> - \repeat unfold 64 { \skip 4 }
Thank you, Francisco. Typing \repeat unfold 4 { \skip 4 } is just fine
and it looks like it will work for my actual song as well.
Thanks to Phil holmes I now know why it does not matter what value I
write behind \skip in lyricmode. It alignes every time. However
2010/6/26 Sven Siegmund :
> \alternative { { b d } { b a } }
Here, if you write
\alternative { { b d \break } { b a } }
you'll see that the 'differ' part tries to be aligned with the other
lyrics. Just it doesn't in your example because it has not room enough
to fit.
> Currently, becaus
Hello,
I am glad that I have found a conversation about different lyrics for
repetition and alternatives in the Lilypond mailing list archive.
I have just installed Lilypond, worked through the introduction and am
trying to write a song where I need a more sophisticated solution for
writing lyrics
2009/7/17 胡海鹏 - Hu Haipeng :
> Thank you for your replies. Then, is this good? I still use voice
> association, because I'll use ignoreMelismata in the second stanza in the
> actual song, and I don't want to generate more weird things.
Yes, and that scheme of simple voice association to a freshly
2009/7/17 Francisco Vila :
> Then add a second line for the repeated fragment.
If the lyrics for the repeated fragment is common to both voltas,
simply omit this second addlyrics. You end with a single line of
lyrics, correctly aligned with the noteheads just as whether no
repeats existed.
The pr
On second thought, this new approach that uses only addlyrics is the
best. Simply put a line of lyrics that contains 1st stanza plus 1st
alternative, plus 2nd alternative, plus the rest. Then add a second
line for the repeated fragment. I think comments explain all, ask
again if not.
\relative c'
