Hi Urs,
> If you do this I'll probably fire up Facebook again. I would specifically
> stress how the information in the critical report (measure, beat information,
> instrument, automatic detection of multiple entries in the same measure) is
> generated directly from the score.
It's done (with
Hi Urs,
I'll definitely write you a post for the Scores of Beauty page. I'll start
this weekend.
Thanks again for all your help. I appreciate it.
Craig
On 15 March 2018 at 08:10, Urs Liska wrote:
> Hi Craig,
>
> Am 14.03.2018 um 21:13 schrieb Craig Dabelstein:
>
> Hi all,
>
> I thought some
Hi Craig,
Am 14.03.2018 um 21:13 schrieb Craig Dabelstein:
Hi all,
I thought some of you might like to see this document. It uses
Scholarly, Lilyglyphs and lyluatex all in the ONE document. It's a
huge leap forward! It has saved heaps of time and avoided the mess of
multiple files and havin
Hi everyone,
Thanks for all the positive feedback, but honestly, it's thanks to you all
who have always been so willing to help me whenever I've had a problem
(especially Urs who has tolerated my stupidity on many occasions!)
Kieren, just let me check with the author before you share it.
Thanks
Am 14.03.2018 um 21:48 schrieb Kieren MacMillan:
Hi again Craig,
May I share this link on the Music Engraving Tips Facebook page?
Synchronicitously, we are in the middle of a discussion of the pros and cons of
Lily+LaTeX versus Dorico et al.
If you do this I'll probably fire up Facebook aga
That is a beautiful document.
I confess, however, as a former trumpet, French horn, and trombone player,
that the discussion about the "serpent" was FASCINATING!! Will now have to
go find some recordings. Reminds me of the first time I heard a competent
cornetto player play one -- it was magical h
Kieren MacMillan wrote
> Synchronicitously, we are in the middle of a discussion of the pros and
> cons of Lily+LaTeX versus Dorico et al.
When compared to Sibelius/Finale, Dorico is a huge improvement ("flows",
i.e. more than one score in a document...)
All this is old hat to LilyPond, of course
Thank you so much for sharing!
It's always a great pleasure to see /really/ good typography (becoming rarer
and rarer in modernistic times). Distinct, sophisticated, elegant,
unpretentious.
And I love the mediaeval figures, yes I do.
Very, very good work, indeed (although I'd have omitted the bar
Hi again Craig,
May I share this link on the Music Engraving Tips Facebook page?
Synchronicitously, we are in the middle of a discussion of the pros and cons of
Lily+LaTeX versus Dorico et al.
Thanks,
Kieren.
Kieren MacMillan, composer
‣ website: www.kierenmacmi
Dear Craig,
this is so beautiful!
Joram
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On 3/14/2018 4:13 PM, Craig Dabelstein wrote:
Hi all,
I thought some of you might like to see this document. It uses
Scholarly, Lilyglyphs and lyluatex all in the ONE document. It's a
huge leap forward! It has saved heaps of time and avoided the mess of
multiple files and having to concatenat
Craig,
> I thought some of you might like to see this document. It uses Scholarly,
> Lilyglyphs and lyluatex all in the ONE document. It's a huge leap forward! It
> has saved heaps of time and avoided the mess of multiple files and having to
> concatenate them together as a PDF.
> […] The docum
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