Am 29.07.2008 um 01:15 schrieb Neil Puttock:
James E. Bailey-2 wrote:
Am 30.07.2008 um 21:51 schrieb sdfgsdhdshd:
Question
Can this be handled by lilypond, to put the possible times only
at the
beginning of the score, when there are too many?
I would just create a fake time signature t
2008/7/30 James E. Bailey <[EMAIL PROTECTED]>:
> I would just create a fake time signature that looks like what I want, then
> just remove the engraver for all of the other time signatures.
... or use \override Staff.TimeSignature #'stencil = ##f
(easier and revertible)
Cheers,
Valentin
_
James E. Bailey-2 wrote:
>
>
> Am 30.07.2008 um 21:51 schrieb sdfgsdhdshd:
>> Question
>> Can this be handled by lilypond, to put the possible times only at the
>> beginning of the score, when there are too many?
>
> I would just create a fake time signature that looks like what I want,
> th
Am 30.07.2008 um 21:51 schrieb sdfgsdhdshd:
Question
Can this be handled by lilypond, to put the possible times only at the
beginning of the score, when there are too many?
I would just create a fake time signature that looks like what I want,
then just remove the engraver for all of the oth
sdfgsdhdshd wrote:
>
> The score beginning is (SATB)
>
> |
> |
> |G clef---3/4---2/4---rest---note---
> |
> |
> |
> |
> |
> |
> |F clef---3/4---2/4---rest---chord---
> |
> |
>
> The score is 3/4; so probably an error.
>
Solution found: in fact, some me
> > I was rather talking about a movement in the Trio for Violin,
> > Klarinet, and Piano (`Contrasts') which contains a chain of five
> > time signatures (IIRC) to indicate a complicated Hungarian folk
> > music rhythm pattern.
>
> Aren't there "plus" signs between the timesigs in such cases?
I
2008/7/30 Werner LEMBERG <[EMAIL PROTECTED]>:
> I was rather talking about a movement in the Trio for Violin,
> Klarinet, and Piano (`Contrasts') which contains a chain of five time
> signatures (IIRC) to indicate a complicated Hungarian folk music
> rhythm pattern.
Aren't there "plus" signs betw
> > Bartók uses similar things.
> >
> >
> > Werner
>
> [...] The score is 3/4; so probably an error.
I was rather talking about a movement in the Trio for Violin,
Klarinet, and Piano (`Contrasts') which contains a chain of five time
signatures (IIRC) to indicate a complicated Hungarian fol
Reinhold Kainhofer wrote:
>
> I have a "Psalmenproprium" by Hans Haselböck (writte 1968), where in one
> place
> there are four (!!!) time signatures at the same time (the following
> measures
> alternate freely between those four time signatures):
> 2/4 3/4 3/8 5/8
>
Is it available online?
Werner LEMBERG wrote:
>
>
>> I have a "Psalmenproprium" by Hans Haselböck (writte 1968), where in
>> one place there are four (!!!) time signatures at the same time (the
>> following measures alternate freely between those four time
>> signatures): 2/4 3/4 3/8 5/8
>
> Bartók uses similar thing
> I have a "Psalmenproprium" by Hans Haselböck (writte 1968), where in
> one place there are four (!!!) time signatures at the same time (the
> following measures alternate freely between those four time
> signatures): 2/4 3/4 3/8 5/8
Bartók uses similar things.
Werner
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Am Dienstag, 29. Juli 2008 schrieb Neil Puttock:
> > On a paper score likely made with Finale (not by me), i see 3/4 then
> > immediately 2/4 without anything between, whatever the staff.
> >
> > 1) Error or feature? Never seen that before.
>
> Probabl
2008/7/28 sdfgsdhdshd <[EMAIL PROTECTED]>:
>
> On a paper score likely made with Finale (not by me), i see 3/4 then
> immediately 2/4 without anything between, whatever the staff.
>
> 1) Error or feature? Never seen that before.
Probably not an error; I can think of at least two situations where
t
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