I really appreciate your work on that! It's also a very instructive example
to emulate, I imagine.
One quick question -- is this "lattice" idea I'm doing (maintaining a
separate voice with nothing but tempo and spaces that gets munged into the
parts) a bad idea for any reason? Would I ever run int
Am Di., 23. Juli 2024 um 23:52 Uhr schrieb Tom Brennan :
>
> Hi all
>
> I'm notating a sonata for a cello and piano, and I would like to produce
> three "artifacts" (products?) from this:
>
> 1. A solo cello part (a typical single staff representation)
> 2. A "study score" where all staves are equ
