2013/11/9 Colin Campbell :
> With a big thank you to Janek, this is what I've managed. There might be
> room to adjust spacing a bit, and I'm sure I need to review the way I use
> Voices, but it gets me over the hump, and I can whip up a MIDI version
> easily enough.
> I continue to be astounded at
On 11/09/2013 02:16 AM, Janek Warchoł wrote:
If you don't care about getting correct MIDI, you could use a trick to
get the two notes in the same voice:
<< \clef F { r2 r4 s } \\ { r2 e2*1/2^( \voiceOne c'4) }
best,
Janek
With a big thank you to Janek, this is what I've managed. There mig
Hi,
> Well, if we are talking about a cello, you'll never have more than one
> slur at a time, right?
Not true — for example, Tchaikovsky used multiple slurs on strings all the time.
Kieren.
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Hi,
2013/11/9 Colin Campbell :
> I have an exercise which requires starting a note on one string, then adding
> a second note while the first is still sounding. Graphically, it looks like
> a slur. My problem is that, in order to get timing right, I have to use two
> voices, and of course, I can'
Colin Campbell writes:
> I have an exercise which requires starting a note on one string, then
> adding a second note while the first is still sounding. Graphically,
> it looks like a slur. My problem is that, in order to get timing
> right, I have to use two voices, and of course, I can't slur
