of the global
> > variable that the build fails (see attached). Any ideas?
>
> There is no \partial 8 anywher
Craig Dabelstein writes:
> Hi David,
>
> I just realised that if "\partial 8" is added to the start of the global
> variable that the build fails (see attached). Any ideas?
There is no \partial 8 anywhere.
--
David Kastrup
___
lilypond-user mailing
Hi David,
I just realised that if "\partial 8" is added to the start of the global
variable that the build fails (see attached). Any ideas?
Craig
On Mon, 9 Nov 2015 at 11:45 Craig Dabelstein
wrote:
> Thanks David. I never would have worked that one out on my own!
>
> Craig
>
>
> On Mon, 9 Nov
Thanks David. I never would have worked that one out on my own!
Craig
On Mon, 9 Nov 2015 at 09:26 David Kastrup wrote:
> Craig Dabelstein writes:
>
> > Hi Lilyponders,
> >
> > I have a score where all key changes, tempo changes etc are in a global
> > variable, IN CONCERT PITCH.
> >
> > The f
Craig Dabelstein writes:
> Hi Lilyponders,
>
> I have a score where all key changes, tempo changes etc are in a global
> variable, IN CONCERT PITCH.
>
> The first clarinet part has to change halfway through from Clarinet in Bb
> to Clarinet in Eb. These notes are entered in WRITTEN not SOUNDING p
> -Original Message-
> From: David Kastrup [mailto:d...@gnu.org]
> Sent: Friday October 30, 2015 11:30 a.m.
> To: Thomas WillNot
> Cc: lilypond-user@gnu.org
> Subject: Re: Transposition Confusion
>
>
> Thomas WillNot <1137...@acadiau.ca> writes:
>
&
Thomas WillNot <1137...@acadiau.ca> writes:
> Here is an small example from the trumpet part of my score:
> \version "2.18.2"
>
> \relative c''' {
>
> \transposition bes
>\key bes \major
> \time 2/2
> r4\f g-. d8-. c8-. g4-.
> c4-. d4-. r2
> r4 g-. d8-. c8-.
er 30, 2015 12:29 p.m.
To: Thomas WillNot
Cc: lilypond-user@gnu.org
Subject: Re: Transposition Confusion
Hi Thomas,
Right now, the lilypond site seems to be down, so can't give you any link,
It certail
but just to clarify: The transposition command affects only midi output.
>From
Hi Thomas,
Right now, the lilypond site seems to be down, so can't give you any link, but
just to clarify: The transposition command affects only midi output.
From what I gather, you expect the Bb instruments to show up with no flats (as
Bb instruments play C major if Bb major is the concert pi
Just to clarify, every instrument's line is showing up with two flats (the
piece is in B flat major) so the non-transposing instruments are fine, but
the others are not of course.
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Am 27.01.2015 um 17:25 schrieb Marco Oros:
> I would like to write something for trumpet and clarinet and I know,
> that this musical instruments are tunned in various pitches, they can't
> use C-key, as for example notation for piano.
> So, It means, that I must write c-major song in as-major fo
On Wed, 8 Jan 2014, David Kastrup wrote:
Tom Yates writes:
On Wed, 8 Jan 2014, David Kastrup wrote:
You use \transposition to state the relation of printed to played music,
regardless of whether you are entering in concert pitch or printed
pitch.
You use \transpose to change the printed pi
Tom Yates writes:
> On Wed, 8 Jan 2014, David Kastrup wrote:
>
>> Which version of LilyPond are you using? In 2.17.13 the behavior
>> was changed and is much simpler now. I am describing how this works
>> now:
>
> GNU LilyPond 2.17.26, which is apparently handy! i'm sorry for not
> including t
On Wed, 8 Jan 2014, David Kastrup wrote:
Which version of LilyPond are you using? In 2.17.13 the behavior was
changed and is much simpler now. I am describing how this works now:
GNU LilyPond 2.17.26, which is apparently handy! i'm sorry for not
including that information earlier.
You u
Tom Yates writes:
> I apologise if this is a FAQ; I've gone back a few months in the
> archives and can't find anything that seems relevant, and I want to
> get my head straight before I do any more work on my arrangement.
>
> I'm arranging something for brass band, which means dealing with 22
>
Hello,
)-Original Message-
)From: lilypond-user-bounces+james.lowe=datacore@gnu.org
)[mailto:lilypond-user-bounces+james.lowe=datacore@gnu.org] On
)Behalf Of Bernhard Ott
)Sent: 30 March 2011 02:10
)To: LilyPond-User list
)Subject: transposition not \relative in \transpose(d) music
Keith OHara oco.net> writes:
> Anything larger than a semitone is
> reduced to an enharmonic equivalent using \naturalizeMusic.
