Hi Stefan, hi Lukas,
I think it might be reasonable to directly annotate the Slurs instead. This
allows for nice placement, see the appended example.
Cheers,
Valentin
Am Montag, 30. Mai 2022, 08:17:58 CEST schrieb Stefan E. Mueller:
> Hi Lukas,
>
> yes, that is what I need, I can take it from
Hi Lukas,
yes, that is what I need, I can take it from there - many thanks for the
quick response and solution, and the explanations!
Stefan
--
Stefan E. Mueller
stefan.e.muel...@gmx.de
On Sun, 29 May 2022, Lukas-Fabian Moser wrote:
Hi Stefan,
Am 29.05.22 um 22:42 schrieb Stefan E.
Hi Stefan,
Am 29.05.22 um 22:42 schrieb Stefan E. Mueller:
I am not sure yet what the difference between a scheme-function and a
music-function is (the second example seems to work whichever definition
is chosen).
A music function must return music, a scheme function can return more
general exp
Hi Lukas,
many thanks for your quick answer. Obviously, things are more complex
than I thought.
Both of your solutions work for the problem, I tend to be more inclined
towards the second one. But I still have to understand better what is going
on here.
I am not sure yet what the difference betw
Hi Stefan,
please try to always give a compilable examle, otherwise people have to
collect your ideas from your mail bit by bit :).
You could use an event-function; these are made for postfix use (i.e.
after the respective note):
\version "2.22"
ho = #(define-event-function
(spacing
Thanks Pierre!
On Aug 17, 2017 2:00 AM, "Pierre Perol-Schneider" <
pierre.schneider.pa...@gmail.com> wrote:
> Hi Guy,
> You can add "Sul ponticello" and "Sul tasto".
> Roland Dyens has often created some special markings (such as
> http://lsr.di.unimi.it/LSR/Item?id=987 ) but I don't think that t
Hi Guy,
You can add "Sul ponticello" and "Sul tasto".
Roland Dyens has often created some special markings (such as
http://lsr.di.unimi.it/LSR/Item?id=987 ) but I don't think that those can
be considered as "established".
Cheers,
Pierre
2017-08-17 6:05 GMT+02:00 Guy Stalnaker :
> All,
>
> Hoping
¿Do you have an example of what that looks like?
2008/2/5, Lukas Mayer <[EMAIL PROTECTED]>:
>
> Is there a funktion for "cross/t handles" ("Quergriff" in German)?
> It is very important but i didn't find it.
>
> Thx
> Lukas Mayer
>
>
>
> ___
> lilypond-u
Jannik Jeppesen wrote:
Hi again.
That is probably what I was looking for.
Can you tell me what exactly this meens?
---
\with{\override VerticalAxisGroup #'minimum-Y-extent = #'(-1.2 . 8.0)}
\lyricmode {
If you remove that line, you will notice that the chord names
are printed just edge to e
Popular question today! Bertalan Fodor just answered the same question
in another thread. Look at the example called "lyric-hyphen-retain.ly"
in the Regression Tests document.
/Mats
Jannik Jeppesen wrote:
Hi...
I added the code, and it helped. But can I somehow change the space
between the
Am 15. März 2006, 23:15 Uhr (+0100) schrieb Jannik Jeppesen:
> Hi...
> I added the code, and it helped. But can I somehow change the space between
> the diagrams by using the code ragged-right = ##t?
No, you can't use ragged-right for that purpose. You have to insert
some padding between the diag
Hi...
I added the code, and it helped. But can I somehow change the space between
the diagrams by using the code ragged-right = ##t?
So you say that it is impollible to have 2 diagrams in one line, with
only
one cm space between
And in the next line have four diagrams with also one cm space
Jannik Jeppesen wrote:
Ok one more question...
Why is there less space between chord name and diagram in the G
chords, that there is in the other chords when it now is specified
with the following code? As I see it it also is in C an B that
meens every second line any idea?
Ma
> So you say that it is impollible to have 2 diagrams in one line, with only
> one cm space between
> And in the next line have four diagrams with also one cm space between?
> Thats what I am looking for... Very sad, if it is not possible...
Try putting this somewhere into your layout definition:
Ok one more question...
