That works very well, Andrew. I'll have to investigate the \tag command
a bit more. It might be useful in my orchestral piece. Best,
Jon
Andrew Hawryluk wrote:
Yes. Replace "\layout {}" with "\layout { \context{
\RemoveEmptyStaffContext}}" and the empty staff disappears. You can
also place
Yes. Replace "\layout {}" with "\layout { \context{
\RemoveEmptyStaffContext}}" and the empty staff disappears. You can
also place the \break in the "csu" command to make it easier to use.
Maybe you could even add a \tag so this only takes effect in the full
score and the individual instrumental pa
I created a short example doing this with the staff-change command and
it gets the lower voice into the upper staff just fine, with the
noteheads merged and the stems going opposite directions, but the
vacated staff doesn't disappear like I think Stefan wanted. Is this the
sort of thing you en
Andrew Hawryluk wrote:
This could be nice occasion to use the \change Staff = "..." command,
which is explained in the section of keyboard music (where it is
indidpensible), but it can be used on any named staves in your score.
You can also change the instrument name manually at this point.
Note
This could be nice occasion to use the \chage Staff = "..." command,
which is explained in the section of keyboard music (where it is
indidpensible), but it can be used on any named staves in your score.
You can also change the instrument name manually at this point.
Note that you will need to mak
Well, it's easy enough to put two voices on the same staff and make
their stems go in opposite directions. See the docs where they discuss
single-staff polyphony (Learning Manual section 2.3.5 for version
2.11.62 or later), and depending on how you do the single-staff
polyphony, you may need \