That's not ideal for notation including a sharp-up alteration.
It works better for arrow notation if we change the test in the definition of
\naturalizeMusic from (>
Joseph Wakeling wrote:
This setup is aimed allow for a full arrow quarter-tone notation with
arrows being preserved across all regular transpositions
Suppose we use arrow notation to represent some just-intonation scheme, in
which the 'up-arrow' alterations are some odd fraction :
NATURAL
Joseph Wakeling wrote:
I've extended my 'cheat' a bit with the following rules (based on
english.ly note names).
qs = +999/4000 (as opposed to +1/4)
af = -999/4000 (as opposed to -1/4)
[...]
This setup is aimed allow for a full arrow quarter-tone notation with
arrows being preserved acro
On 17 November 2010 22:15, Christopher Meredith wrote:
>
> Sure, just transpose it to des instead of cis and set the key accordingly.
Agree.
There is also a snippet in the doc, which can be useful:
"Transposing pitches with minimum accidentals ("Smart" transpose)"
http://lilypond.org/doc/v2.13/Do
why not just "\transpose es des" instead of "es cis"? (say if you're
transposing from e-flat?)
Jakob.
2010/11/17 Christopher Meredith :
> On Wed, Nov 17, 2010 at 1:21 PM, Alex Jones wrote:
>>
>> I am using lilypond for a transposition solution. Unfortunately, when
>> doing the transposition,
On Wed, Nov 17, 2010 at 1:21 PM, Alex Jones wrote:
> I am using lilypond for a transposition solution. Unfortunately, when
> doing the transposition, the shift is to keys where it would make sense to
> write the notation in the enharmonic key.
>
> E.g. the new key is c-sharp major and it would b
I'm rather late to this discussion, but it describes something quite similar
to my need. I'm working with music from Central Europe where there is an
established tradition of two levels of accidentals that correspond quote
closely to what Joseph arrived at. The only real difference is glyphic. In
Here's a little snippet which does what I want. If there's a standard
way to do this let me know.
-Jay
\version "2.11.49"
#(define (adjust-note mus key currkey)
(cond ((eq? (ly:music-property mus 'name) 'NoteEvent)
(ly:music-transpose mus (car currkey)))
((and
http://lilypond.org/doc/v2.10/Documentation/user/lilypond/Transpose#Transpose
If you want more help, please provide your ly code.
--
View this message in context:
http://www.nabble.com/Transposition-tf4915983.html#a14088911
Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com.
D Josiah Boothby wrote:
So \override Staff.KeySignature = ##t just hides the key signature, but
leaves accidentals out (unless they fall outside of the key).
Why ask on the mailing list when it's trivial to tests it yourself and
see what happens?
> Should I
be playing with automatic accidentals,
So \override Staff.KeySignature = ##t just hides the key signature, but
leaves accidentals out (unless they fall outside of the key). Should I be
playing with automatic accidentals, or is transparency not the right way
to go?
Josiah
On Tue, 4 Jan 2005, Mats Bengtsson wrote:
Also, the setting of
ahh, ok, thank you!
josiah
On Tue, 4 Jan 2005, Mats Bengtsson wrote:
The syntax of the \transpose command is
\transpose from to music
In other words, it only applies to the expression directly after
the \transpose command. In your example you only transpose the
\override command (which of course do
The syntax of the \transpose command is
\transpose from to music
In other words, it only applies to the expression directly after
the \transpose command. In your example you only transpose the
\override command (which of course doesn't have any effect at all).
If you want to transpose the \hornNote
The table of contents of the users manual includes two sections
with titles including "transpose" or "transposition". Make sure
to read both of them.
/Mats
D Josiah Boothby wrote:
Using 2.4.2, I'd like to be able to transpose a part, create a midi
file, and create the graphical output. The midi
On Tue, 17 Sep 2002 09:55:29 Rune Zedeler wrote:
> Quoting David Raleigh Arnold <[EMAIL PROTECTED]>:
>
> > > Rune> \version "1.6.3"
> > > Rune> \score {
> > > Rune> \notes \transpose c'' {
> > > Rune> \key f \major c4*1/2
> > > Rune> \once \property Staff.
Quoting David Raleigh Arnold <[EMAIL PROTECTED]>:
> > Rune> \version "1.6.3"
> > Rune> \score {
> > Rune> \notes \transpose c'' {
> > Rune> \key f \major c4*1/2
> > Rune> \once \property Staff.KeySignature = \turnOff \key c \major s8
>
> > Rune> \transp
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