Why is there less space between chord name and diagram in the G chords, that
there is in the other chords when it now is specified with the following
code? As I see it it also is in C an B that meens every second line
any idea?
\with{\override VerticalAx
To: "Jannik Jeppesen" <[EMAIL PROTECTED]>
Cc:
Sent: Wednesday, March 15, 2006 8:46 PM
Subject: Re: Guitar notation
Jannik Jeppesen wrote:
Hi again.
That is probably what I was looking for.
Can you tell me what exactly this meens?
---
\with{\override VerticalAxisGro
Hi again.
That is probably what I was looking for.
Can you tell me what exactly this meens?
---
\with{\override VerticalAxisGroup #'minimum-Y-extent = #'(-1.2 . 8.0)}
\lyricmode {
---
And then please look at my following file. (Sorry it is so long, just to let
you get an idea of my prob)
1.
It's possible to have a stand-alone \markup{...} in a .ly file, so one
possibility would be to make a .ly file with
\markup{ \fret-diagram #"6-x;5-x;4-o;3-2;2-3;1-2;"
\fret-diagram #"6-x;5-x;4-o;3-1;2-1;1-3;"
...
}
For your second question, did you read the section on Arpeggio?
/Mats
Quo
I cannot speak for others, but for myself I can say the resason is - I
didn't check all that thoroughly before asking the question. Mia Culpa
The queston was rather why they found it so hard to find the
information in the manual. ;-)
/Mats
_
You know the old joke:
How do you make a guitarist play quieter and slower? Give him sheet music.
From: "Thomas Scharkowski" <[EMAIL PROTECTED]>
To: lilypond-user@gnu.org
Subject: Re: Guitar notation
Date: Thu, 17 Nov 2005 13:02:59 +0100
>
> > ...plus you need to ch
Thomas Scharkowski wrote:
...plus you need to change the clef to a treble cleff with an "8"
beneath the loop - but I haven't found that clef yet.
I can't understand why several people ask this question.
Because they are guitarists?
:-)
SCNR
The queston was rather why they fo
Well look at that, there it is right at the top of page 85 in the PDF. My
apologies Mats - I'll change my template.
\clef "G_8"
From: Mats Bengtsson <[EMAIL PROTECTED]>
To: Vaylor Trucks <[EMAIL PROTECTED]>
CC: [EMAIL PROTECTED], lilypond-user@gnu.org
Subject: Re
>
> > ...plus you need to change the clef to a treble cleff with an "8"
> > beneath the loop - but I haven't found that clef yet.
>
> I can't understand why several people ask this question.
Because they are guitarists?
:-)
SCNR
Thomas (guitarist)
_
...plus you need to change the clef to a treble cleff with an "8"
beneath the loop - but I haven't found that clef yet.
I can't understand why several people ask this question. It's included
as an
example in the section entitled "Clef", can you propose any way to make
it even easier to find?
dnesday, November 16, 2005 10:54 PM
Subject: RE: Guitar notation
Here is the template I use for a combination chords / standard / tab
staff - with the A minor pentatonic scale starting on the 5th fret.
\version "2.6.0"
\header
{
title = "A minor pentatonic scale"
of course, strictly speaking, you need to add a \transpose command to the
standard notation staff - like this:
guitar = {
\set Staff.instrument = #"Guitar"
\set Staff.midiIntrument = "electric guitar (jazz)"
\clef treble
\transpose c c'
\context Staff << \
see the manual, section 7.5.
here another working example:
%%
\version "2.7.10"
pentatonic = \relative c
{
a\6 c\6 d\5 e\5 g\4 a\4 c\3 d\3 e\2 g\2 a c
% alternatively this also works:
% \set TabStaff.minimumFret = #5
% a c d e g a c d e
Here is the template I use for a combination chords / standard / tab staff -
with the A minor pentatonic scale starting on the 5th fret.
\version "2.6.0"
\header
{
title = "A minor pentatonic scale"
composer = "none"
meter = "you choose"
}
% - GUITAR -
gtr = \r
On 28-May-05, at 6:54 AM, Allan Spagnol Comar wrote:
Hi All, I am a newby lilypond user and a classical guitar player, I
was looking for guitar bar notation and I didn't find anywere; I find
the textspanner that Is almost what I want, but textspanner seams to
have just - - - - notation and bor
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