Hi Karlin,
I have to tell you, the thought has crossed my mind more than once! :-)
Andrew
On 21 February 2018 at 22:33, Karlin High wrote:
>
> Interesting. I was imagining your composers sitting around a table
> late at night, grinning maliciously and saying, "Let's see ol' Andy
> try to engr
On Wed, Feb 21, 2018 at 12:32 AM, Andrew Bernard
wrote:
> For the composer I engrave for, the hairpin with a dashed section is used
> when transitioning between two dynamic levels, but there is a rest or
> silence in the line, and it is a way of reminding the performer that the
> cresc or decresc
2018-02-21 3:25 GMT+01:00 Andrew Bernard :
> Is there any example of how to make a hairpin with normal solid lines, but
> dashed at the end, say the last quarter or so? [Yep, some new complexity
> notation again.]
>
> Andrew
Hi Andrew,
some time ago I made the code below.
It will not work with a
Hi All,
For the composer I engrave for, the hairpin with a dashed section is used
when transitioning between two dynamic levels, but there is a rest or
silence in the line, and it is a way of reminding the performer that the
cresc or decresc continues but to be aware of the rest and not carry the
Well, I worked a bit with the stencil drawing procedure earlier, so I
adapted it for what you describe. It is not working well with line
breaks... I'll have to figure out why later, but for normal hairpins it
should do what you describe.
Hope that helps.
By the way I'm also curious about their me
Just out of curiosity what does it signify?
Shane
On Tue, Feb 20, 2018 at 9:25 PM, Andrew Bernard
wrote:
> Is there any example of how to make a hairpin with normal solid lines, but
> dashed at the end, say the last quarter or so? [Yep, some new complexity
> notation again.]
>
> Andrew
>
>
> _
